THE SCIENCE AND APPLICATIONS OF ACOUSTICS - H. H. Arnold ...

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272 11. Acoustics of Enclosed Spaces: Architectural AcousticsFigure 11.17. A view looking toward the interior of the Tanglewood Music Shed in Lenox,MA. The ceiling canopy reflects sound, adding dynamic range and brilliance. (Photographby Kim Knox Beckhius.)system. Advantage was also taken of the opportunity to install a completely newsound system.Another type of “outdoor” structure is the “music shed,” a semi-enclosed structurespecifically designed for musical performances. The Tanglewood Music Shedin the Berkshires region of Massachusetts (Figure 11.17) is the summer home ofthe Boston Symphony Orchestra, and the quality of its acoustics exceeds that ofany band shell for an audience of 6000 persons. An additional 6000 people onthe lawn adjacent to the shed can listen to the music through the open segmentsof the pavilion. The canopy of the interior projects and diffuses sound througha volume of 42,500 m 3 (1,500,000 ft 3 ). The ceiling is constructed of 5-cm thickwooden planks; the side and rear walls are of 2 cm fiberboard; and the floor issimply packed earth. When occupied, the shed embodies a reverberation time of2 s in the frequency range of 500–1000 Hz, which is quite excellent considering therustic nature of its construction. The Tanglewood shed is the precursor to similarstructures at Wolf Trap in Vienna, Virginia, the Performing Arts Center at SaratogaSpring, New York (the summer home of the Philadelphia Symphony Orchestra),and the Blossom Music Center near Cleveland, Ohio.On July 16, 2004, the Jay Pritzker Pavilion (Figure 11.18), a radical outdoorconcert facility located at Chicago’s Millennium Park near the banks of LakeMichigan, presented its first musical program. Working in concert with the eminentarchitect Frank Gehry, the consulting firm TALASKE of Oak, Park, Illinoisdealt with the acoustic challenge of outdoor orchestral performances. TALASKE
11.16 Band Shells and Outdoor Auditoriums 273Figure 11.18. The Jay Pritzker Pavilion in Chicago. The radical design also features atrellis system from which loudspeakers are suspended. (Courtesy of TALASKE, graphicsby DOXA.)established the overall shape and arrangement of the stage enclosure and, in thecourse of design, refined the shapes and finishes of the interior surfaces. The stageof the pavilion (Figure 11.19), the permanent home of the Grant Park Music FestivalOrchestra and Chorus, can accommodate a 100 plus member orchestra andFigure 11.19. The stage of the Pritzker Pavilion can accommodate an orchestra of morethan 100 members plus a 150-member chorus. (Photograph by Richard H. Talaske.)
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THE SCIENCE ANDAPPLICATIONS OFACOUS
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xPrefaceReferencesBacon, Sir Franci
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xiiContents16. Ultrasonics 44317. C
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2 1. A Capsule History of Acoustics
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1. A Capsule History of Acoustics 5
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12 1. A Capsule History of Acoustic
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14 2. Fundamentals of AcousticsFigu
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16 2. Fundamentals of Acoustics2.2
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18 2. Fundamentals of Acousticsof t
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20 2. Fundamentals of AcousticsQ z+
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22 2. Fundamentals of Acousticsin t
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24 2. Fundamentals of AcousticsWe c
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26 2. Fundamentals of Acoustics(2)
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28 2. Fundamentals of AcousticsEqua
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30 2. Fundamentals of Acoustics11.
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32 3. Sound Wave Propagation and Ch
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3.14 Performance Indices for Enviro
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3.14 Performance Indices for Enviro
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or in terms of complex exponential
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3.17 Sound Intensity 61Here the sur
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3.18 The Monopole Source 63The thre
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3.21 Energy Density 653.20 The Hemi
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References 67medium. The time avera
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Problems for Chapter 3 69(a) the wa
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4Vibrating Strings4.1 IntroductionI
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4.4 General Solution of the Wave Eq
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4.6 Simple Harmonic Solutions of th
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4.7 Standing Waves 77Figure 4.3. Di
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4.8 The Effect of Initial Condition
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4.10 Forced Vibrations in an Infini
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4.11 Strings of Finite Lengths: For
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References 854.12 Real Strings: Fre
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Problems for Chapter 4 878. A devic
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90 5. Vibrating BarsFigure 5.1. A b
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92 5. Vibrating BarsSettingc 2 = E/
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94 5. Vibrating BarsThe allowable f
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96 5. Vibrating Barsthe acceleratio
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98 5. Vibrating BarsFigure 5.5. Loc
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100 5. Vibrating Barsmore difficult
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102 5. Vibrating BarsFigure 5.7. An
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104 5. Vibrating Barsthe light beam
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106 5. Vibrating BarsFigure 5.8. Tr
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108 5. Vibrating BarsFigure 5.10. T
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110 5. Vibrating Barsof 0.005 m dia
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112 6. Membrane and PlatesFigure 6.
