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Analyzing the “Photographic Evidence” of the Nanking Massacre

Analyzing the “Photographic Evidence” of the Nanking Massacre

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The Japanese not only disemboweled, decapitated, and dismembered victimsbut performed more excruciating variety <strong>of</strong> torture. Throughout <strong>the</strong> city<strong>the</strong>y nailed prisoners to wooden boards and ran over <strong>the</strong>m with tanks,crucified <strong>the</strong>m to trees and electrical posts, carved long strips <strong>of</strong> flesh from<strong>the</strong>m, and used <strong>the</strong>m for bayonet practice. At least one hundred menreportedly had <strong>the</strong>ir eyes gouged out and <strong>the</strong>ir noses and ears hacked <strong>of</strong>fbefore being set on fire. (p. 87)After gang rape, Japanese soldiers sometimes slashed open <strong>the</strong> bodies <strong>of</strong>pregnant women and ripped out <strong>the</strong> fetuses for amusement. (p. 91). . . <strong>the</strong>y “stuck a wire through his nose and tied <strong>the</strong> o<strong>the</strong>r end <strong>of</strong> <strong>the</strong> wire to atree just like one would tie up a bull.” (p. 94). . . one Japanese soldier who raped a young woman thrust a beer bottle intoher and shot her. Ano<strong>the</strong>r victim was found with a golf club rammed intoher. . . . <strong>the</strong> Japanese raped a barber’s wife and <strong>the</strong>n stuck a firecracker inher vagina. (pp. 94-95)Similarities between <strong>the</strong> descriptions <strong>of</strong> alleged Japanese atrocities in RON-I on <strong>the</strong>one hand and Chinese brutality recounted in Wild Swans and Hungry Ghosts on <strong>the</strong> o<strong>the</strong>rhand are striking. One could speculate that <strong>the</strong> three photographs and RON-I’s (?)accounts were <strong>the</strong> result <strong>of</strong> <strong>the</strong> Chinese projecting <strong>the</strong>ir own past conduct onto <strong>the</strong> Japanesearmy .There is yet ano<strong>the</strong>r example <strong>of</strong> blaming <strong>the</strong> Japanese <strong>of</strong> committing atrocious actswhich <strong>the</strong> Chinese have traditionally perpetrated. Photo 105, which shows a man placedin a cangue, made its debut as a <strong>Nanking</strong>-atrocity photograph in QINHUA, and has sincebeen included in o<strong>the</strong>r publications. On one hand, <strong>the</strong> Japanese people did not impose thiskind <strong>of</strong> punishment on criminals in modern times. On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> Chinese stillobserved this punishment even in <strong>the</strong> 20 th century, and <strong>the</strong> scene shown in Photo 105 wasnot rare. Photos Q and R were taken in Shanghai in 1907 and in Beijing in 1924,respectively. Owase Tatsuhiko sketches <strong>the</strong> origin <strong>of</strong> <strong>the</strong> cangue and <strong>the</strong> punishment thataccompanied its use in his Zusetsu Chūgoku kokukeishi [Pictorial History <strong>of</strong> Chinese CruelPunishments]:The cangue is a tool for punishing criminals by immobilizing <strong>the</strong>ir neck,hands, and feet. Originally modeled on an agricultural tool, it was alreadyin use at <strong>the</strong> time <strong>of</strong> <strong>the</strong> Shang and Zhou dynasties, but was not <strong>of</strong>ficiallyadopted until after <strong>the</strong> time <strong>of</strong> <strong>the</strong> nor<strong>the</strong>rn Wei dynasty. The size, shape,and weight <strong>of</strong> <strong>the</strong> cangue varied, and <strong>the</strong> seriousness <strong>of</strong> criminal <strong>of</strong>fensedetermined which type should be used. Although it was usually made <strong>of</strong>wood, an iron version was also produced during <strong>the</strong> Sung dynasty period.174

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