book-2

REPRESENTATION AND SYMBOLISM 201Exposed interior roof structure seems particularly amenable to symbolicinterpretation. Lance LaVine writes of house ridge beams:As a cultural artifact, the ridge beam is the center of the roof that covershuman habitation. It is this center that preserves the human mind andspirit, as well as the needs of the human body, and thus this unique buildingelement has gained a special place in the collective human memoryof place or, perhaps more importantly, of being in places. The ridge of ahouse not only centers its roof structure but in so doing becomes a symbolfor a centered existence within that form. It is a unique place in a dwellingthat has come to secure the human psyche as it gathers the live and deadloads of the roof rafters that it helps to support. 13While still on the subject of roof structure, and considering the meaningembodied in a vaulted roof, LaVine continues: ‘A flat surface mayextend indefinitely without ever protecting an inhabitant at its edges. Tobe covered is to have something that wraps around human beings . . .The vault of the house covers inhabitants as blankets cover their bed asthe sky covers the earth.’ 14Angus Macdonald also acknowledges the symbolic role of structure inarchitecture. In his categorization of possible relationships betweenstructure and architecture he includes a category, ‘structure symbolized’.Here ‘structure is emphasized visually and constitutes an essentialelement of the architectural vocabulary . . . the “structure symbolized”approach has been employed almost exclusively as a means of expressingthe idea of technical progress . . .’ . 15 He explains that symbolic intentcan encompass issues other than celebrating technology and exploresthe implications of structure symbolizing an ideal – like sustainability.An implicit assumption that structure plays symbolic roles in architectureunderlies this book. For example, Chapter 2 discusses how theunique detailing of the BRIT School columns symbolizes notions ofinnovation and creativity, and how the sombre and giant columns of theBaumschulenweg Crematorium are likely to be a source of strength forthose who mourn (see Figs 2.1 and 2.13). At the Kunsthal, Rotterdam,exposed structural detailing that questions conventional attitudes toaesthetics, expresses the ethos of a museum of modern art (see Figs7.10 and 7.11), while the elegance of detailing at Bracken House,London, conveys a sense of quality and prestige (see Fig. 7.39).As already seen, structure plays a wide range of symbolic roles. Whilesome symbolic readings are unintended by architects, in other cases architectureis enriched quite explicitly by exploiting the symbolic potential ofstructure, as exemplified in three buildings designed by Daniel Libeskind.