THE SCIENCE AND APPLICATIONS OF ACOUSTICS - H. H. Arnold ...

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18.9 Strings 533acoustical asymmetry inside the body. The shape, positioning, wood quality, andfitting of the sound post constitute highly critical factors in performance qualityof the instrument.The bass bar runs along the length of the interior surface of the top plate approximatelyunder the lowest-tuned string. Its function is to keep the vibrations of theupper and lower areas of the top plate in phase with the left foot of the bridge. Thebar is glued to the top plate in such a manner so as to provide structural strength tothe thin wood forming the top plate. Both the sound post and the bass bar enable thetop plate to withstand downward forces of 70–90 N from the strings. The contourof the bass bar is extremely important in the proper “thinning” or “tuning” of thetop plate.The f-holes serves two acoustical purposes: (a) reduction of the stiffness of thesurface on which the bridge stands in order to provide suitably tapered transitionbetween the bridge and the radiating area of the top plate and (b) formation of aHelmholtz resonator with the body of the instrument, thereby strengthening soundin the lowest octaves. The purling are inlays of thin wood placed in grooves alongthe edges of the plates. This allows the plates to vibrate more as if they were hingedrather than being clamped at the edges.In the violin, the top plate is generally constructed of softer Norway spruce(Picco abies or Picca excelsis), and back plate and the ribs are carved from (harder)curly maple (Acer platanoides). Fingerboard, tailpiece, and pegs are usually madeof ebony. The bow stick is made from pernambuco.The strings of the violin were originally all gut. Since about the seventiethcentury, the lowest (G) string was commonly wound with silver to improve theresponse. Present-day violinists use wound strings (i.e., metal wound over coresof gut, nylon, or metal) for D and A strings and steel E-string. The latter string canbe finely adjusted with the use of a fine tuner.In addition to the four principal members of the violin family, the aforementionedCatgut Acoustical Society was responsible for the development of the violin octet,an ensemble of eight specially scaled new violin family instruments (Hutchins,1967). The octet of instruments, illustrated in the photograph of Figure 18.20 anddeveloped by the society to meet the challenge of encompassing the entire rangeif orchestral music, consists of the treble violin, the soprano violin, the mezzoviolin, the alto violin, the tenor violin, the baritone violin, the small bass, and thecontrabass. Although these instruments form a family with basic traits in common,each member has its own individual personality. The homogeneity of sound arisesfrom adjustments in body length and other physical characteristics so that eachinstrument has its own main wood resonance and main air resonance near the twoopen middle strings. The musical ranges of the strings on these instruments areshown in Figure 18.21, as they relate to the corresponding notes on a standardpiano. These eight instruments of the new violin family range in overall lengthfrom 48 cm to 214 cm.The principal modern struck-string instrument is the piano that are availablein several models, ranging in size from the more modest upright or spinet pianoto the concert grand piano. The heart of the piano consists of a large number of
Figure 18.20. The violin octet developed by the Catgut Acoustical Society. (Courtesy ofthe New Violin Family Association.)Figure 18.21. The musical ranges of the of the new violin octet developed by theCatgut Acoustical Society as related to piano notes. (Courtesy of the New Violin FamilyAssociation.)
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THE SCIENCE ANDAPPLICATIONS OFACOUS
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xPrefaceReferencesBacon, Sir Franci
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xiiContents16. Ultrasonics 44317. C
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2 1. A Capsule History of Acoustics
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1. A Capsule History of Acoustics 5
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12 1. A Capsule History of Acoustic
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14 2. Fundamentals of AcousticsFigu
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16 2. Fundamentals of Acoustics2.2
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18 2. Fundamentals of Acousticsof t
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20 2. Fundamentals of AcousticsQ z+
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22 2. Fundamentals of Acousticsin t
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24 2. Fundamentals of AcousticsWe c
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26 2. Fundamentals of Acoustics(2)
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28 2. Fundamentals of AcousticsEqua
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30 2. Fundamentals of Acoustics11.
