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INDEX OF BUILDINGS AND REFERENCES 215Ferry Terminal and office building, Hamburg, 141Dawson, L. (1993). Eye catcher on the Elbe. Architectural Review, 193(1159), 45–9.Financial Times printing works, London, 82–3Winter, J. (1988). Glass wall in Blackwall. Architectural Review, 184(1101), 42–50.Fisher Center, Bard College, Annadale-on-Hudson, 142–3Stephens, S. (2003). Frank Gehry merges intuitive and rational formsat Bard College to create an evocative performing arts center. ArchitecturalRecord, 07.03, 106–17.Fitzwilliam College Chapel, Cambridge, 71–2, 119–20Blundell-Jones, P. (1992). Holy vessel. Architects’ Journal, 196 (1), 24–37.Fleet Place House, London, 42Bussel, A. (2000). SOM evolutions: Recent Work of Skidmore,Owings & Merrill, Birkhäuser.Frankfurt Messenhalle 3, 84Pearman, H. (2000). Equilibrium. Phaidon.Getty Center, Los Angeles, 61Brawne, M. (1998). The Getty Center: Richard Meier & Partners.Phaidon.Glasgow School of Art, 149Harbison, R. (1989). Glasgow School of Art. Architects’Journal, 189 (24),41–59.Grand Louvre, Paris, 133–4, 154–5Grande Arche, Paris, 31, 133Davey, P. (1989). La Defense. Architectural Review, 186 (1110), 44–53.Great Court, British Museum, London, 49–50, 111–12Pople, N. (2001). Caught in the web. RIBA Journal, 108 (2), 36–44.Great Glasshouse, Carmarthenshire, 30Melhuish, C. (2000). Green, green glass of home. Architects’ Journal,212 (9), 30–9.Güell Colony Crypt, Barcelona, 107–8Martinell, C. (1975). Gaudí: His Life, His Theories, His Work. MIT Press.Guggenheim Museum, Bilbao, 141–2Lootsma, B. (1998). A Gehry for Bilbao: the new Guggenheim Museum.Archis, 1, 16–25.