THE SCIENCE AND APPLICATIONS OF ACOUSTICS - H. H. Arnold ...

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268 11. Acoustics of Enclosed Spaces: Architectural AcousticsFigure 11.13. The stage area of the Minnesota Orchestra Hall in Minneapolis. (Courtesyof the Minnesota Orchestral Association.)low as a few hundred feet directly over the roof, and occasionally helicopters passby along the Potomac River at rooftop levels. In addition, vehicular traffic runsacross the river and directly beneath the plaza of the Center.To deal with these external noise sources, the Center was constructed as abox-within-a-box, so that each of the auditoriums is totally enclosed within anouter shell. The columns within each auditorium are constructed to isolate interiorFigure 11.14. The interior of the John F. Kennedy Opera House in Washington, DC.(Courtesy of the John F. Kennedy Center. Photograph by Scott Suchman.)
11.15 Concert Halls and Opera Houses 269ceilings, walls, and floors from both airborne and mechanical vibrations. Thedouble-wall construction generally consists of 6-in. solid high-density blocks separatedby a 2-in. air gap. The huge windows in the Grand Foyer facing the riverconsist of 1.27-cm (1/2-in.) and 0.64-cm (1/4-in.) thick glass sheets separated bya 10-cm (4-in.) air gap. Resilient mounts are used to isolate interior noise sources(e.g. transformers, air-conditioning units, etc.) The ductworks are acousticallylined, flexible connectors are used, special doors are installed at all auditoriumentrances together with “sound locks” between foyer and the auditoriums.The rectangular concert hall encompasses a volume of 682,000 ft 3 and accommodatesan audience of 2759. Large contoured wall surfaces and a coffered ceilingabet the diffusion of sound at low and high frequencies. The 11 massive crystalchandeliers, each weighing 1.3 metric ton, donated by the Norwegian government,also contribute to the diffusion. The balconies are purposely shallow to preventreduction of sound below the balcony overhang. Unoccupied, the concert hall hasa reverberation time of 2.2 s at 500 Hz and 2.0 s at 1 kHz; the corresponding valuesare 2.0 s and 1.8 s for the fully occupied hall.Located in downtown Seattle, Washington, Benaroya Hall opened in September1998, contains two spaces for musical performances: a 2500-seat main auditorium(Figure 11.15) and a more intimate 540-seat recital hall. The main auditorium, theS. Mark Taper Foundation Auditorium, is a classic rectangular configuration withthe stage enclosed in a permanent acoustic shell. LMN (Loschky, Marquartdt andFigure 11.15. Seattle Symphony performing in Benaroya Hall in Seattle, WA under thedirection of Music Director Gerard Schwarz. (Courtesy of the Seattle Symphony, photographby Craig Raymond.)
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THE SCIENCE ANDAPPLICATIONS OFACOUS
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xPrefaceReferencesBacon, Sir Franci
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xiiContents16. Ultrasonics 44317. C
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2 1. A Capsule History of Acoustics
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1. A Capsule History of Acoustics 5
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12 1. A Capsule History of Acoustic
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14 2. Fundamentals of AcousticsFigu
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16 2. Fundamentals of Acoustics2.2
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18 2. Fundamentals of Acousticsof t
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20 2. Fundamentals of AcousticsQ z+
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22 2. Fundamentals of Acousticsin t
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24 2. Fundamentals of AcousticsWe c
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26 2. Fundamentals of Acoustics(2)
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28 2. Fundamentals of AcousticsEqua
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30 2. Fundamentals of Acoustics11.