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32 3. Sound Wave Propagation and Ch
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3.14 Performance Indices for Enviro
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3.14 Performance Indices for Enviro
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or in terms of complex exponential
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3.17 Sound Intensity 61Here the sur
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3.18 The Monopole Source 63The thre
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3.21 Energy Density 653.20 The Hemi
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References 67medium. The time avera
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Problems for Chapter 3 69(a) the wa
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4Vibrating Strings4.1 IntroductionI
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4.4 General Solution of the Wave Eq
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4.6 Simple Harmonic Solutions of th
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4.7 Standing Waves 77Figure 4.3. Di
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4.8 The Effect of Initial Condition
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4.10 Forced Vibrations in an Infini
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4.11 Strings of Finite Lengths: For
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References 854.12 Real Strings: Fre
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Problems for Chapter 4 878. A devic
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90 5. Vibrating BarsFigure 5.1. A b
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92 5. Vibrating BarsSettingc 2 = E/
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94 5. Vibrating BarsThe allowable f
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96 5. Vibrating Barsthe acceleratio
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98 5. Vibrating BarsFigure 5.5. Loc
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100 5. Vibrating Barsmore difficult
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102 5. Vibrating BarsFigure 5.7. An
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104 5. Vibrating Barsthe light beam
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106 5. Vibrating BarsFigure 5.8. Tr
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108 5. Vibrating BarsFigure 5.10. T
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110 5. Vibrating Barsof 0.005 m dia
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112 6. Membrane and PlatesFigure 6.
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114 6. Membrane and PlatesBecause t
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116 6. Membrane and PlatesThe left-
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118 6. Membrane and PlatesTable 6.1
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120 6. Membrane and PlatesIn real a
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122 6. Membrane and PlatesTable 6.2
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124 6. Membrane and PlatesAt low fr
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126 6. Membrane and PlatesThe elast
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128 6. Membrane and PlatesFor the f
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130 6. Membrane and Plates(b) Deter
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132 7. Pipes, Waveguides, and Reson
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152 8. Acoustic Analogs, Ducts, and
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9Sound-Measuring Instrumentation9.1
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9.3 Microphones 175Figure 9.1. A cu
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SolutionEquation (9.3) is applied t
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9.5 Selection and Positioning of Mi
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9.6 Vector Sound Intensity Probes 1
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9.8 Proper Procedures for Using the
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9.8 Proper Procedures for Using the
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Example Problem 39.10 Dosimeters 18
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9.11 Noise Measurement in Selected
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9.11 Noise Measurement in Selected
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9.12 Real Time Analysis 193analyzer
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9.13 Fast Fourier Transform Analysi
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9.14 Data Windows and Selection of
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9.16 Measurement Error 199whereβ =
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9.18 Measurement of Sound in a Free
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9.20 Sound Power Measurement in a D
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9.20 Sound Power Measurement in a D
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9.23 The Addition Method for Measur
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References 209acoustical output and
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Problems for Chapter 9 2112. Determ
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214 10. Physiology of Hearing and P
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11Acoustics of Enclosed Spaces:Arch
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11.2 Sound Fields 245Figure 11.1. P
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11.4 Sound Intensity Growth in a Li
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11.5 Sound Absorption Coefficients
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11.6 Growth of Sound with Absorbent
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11.7 Decay of Sound 253Following Sa
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11.8 Decay of Sound in Dead Rooms 2
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11.9 Reverberation as Affected by S
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11.13 Sound Levels due to Direct an
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11.15 Concert Halls and Opera House
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Figure 11.9. A view of the Boston S
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11.16 Band Shells and Outdoor Audit
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11.16 Band Shells and Outdoor Audit
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11.17 Subjective Preferences in Sou
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References 277preferred subsequent
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Problems for Chapter 11 279Siebein,
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12Walls, Enclosures, and Barriers12
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12.3 Mass Control Case 283Figure 12
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12.5 Effect of Frequencies on Sound
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12.6 Coincidence Effect and Critica
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12.7 The Double-Panel Partition 289
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an ideal gas) varies in the followi
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12.8 Measuring Transmission Loss 29
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12.10 Combined Sound Transmission C
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12.11 Noise Insulation Ratings 297F
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12.11 Noise Insulation Ratings 299s
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12.12 Noise Reduction of a Wall 301
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12.12 Noise Reduction of a Wall 303
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12.14 Enclosures 305to the extent t
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12.14 Enclosures 307and similarly f
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12.15 Small Enclosures 309walls. Ac
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12.16 Acoustic Barriers 311Figure 1
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12.16 Acoustic Barriers 313In the c
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Equation (12.67) becomes(11D = λ+
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Problems for Chapter 12 3173. A 0.7
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13Criteria and Regulations forNoise