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114 6. Membrane and PlatesBecause t
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116 6. Membrane and PlatesThe left-
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118 6. Membrane and PlatesTable 6.1
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120 6. Membrane and PlatesIn real a
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122 6. Membrane and PlatesTable 6.2
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124 6. Membrane and PlatesAt low fr
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126 6. Membrane and PlatesThe elast
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128 6. Membrane and PlatesFor the f
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130 6. Membrane and Plates(b) Deter
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132 7. Pipes, Waveguides, and Reson
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152 8. Acoustic Analogs, Ducts, and
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9Sound-Measuring Instrumentation9.1
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9.3 Microphones 175Figure 9.1. A cu
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SolutionEquation (9.3) is applied t
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9.5 Selection and Positioning of Mi
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9.6 Vector Sound Intensity Probes 1
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9.8 Proper Procedures for Using the
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9.8 Proper Procedures for Using the
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Example Problem 39.10 Dosimeters 18
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9.11 Noise Measurement in Selected
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9.11 Noise Measurement in Selected
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9.12 Real Time Analysis 193analyzer
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9.13 Fast Fourier Transform Analysi
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9.14 Data Windows and Selection of
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9.16 Measurement Error 199whereβ =
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9.18 Measurement of Sound in a Free
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9.20 Sound Power Measurement in a D
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9.20 Sound Power Measurement in a D
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9.23 The Addition Method for Measur
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References 209acoustical output and
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Problems for Chapter 9 2112. Determ
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214 10. Physiology of Hearing and P
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Page 249 and 250: 11Acoustics of Enclosed Spaces:Arch
Page 251 and 252: 11.2 Sound Fields 245Figure 11.1. P
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Page 259 and 260: 11.7 Decay of Sound 253Following Sa
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Page 263 and 264: 11.9 Reverberation as Affected by S
Page 265 and 266: 11.13 Sound Levels due to Direct an
Page 267 and 268: 11.15 Concert Halls and Opera House
Page 269 and 270: Figure 11.9. A view of the Boston S
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Page 283 and 284: References 277preferred subsequent
Page 285 and 286: Problems for Chapter 11 279Siebein,
Page 287 and 288: 12Walls, Enclosures, and Barriers12
Page 289 and 290: 12.3 Mass Control Case 283Figure 12
Page 291 and 292: 12.5 Effect of Frequencies on Sound
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Page 295 and 296: 12.7 The Double-Panel Partition 289
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Page 303 and 304: 12.11 Noise Insulation Ratings 297F
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Page 307 and 308: 12.12 Noise Reduction of a Wall 301
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Page 317 and 318: 12.16 Acoustic Barriers 311Figure 1
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Page 323 and 324: Problems for Chapter 12 3173. A 0.7
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13.4 Perception of Noise 323inspect
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13.6 Indoor Noise Criteria 325accou
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13.6 Indoor Noise Criteria 327Room
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13.7 Equivalent Sound Level, Day-Ni
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13.7 Equivalent Sound Level, Day-Ni
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Composite Noise Rating13.9 Rating o
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13.10 Evaluation of Traffic Noise 3
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Highway Construction Noise13.10 Eva
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13.11 Evaluation of Community Noise
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13.12 Guidelines and Regulations in
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References 353Computer Program, HIC
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Problems for Chapter 13 355Problems
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14Machinery Noise Control14.1 Intro
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14.4 Fan or Blower Noise 359Table 1
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14.4 Fan or Blower Noise 361Figure
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14.6 Pumps and Plumbing Systems 367
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14.6 Pumps and Plumbing Systems 369
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14.8 Gears 371fromwheref BRC = N r
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14.8 Gears 373Figure 14.7. Gear noi
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14.8 Gears 375Figure 14.8. Gear tra
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14.8 Gears 377The subscripts 1 and
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14.10 Ball and Roller Bearings 379l
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14.10 Ball and Roller Bearings 381c
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14.11 Other Mechanical Drive Elemen
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Belt Drivesf CL = n 1N 1 2400 × 12
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14.12 Gas-Jet Noise 387said to be c
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14.12 Gas-Jet Noise 389power discha
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Solution14.12 Gas-Jet Noise 391Usin
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14.13 Gas Jet Noise Control 393Solu
