THE SCIENCE AND APPLICATIONS OF ACOUSTICS - H. H. Arnold ...

566 18. Music and Musical InstrumentsArnold, Denis (ed.). 1984. The New Oxford Companion to Music. New York: OxfordUniversity Press, pp. 1925–1933.Cremer, Lothar. 1984. The Physics of the Violin. Translated from the German by J. S.Allen. Cambridge, MA: MIT Press. (Originally published as Physik der Geige, Stuttgart:S. Hirzel Verlag, 1981.)Computer Music Journal 16, 4. 1992. (A special issue on physical modeling. Of interestare articles by Woodhouse, Keefe, and Smith.)Fletcher, Neville H. and Rossing, Thomas D. 1998. The Physics of Musical Instruments,2nd ed. New York: Springer-Verlag. (A modern classic in its own right, it is probablythe best scientific text devoted to the physics of nearly the entire gamut of musicalinstruments, with some interesting insights into musical history.)Hartmann, William Morris. 1997. Electronic and Computer Music. In: Encyclopedia ofAcoustics, Crocker, Malcolm J. (ed.), Vol. 4, Chapter 138, pp. 1679–1685.Helmholtz, Herman L. F. 1954. On the Sensations of Tone, 4th ed. Translated by A. J. Ellis.New York: Dover.Hutchins, Carleen M. (ed.). 1967. Founding a family of fiddles. Physics Today 20:23–27.Hutchins, Carleen M. (ed.). 1975. Musical Acoustics, Part I. Violin Family Components.Stroudsburg, PA: Dowden, Hutchinson and Ross.Hutchins, Carleen M. 1976. Musical Acoustics, Part II. Violin Family Functions. Stroudsburg,PA: Dowden, Hutchinson and Ross.Hutchins, Carleen M. 1981. The acoustics of violin plates. Scientific America 245(4):170–186.Hutchins, Carleen M. 1983. A history of violin research. Journal of the Acoustical Societyof America 73:1421–1440.Hutchins, C. M., Stetson, K. A., and Taylor, P. A. Clarification of ‘free plate tap tones’ byholographic interferometry. Journal of the Catgut Society 16:12–23.International MIDI Association. 1983. MIDI Musical Instrument Digital Interface Specification1.0. Sun Valley, CA.Jeans, James. 1968. Science and Music. New York: Dover Publications. Originally publishedby Cambridge University Press in 1937. (A clear exposition on the fundamentalsof musical acoustics and music itself.)Machlis, Joseph and Forney, Kristine (contributor). 1995. The Enjoyment of Music: AnIntroduction to Perceptive Listening, 7th ed. New York: Norton and Company. (Thestandard text in music appreciation courses in universities and colleges worldwide, itcontains a most fascinating history of the evolution of music to the modern times andan overview of the technical aspects of music and musical instruments.)Mathews, Max V., Miller, J.V., and David, E. E. Jr. 1961. Pitch synchronous analysisof voiced Sounds. Journal of the Acoustical Society of America 33:1725–1736. (Thepioneering paper on digitization of audio signals.)Mathews, Max V. 1969. The Technology of Computer Music. Cambridge, MA: MIT Press.(Written by a pioneer in the field.)Meyer, Jürgen. 1975. Akustische Untersuchungen zur Klangqualität von Geigen. Instrumentbau29(2):2–8.Meyer, Jürgen. 1985. The tonal quality of violins. Proceedings SMAC 83. Stockholm:Royal Swedish Academy of Music.Moog, R. V. 1965. Journal of the Audio Engineering Society 13:200–206. (By the manwho started it all—the father of the Moog synthesizer.)