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Figure 23 a and b: Discarded road barrier and close- up of red star painted on its weight by the former Yugoslavian border guard station on top of Mount Sabotino/Sabotin. Photos: Anna McWilliams 2008.
AN ARCHAEOLOGY OF THE IRON CURTAIN Figure 24: Former Yugoslavian border guard station with basketball court in the foreground and buildings in the background. First World War memorial stones can be seen at the back by the flagpoles. Photo: Anna McWilliams 2011. Directly north of the compound, where the ground slopes downwards in a steep decline large systems of trenches from the First World War are located. To the south there are several paths leading up towards the top of the mountain and the border. The border is marked by white border stones which in part follows the ridge of the mountain following the 1975 Osimo Treaty when the border was moved here. They are located at a close distance from each other, sometimes as close as 10 m as the direction of the border, and the ridge of the mountain, constantly changes. Two tracks run here, one on each side of the boundary, created by Italian and Yugoslavian border guards patrolling their side of the border, not allowed to cross the border even by a step (Figure 25). The duality of the paths are still visible but are soon disappearing as the tracks now have a different purpose, allowing ramblers to climb the mountain with no restrictions of what side of the border to walk on. These tracks, created by the actions of people demonstrate that high fences do not always have to be present in order for a clear boundary line to exist. It is intriguing to imagine how patrols were carried out as the guards would have to walk so very close to each other. It was important to keep the sides at peace and not risk any confrontations of the border guards whilst working in such proximity. It was therefore, at 86
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An Archaeology of the Iron Curtain
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An Archaeology of the Iron Curtain
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Contents Acknowledgements 11 CHAPTE
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The end of a journey 212 Sammanfatt
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AN ARCHAEOLOGY OF THE IRON CURTAIN
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CHAPTER 1 Introduction Standing on
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1: INTRODUCTION carried out of the
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1: INTRODUCTION they may be… It i
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1: INTRODUCTION where the observer
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1: INTRODUCTION former Iron Curtain
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1: INTRODUCTION criticism from othe
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1: INTRODUCTION itioned somewhere i
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1: INTRODUCTION World War II dividi
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CHAPTER 2 A physical metaphor Concr
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2: A PHYSICAL METAPHOR established
Page 36 and 37: 2: A PHYSICAL METAPHOR The changing
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5: CASE STUDY 2: THE CZECH/AUSTRIAN
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Figure 77-78: Painting inside the f
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CHAPTER 6 An archaeology of the Iro
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6: AN ARCHAEOLOGY OF THE IRON CURTA
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Figure 102: Fence and Watch Tower a
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Sammanfattning (Summary in Swedish)
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SAMMANFATTNING En fysisk metafor I
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SAMMANFATTNING komst och kunskapsf
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SAMMANFATTNING Fältstudier av läm
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SAMMANFATTNING som försöker ta si
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SAMMANFATTNING mets dilemma”. Han
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Södertörn Doctoral Dissertations
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33. Sofie Bedford, Islamic activism
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67. Anne Kaun, Civic Experiences an
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Stockholm Studies in Archaeology Se
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29. LINDGREN, Christina. 2004. Män
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The Iron Curtain was seen as the di
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