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13.3 The Occupational Safety and He
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13.4 Perception of Noise 323inspect
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13.6 Indoor Noise Criteria 325accou
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13.6 Indoor Noise Criteria 327Room
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13.7 Equivalent Sound Level, Day-Ni
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13.7 Equivalent Sound Level, Day-Ni
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Composite Noise Rating13.9 Rating o
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13.10 Evaluation of Traffic Noise 3
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Highway Construction Noise13.10 Eva
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13.11 Evaluation of Community Noise
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13.12 Guidelines and Regulations in
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References 353Computer Program, HIC
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Problems for Chapter 13 355Problems
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14Machinery Noise Control14.1 Intro
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14.4 Fan or Blower Noise 359Table 1
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14.4 Fan or Blower Noise 361Figure
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14.6 Pumps and Plumbing Systems 367
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14.6 Pumps and Plumbing Systems 369
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14.8 Gears 371fromwheref BRC = N r
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14.8 Gears 373Figure 14.7. Gear noi
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14.8 Gears 375Figure 14.8. Gear tra
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14.8 Gears 377The subscripts 1 and
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14.10 Ball and Roller Bearings 379l
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14.10 Ball and Roller Bearings 381c
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14.11 Other Mechanical Drive Elemen
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Belt Drivesf CL = n 1N 1 2400 × 12
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14.12 Gas-Jet Noise 387said to be c
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14.12 Gas-Jet Noise 389power discha
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Solution14.12 Gas-Jet Noise 391Usin
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14.13 Gas Jet Noise Control 393Solu
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14.13 Gas Jet Noise Control 395Figu
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14.13 Gas Jet Noise Control 397Figu
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14.14 Mufflers and Silencers 399Fig
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(1 + m)A I 1=A 314.14 Mufflers and
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14.14 Mufflers and Silencers 403Let
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References 405Figure 14.21 illustra
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Problems for Chapter 14 407the nois
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15Underwater Acoustics15.1 Sound Pr
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15.3 Speed of Sound in Seawater 411
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15.4 Velocity Profiles in the Sea 4
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15.4 Velocity Profiles in the Sea 4
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15.5 Underwater Transmission Loss 4
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15.6 Parametric Variation of Absorp
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15.8 Underwater Refraction 421Figur
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15.9 Mixed Layer 423When G is const
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15.11 Sonar Transducers and Their P
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Example Problem 115.12 The Sonar Eq
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Active and Passive Equations15.12 T
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15.13 Noise, Echo, and Reverberatio
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15.13 Noise, Echo, and Reverberatio
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15.14 Transient Form of Sonar Equat
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Example Problem 315.16 Shortcomings
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15.17 Theoretical Target Strength o
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Problems for Chapter 15 441Wilson,
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444 16. Ultrasonicscatching small i
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446 16. UltrasonicsPlanck constant
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448 16. UltrasonicsEquation (16.5)
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450 16. UltrasonicsFigure 16.1. Sou
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452 16. Ultrasonicsthe positive hal
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454 16. Ultrasonicson each and ever
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456 16. Ultrasonicscomplete as a li
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458 16. Ultrasonicsinitial of their
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460 16. Ultrasonicsoptic axis, deno
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462 16. Ultrasonicstransducer, it h
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464 16. UltrasonicsTable 16.1. Valu
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466 16. Ultrasonicsthe mechanical r
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468 16. UltrasonicsThe Physics of M
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470 16. UltrasonicsFigure 16.7. The
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472 16. Ultrasonicscurvilinear arra
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474 16. Ultrasonics(a)amplitudeinpu
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476 16. Ultrasonicsslow to allow th
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478 16. Ultrasonics5. In the cases
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480 17. Commercial and Medical Ultr
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Page 515 and 516: 510 18. Music and Musical Instrumen
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Page 585 and 586: 580 19. Sound Reproductiontuned ape
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584 19. Sound ReproductionDickason,
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586 20. Vibration and Vibration Con
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618 21. Nonlinear Acousticsby∇ 2
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620 21. Nonlinear Acousticsmay be i
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622 21. Nonlinear Acousticswhereδ
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624 21. Nonlinear AcousticsThe shoc
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626 21. Nonlinear AcousticsBut the
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Appendix APhysical Properties of Ma
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Appendix A. Physical Properties of
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Appendix BBessel FunctionsB.1 The B
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B.8 Tables of Bessel Functions, Zer
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Appendix CUsing Laplace Transforms
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C.3 Solving Differential Equations
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C.4 Equations with Multiple-Order R
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SolutionC.5 Equations with Complex
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C.5 Equations with Complex Roots 64
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SolutionC.5 Equations with Complex
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650 IndexAuditoriums, design of, 26
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652 IndexElectrostatic speakers, 58
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654 IndexKey notation, 518Kinetic e
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656 IndexPascal (unit), 48Percent i
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658 IndexSound intensity growth in
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660 IndexWater-hammer arresters, 37
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