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Analyzing the “Photographic Evidence” of the Nanking Massacre

Analyzing the “Photographic Evidence” of the Nanking Massacre

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Photo 82 (135) Photo 85 (156) Photo 90 (134)Photo 89 (152) Photo 81 (112)All <strong>of</strong> <strong>the</strong>se photographs are credited as “Courtesy <strong>of</strong> Marion Fitch” in RON-YY (withRON-YY page numbers indicated in paren<strong>the</strong>ses).The third question is whe<strong>the</strong>r or not <strong>the</strong> photographer was truly a Japanese militaryman.Photo 89’s caption in RON-YY says, “These Japanese soldiers dug out <strong>the</strong> heart <strong>of</strong>a Chinese ‘to be an appetizer that goes with wine’. The photo was taken as a souvenir <strong>of</strong><strong>the</strong> occasion. The victim was Wang Jia-rang, a boiler worker at <strong>Nanking</strong> YongliyaFactory.” If this had been a true story, one would have to conclude that <strong>the</strong> Japanesecommitted an egregiously inhumane act. Yet, one would first wonder if <strong>the</strong> Japanese hadsuch a custom. Fur<strong>the</strong>rmore, it would appear to defy conventional wisdom for someone topose for a picture with what seems to be an ordinary demeanor—as distinctly shown in <strong>the</strong>image—immediately prior to performing such an unbelievably gruesome act. In addition,<strong>the</strong> cameraman would have also hesitated to record such a scene.Since a woven-type wall is commonly seen in <strong>the</strong> background <strong>of</strong> Photos 82, 85,152

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