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Analyzing the “Photographic Evidence” of the Nanking Massacre

Analyzing the “Photographic Evidence” of the Nanking Massacre

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(a) Four military personnel at <strong>the</strong> scene <strong>of</strong> beheadingSince <strong>the</strong>ir first appearance on WMRB and RBS, Photos 6 and 7 have beenreprinted in a number <strong>of</strong> books and magazines as shown in <strong>the</strong> following table.Photo 6 Photo 7Timperly (1938) ○ ○Ken Magazine (1938) ○ ○China Weekly Review (1938) ○ ○ZKH (1947) ○ -Ajia no sensō (1956) ○ -Chūgoku no tabi (1972) ○ -Chūgoku no nihonnguni (1972) ○ -QINHUA (1985) ○ ○SND (1995) ○ ○<strong>Nanking</strong> 1937 (1997) ○ -RON-YY (1997) ○ -RON-I (1997) ○ -These two photographs seemingly captured <strong>the</strong> scenes <strong>of</strong> “before” and “after” <strong>of</strong> anexecution by beheading with a sword because two individuals marked with (a) and (b) ineach photo appear on both <strong>of</strong> <strong>the</strong>m. The objects (e) and (f) look like <strong>the</strong> torso <strong>of</strong> <strong>the</strong>severed head <strong>of</strong> <strong>the</strong> executed, respectively.But one should doubt <strong>the</strong> au<strong>the</strong>nticity <strong>of</strong> <strong>the</strong>se photographs based on <strong>the</strong>following reasons:1. When beheading someone, <strong>the</strong> sword-bearer has to step his right foot ahead <strong>of</strong> <strong>the</strong> left.But <strong>the</strong> person on Photo 6 steps forward in his left foot—a posture that may well result ininjuring his left foot.2. The shadows <strong>of</strong> persons (a) and (c) in Photo 6 fall in different directions while one cansee no shadow <strong>of</strong> <strong>the</strong> person sitting and waiting for <strong>the</strong> execution.3. The left foot shoe <strong>of</strong> person (a) in Photo 6 looks quite unnatural because it does notpoint forward.4. An unidentifiable object that appears to be black clo<strong>the</strong>s covers <strong>the</strong> about-to-bebeheaded person under his chest in Photo 6. Although it looks like Buddhist monk’srobe, one may also suspect that it is a result <strong>of</strong> retouching, because that part should be sunlighted.5. Although <strong>the</strong> executioner in Photo 6 is seen wearing a jacket-like coat, according toIwata Yoshiyasu, former <strong>of</strong>ficer <strong>of</strong> <strong>the</strong> Japanese army, no Japanese army man—whe<strong>the</strong>rhe was an <strong>of</strong>ficer, non-commissioned <strong>of</strong>ficer, or enlisted man—was dressed like that.6. As previously noted, one may wonder who captured this image at such close range andwith whose permission.7. Photo 7 appears to show <strong>the</strong> scene immediately after <strong>the</strong> beheading. Never<strong>the</strong>less,<strong>the</strong> shadows <strong>of</strong> <strong>the</strong> persons in this photo do not extend in <strong>the</strong> same direction as seen inPhoto 6.8. Judging from Photo 7, <strong>the</strong> beheaded man was sitting on <strong>the</strong> edge <strong>of</strong> what looks like ahuge pit. Thus, one may wonder how <strong>the</strong> cameraman took Photo 6, which was71

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