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AN ARCHAEOLOGY OF THE IRON CURTAIN<br />

One city becomes two<br />

After the location of the border had been established a commission was<br />

given the task of physically marking the new borderline on the ground. This<br />

was done by painting a line or through staking out poles (Figure 18–19).<br />

Although some consideration was shown to keep villages and cities together<br />

this did not always work in practice and villages and sometimes even single<br />

farms were cut through by the new border. In the study area many local<br />

stories tell of how landowners would go out during the first few nights after<br />

the border was marked and move the border markers in one direction or<br />

other so that their property would fall within one country. Soon, however,<br />

both Yugoslavian and Italian military arrived to patrol the borders making<br />

further changes impossible. Further border structures, fencing and even<br />

mines in places were soon installed to make crossing more difficult<br />

(Velušček and Medved 2002).<br />

Figure 18: Poles marking the new<br />

border line are erected by a group<br />

of workers in front of Nova Gorica<br />

railway station, 1947. Property of<br />

Musei provinciali di Gorizia, Italy.<br />

Figure 19: The new border line<br />

between Italy and Yugoslavia is<br />

being painted by an American<br />

Soldier near in the village of<br />

Šempeter, 1947. Property of Musei<br />

provinciali di Gorizia, Italy.<br />

76

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