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32 3. Sound Wave Propagation and Ch
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3.14 Performance Indices for Enviro
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3.14 Performance Indices for Enviro
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or in terms of complex exponential
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3.17 Sound Intensity 61Here the sur
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3.18 The Monopole Source 63The thre
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3.21 Energy Density 653.20 The Hemi
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References 67medium. The time avera
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Problems for Chapter 3 69(a) the wa
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4Vibrating Strings4.1 IntroductionI
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4.4 General Solution of the Wave Eq
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4.6 Simple Harmonic Solutions of th
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4.7 Standing Waves 77Figure 4.3. Di
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4.8 The Effect of Initial Condition
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4.10 Forced Vibrations in an Infini
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4.11 Strings of Finite Lengths: For
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References 854.12 Real Strings: Fre
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Problems for Chapter 4 878. A devic
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90 5. Vibrating BarsFigure 5.1. A b
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92 5. Vibrating BarsSettingc 2 = E/
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94 5. Vibrating BarsThe allowable f
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96 5. Vibrating Barsthe acceleratio
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98 5. Vibrating BarsFigure 5.5. Loc
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100 5. Vibrating Barsmore difficult
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102 5. Vibrating BarsFigure 5.7. An
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104 5. Vibrating Barsthe light beam
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106 5. Vibrating BarsFigure 5.8. Tr
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108 5. Vibrating BarsFigure 5.10. T
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110 5. Vibrating Barsof 0.005 m dia
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112 6. Membrane and PlatesFigure 6.
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114 6. Membrane and PlatesBecause t
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116 6. Membrane and PlatesThe left-
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118 6. Membrane and PlatesTable 6.1
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120 6. Membrane and PlatesIn real a
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122 6. Membrane and PlatesTable 6.2
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124 6. Membrane and PlatesAt low fr
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126 6. Membrane and PlatesThe elast
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128 6. Membrane and PlatesFor the f
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130 6. Membrane and Plates(b) Deter
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132 7. Pipes, Waveguides, and Reson
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152 8. Acoustic Analogs, Ducts, and
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9Sound-Measuring Instrumentation9.1
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9.3 Microphones 175Figure 9.1. A cu
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SolutionEquation (9.3) is applied t
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9.5 Selection and Positioning of Mi
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9.6 Vector Sound Intensity Probes 1
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9.8 Proper Procedures for Using the
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9.8 Proper Procedures for Using the
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Example Problem 39.10 Dosimeters 18
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9.11 Noise Measurement in Selected
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9.11 Noise Measurement in Selected
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9.12 Real Time Analysis 193analyzer
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9.13 Fast Fourier Transform Analysi
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9.14 Data Windows and Selection of
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9.16 Measurement Error 199whereβ =
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9.18 Measurement of Sound in a Free
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9.20 Sound Power Measurement in a D
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9.20 Sound Power Measurement in a D
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9.23 The Addition Method for Measur
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References 209acoustical output and
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Problems for Chapter 9 2112. Determ
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214 10. Physiology of Hearing and P
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Page 249 and 250: 11Acoustics of Enclosed Spaces:Arch
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Page 283 and 284: References 277preferred subsequent
Page 285 and 286: Problems for Chapter 11 279Siebein,
Page 287 and 288: 12Walls, Enclosures, and Barriers12
Page 289 and 290: 12.3 Mass Control Case 283Figure 12
Page 291 and 292: 12.5 Effect of Frequencies on Sound
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Page 295 and 296: 12.7 The Double-Panel Partition 289
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Page 303 and 304: 12.11 Noise Insulation Ratings 297F
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Page 307 and 308: 12.12 Noise Reduction of a Wall 301
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13Criteria and Regulations forNoise
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13.3 The Occupational Safety and He
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13.4 Perception of Noise 323inspect
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13.6 Indoor Noise Criteria 325accou
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13.6 Indoor Noise Criteria 327Room
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13.7 Equivalent Sound Level, Day-Ni
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13.7 Equivalent Sound Level, Day-Ni
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Composite Noise Rating13.9 Rating o
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13.10 Evaluation of Traffic Noise 3
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Highway Construction Noise13.10 Eva
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13.11 Evaluation of Community Noise
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13.12 Guidelines and Regulations in
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References 353Computer Program, HIC
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Problems for Chapter 13 355Problems
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14Machinery Noise Control14.1 Intro
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14.4 Fan or Blower Noise 359Table 1
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14.4 Fan or Blower Noise 361Figure
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14.6 Pumps and Plumbing Systems 367
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14.6 Pumps and Plumbing Systems 369
