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226 INDEXFrames, (contd)moment, 22, 28–9, 47, 68, 113–4,193portal, 9, 32, 36, 83, 99, 139, 147,157–8, 173Frank Lloyd Wright, 150, 177Frank O. Gehry & Associates,142–3‘Free plan’, 80–1, 112Fuksas, Massimiliano, 127Functional flexibility, 80–4Gaudí, Antonio, 74, 94, 108, 148, 193Gerberette, 61Giselbrecht, E., 144Glass structure, 176–7, 179–80González de León and Serrano, 62,178Gothic, 4, 22, 30, 57, 70, 75, 83, 93,148, 192Grid, 10, 34, 60, 80, 92, 112–13, 118,158, 186disappearance of, 16, 39, 186Gunter Behnisch & Partner, 73, 183Hampshire County CouncilArchitects, 115, 140, 195Heger Heger Schlieff, 109Hertzberber, Herman with Lucas &Niemeijer Architects, 93Herzog Partner, 28, 60Herzog with Bernd Steigerwald, 67High-Tech, 13, 53, 66, 198Hollein, Hans, 59, 183, 186Hübner, Peter, 198Hyperstyle, 16Ian Ritchie Architects, 175Indigenous construction, 38Isler, Heinz, 23Ito, Toyo, 169Japanese construction, 139, 149Jean Nouvel et Associés, 87, 157Johnson Wax building, 150Jones, Fay, 109, 133Jourda & Perraudin, 35, 66, 115, 147,191Kahn, Louis, 14, 144, 168, 182Kansai Airport Terminal, 43Kimbell Art Museum, 168Lab Architectural Studio and BateSmart Partners, 204Labrouste, Henri, 163Lattice, 59, 139, 160, 193triangulated, 49Le Courbusier, 98, 162Libeskind, Daniel, 40, 202–3Light, 12, 16, 96, 176–88artificial, 173dematerializes, 184–5diffusing, 60filtering, 41, 60, 94, 172, 180–2maximizing, 174modified by structure, 172, 180–4modifying perception of structure,184–6pillars of, 55reflecting, 168, 172, 181–4source of, 167–73Light slot, 12, 14, 16, 42, 86, 202Lobb Partnership (now HOKSports), 68MacCormac, Richard, 72, 119Mast, 25, 68, 82, 118, 169vierendeel, 52Materiality, 4, 14, 35, 49, 59, 87, 96expression of, 138–44Mecanoo Architekten, 90Medieval construction, 149Michael Hopkins & Partners, 59, 75,123, 152, 162, 184Michelucci, Giovanni, 199–200Miralles and Pinos, 73Moneo, Rafael, 54, 85Montuori, Vitellozzi, Calini,Castellazzi, Fatigati &Pintonello, 43Moshe Safdie and Associates Inc., 21,61, 184Mullions, 12, 72, 75, 98Murphy/Jahn, 138Nervi, Pier Luigi, 22, 24, 162Niall Phillips Architects, 77, 90Nicholas Grimshaw & Partners, 24,29, 36, 56–7, 82, 84Office for Metropolitan Architecture,124, 137Ollertz & Ollertz, 83Orthogonality, 31, 33–4, 49, 60, 80,162disruption of, 186relief from, 14Palladio, 71Pantadome System, 171Parr Partnership, 100Pei, I. M, 134, 155Piano, Renzo, 43Piano and Rogers, 62, 157Pequot, 37Perret, Auguste, 120Petzinka Pink und Partner, 118Philip Exeter Library, 168, 182Pierre-Louis Carlier architecte, 64Piranesi, 118, 124Planning flexibility, 7–10, 52, 79–84Plate girder, 59Polshek Partnership Architects, 37Portzamparc, Christian de, 70Post-and-beam, 10, 20, 35, 40, 115,131–2Post-modern, 149Professions, structural engineeringand architectural, 209–10Rangiatea Church, 200Raush, Ladner, Clerici, 38Reading structure:unintended, 64, 111Religious symbolism, 200Renaissance, 5Representation, 13, 42, 189–200,208Retaining wall, 74Ribbed structures, 27–9, 59, 115, 127cantilever, 59, 111dome, 28Richard Meier Architects, 61, 117Richard Rogers Partnership, 56, 65,91, 126, 159Richter, Helmut, 176

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