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14.13 Gas Jet Noise Control 395Figu
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14.13 Gas Jet Noise Control 397Figu
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14.14 Mufflers and Silencers 399Fig
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(1 + m)A I 1=A 314.14 Mufflers and
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14.14 Mufflers and Silencers 403Let
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References 405Figure 14.21 illustra
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Problems for Chapter 14 407the nois
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15Underwater Acoustics15.1 Sound Pr
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15.3 Speed of Sound in Seawater 411
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15.4 Velocity Profiles in the Sea 4
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15.4 Velocity Profiles in the Sea 4
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15.5 Underwater Transmission Loss 4
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15.6 Parametric Variation of Absorp
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15.8 Underwater Refraction 421Figur
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15.9 Mixed Layer 423When G is const
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15.11 Sonar Transducers and Their P
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Example Problem 115.12 The Sonar Eq
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Active and Passive Equations15.12 T
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15.13 Noise, Echo, and Reverberatio
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15.13 Noise, Echo, and Reverberatio
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15.14 Transient Form of Sonar Equat
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Example Problem 315.16 Shortcomings
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15.17 Theoretical Target Strength o
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Problems for Chapter 15 441Wilson,
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444 16. Ultrasonicscatching small i
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446 16. UltrasonicsPlanck constant
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448 16. UltrasonicsEquation (16.5)
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450 16. UltrasonicsFigure 16.1. Sou
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452 16. Ultrasonicsthe positive hal
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454 16. Ultrasonicson each and ever
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456 16. Ultrasonicscomplete as a li
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458 16. Ultrasonicsinitial of their
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460 16. Ultrasonicsoptic axis, deno
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462 16. Ultrasonicstransducer, it h
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464 16. UltrasonicsTable 16.1. Valu
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466 16. Ultrasonicsthe mechanical r
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468 16. UltrasonicsThe Physics of M
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470 16. UltrasonicsFigure 16.7. The
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472 16. Ultrasonicscurvilinear arra
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474 16. Ultrasonics(a)amplitudeinpu
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476 16. Ultrasonicsslow to allow th
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478 16. Ultrasonics5. In the cases
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480 17. Commercial and Medical Ultr
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510 18. Music and Musical Instrumen
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Figure 18.7. The frequencies of the
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Figure 18.20. The violin octet deve
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570 19. Sound ReproductionAlbert, a
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572 19. Sound ReproductionD. Magnet
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574 19. Sound Reproductionon, machi
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576 19. Sound ReproductionIt is fai
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578 19. Sound ReproductionINNER SUS
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580 19. Sound Reproductiontuned ape
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582 19. Sound Reproductionuse of MP
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584 19. Sound ReproductionDickason,
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586 20. Vibration and Vibration Con
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618 21. Nonlinear Acousticsby∇ 2
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620 21. Nonlinear Acousticsmay be i
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622 21. Nonlinear Acousticswhereδ
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624 21. Nonlinear AcousticsThe shoc
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626 21. Nonlinear AcousticsBut the
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Appendix APhysical Properties of Ma
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Appendix A. Physical Properties of
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Appendix BBessel FunctionsB.1 The B
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B.8 Tables of Bessel Functions, Zer
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Appendix CUsing Laplace Transforms
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C.3 Solving Differential Equations
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C.4 Equations with Multiple-Order R
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SolutionC.5 Equations with Complex
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C.5 Equations with Complex Roots 64
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SolutionC.5 Equations with Complex
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650 IndexAuditoriums, design of, 26
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652 IndexElectrostatic speakers, 58
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654 IndexKey notation, 518Kinetic e
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656 IndexPascal (unit), 48Percent i
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658 IndexSound intensity growth in
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660 IndexWater-hammer arresters, 37
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