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14.8 Gears 371fromwheref BRC = N r
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14.8 Gears 373Figure 14.7. Gear noi
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14.8 Gears 375Figure 14.8. Gear tra
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14.8 Gears 377The subscripts 1 and
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14.10 Ball and Roller Bearings 379l
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14.10 Ball and Roller Bearings 381c
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14.11 Other Mechanical Drive Elemen
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Belt Drivesf CL = n 1N 1 2400 × 12
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14.12 Gas-Jet Noise 387said to be c
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14.12 Gas-Jet Noise 389power discha
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Solution14.12 Gas-Jet Noise 391Usin
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14.13 Gas Jet Noise Control 393Solu
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14.13 Gas Jet Noise Control 395Figu
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14.13 Gas Jet Noise Control 397Figu
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14.14 Mufflers and Silencers 399Fig
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(1 + m)A I 1=A 314.14 Mufflers and
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14.14 Mufflers and Silencers 403Let
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References 405Figure 14.21 illustra
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Problems for Chapter 14 407the nois
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15Underwater Acoustics15.1 Sound Pr
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15.3 Speed of Sound in Seawater 411
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15.4 Velocity Profiles in the Sea 4
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15.4 Velocity Profiles in the Sea 4
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15.5 Underwater Transmission Loss 4
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15.6 Parametric Variation of Absorp
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15.8 Underwater Refraction 421Figur
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15.9 Mixed Layer 423When G is const
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15.11 Sonar Transducers and Their P
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Example Problem 115.12 The Sonar Eq
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Active and Passive Equations15.12 T
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15.13 Noise, Echo, and Reverberatio
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15.13 Noise, Echo, and Reverberatio
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15.14 Transient Form of Sonar Equat
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Example Problem 315.16 Shortcomings
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15.17 Theoretical Target Strength o
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Problems for Chapter 15 441Wilson,
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444 16. Ultrasonicscatching small i
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446 16. UltrasonicsPlanck constant
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448 16. UltrasonicsEquation (16.5)
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450 16. UltrasonicsFigure 16.1. Sou
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452 16. Ultrasonicsthe positive hal
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454 16. Ultrasonicson each and ever
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456 16. Ultrasonicscomplete as a li
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458 16. Ultrasonicsinitial of their
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460 16. Ultrasonicsoptic axis, deno
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462 16. Ultrasonicstransducer, it h
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464 16. UltrasonicsTable 16.1. Valu
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466 16. Ultrasonicsthe mechanical r
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468 16. UltrasonicsThe Physics of M
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470 16. UltrasonicsFigure 16.7. The
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472 16. Ultrasonicscurvilinear arra
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474 16. Ultrasonics(a)amplitudeinpu
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476 16. Ultrasonicsslow to allow th
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478 16. Ultrasonics5. In the cases
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480 17. Commercial and Medical Ultr
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510 18. Music and Musical Instrumen
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Figure 18.7. The frequencies of the
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Figure 18.20. The violin octet deve
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570 19. Sound ReproductionAlbert, a
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572 19. Sound ReproductionD. Magnet
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574 19. Sound Reproductionon, machi
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576 19. Sound ReproductionIt is fai
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578 19. Sound ReproductionINNER SUS
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580 19. Sound Reproductiontuned ape
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582 19. Sound Reproductionuse of MP
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584 19. Sound ReproductionDickason,
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586 20. Vibration and Vibration Con
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618 21. Nonlinear Acousticsby∇ 2
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620 21. Nonlinear Acousticsmay be i
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622 21. Nonlinear Acousticswhereδ
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624 21. Nonlinear AcousticsThe shoc
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626 21. Nonlinear AcousticsBut the
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Appendix APhysical Properties of Ma
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Appendix A. Physical Properties of
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Appendix BBessel FunctionsB.1 The B
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B.8 Tables of Bessel Functions, Zer
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Appendix CUsing Laplace Transforms
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C.3 Solving Differential Equations
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C.4 Equations with Multiple-Order R
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SolutionC.5 Equations with Complex
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C.5 Equations with Complex Roots 64
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SolutionC.5 Equations with Complex
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650 IndexAuditoriums, design of, 26
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652 IndexElectrostatic speakers, 58
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654 IndexKey notation, 518Kinetic e
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656 IndexPascal (unit), 48Percent i
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658 IndexSound intensity growth in
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660 IndexWater-hammer arresters, 37
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