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The Stoic Creed - College of Stoic Philosophers

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PHYSICS: NATURE, GOD, THE SOUL 85<br />

<strong>The</strong> problem was, Given the universe, with our multi<br />

farious experiences <strong>of</strong> it and our relations to it, how<br />

are we to interpret it ? Clearly, the interpreting term<br />

must be the principle <strong>of</strong> unity. But this unity must<br />

not be incompatible with plurality and diversity ;<br />

otherwise, we have not explained the world that we<br />

know, but have merely ignored a prominent factor<br />

it. In our experience, things change. But, in order<br />

to change, there must be presupposed something<br />

changeless, law, or process, or substance. <strong>The</strong>re<br />

are differences on all hands in nature ;<br />

and if these are<br />

to be gathered up in a unity, that unity must be one<br />

from which they are also seen to emerge. In the<br />

solution, God, the World, and the human Soul must<br />

all find a place ;<br />

and there must also bej^nJEiscJiatplpgy,<br />

or doctrine <strong>of</strong> last things.<br />

in<br />

<strong>The</strong> problem was not new to thinking minds how<br />

could it, as curiosity is natural to man ? It had been<br />

bravely faced by the pre-Socratic philosophers, and<br />

solutions on two distinct lines had been <strong>of</strong>fered <strong>of</strong> it.<br />

<strong>The</strong> Eleatics had fixed exclusively on the unity, and<br />

had denied the possibility <strong>of</strong> change, regarding it<br />

simply<br />

as a delusion <strong>of</strong> the senses. Heracleitus <strong>of</strong><br />

Ephesus, &quot;the obscure,&quot; started with plurality and<br />

change, with the perpetual<br />

motion and transmutation<br />

that are discernible alike in human consciousness and<br />

in outward nature, and explained them in the light <strong>of</strong><br />

the world-ruling reason, the cosmic logos, the permanent<br />

u antiphonal rhythm,&quot; &quot;which, proceeding uniformly<br />

from movement to movement, as in some intricate<br />

musical theme, might link together in one those con-

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