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Analyzing the “Photographic Evidence” of the Nanking Massacre

Analyzing the “Photographic Evidence” of the Nanking Massacre

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Photo 126Photo 126: RON-YY, which features this photograph on p. 57, does not credit this to Steele.NDG, however, carries <strong>the</strong> same image and credits it to Steele on p. 109.Photo 127 is ano<strong>the</strong>r Steele photograph printed in Nankin jiken shiryō-shū (I).This source quoted him as saying that this was an image taken during <strong>the</strong> Japanese army’smopping-up operation in <strong>Nanking</strong>, and that arson was a probable cause <strong>of</strong> <strong>the</strong> smoke in <strong>the</strong>back. As for Photo 128, SND credited <strong>the</strong> Memorial Hall as its courtesy provider andmentioned Steele as its photographer. Judging from common objects shown on <strong>the</strong>se twoimages—<strong>the</strong> smoke in <strong>the</strong> back and a sign board reading Wuhejiangyuan—<strong>the</strong>y depict <strong>the</strong>same location on <strong>the</strong> same date. What is notable on Photo 128 is that it shows two <strong>of</strong> <strong>the</strong>four Japanese soldiers looking at <strong>the</strong> camera. The implication here is that <strong>the</strong>se Japanesemilitary men tolerated what Steele did—to take photographs <strong>of</strong> <strong>the</strong>m. Had <strong>the</strong>se Japanesesoldiers been committing an unlawful act which <strong>the</strong>y did not want him to photograph, <strong>the</strong>ywould have restrained him, or even would have confiscated his film. That <strong>the</strong>y did nottake away Steele’s film suggests that <strong>the</strong>se Japanese soldiers were conducting a lawfulmilitary operation—a mopping-up operation that <strong>the</strong> troops in occupation <strong>of</strong> a town need toconduct. They tolerated Steele’s photographing activity because <strong>the</strong>y had no qualm aboutallowing him to record <strong>the</strong>ir legitimate military activities with his camera.198

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