Tikchik village: a nineteenth century riverine community in ... - Cluster
Tikchik village: a nineteenth century riverine community in ... - Cluster
Tikchik village: a nineteenth century riverine community in ... - Cluster
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VANSTONE: TIKCHIK VILLAGE 283be noted that the check-stamped pottery of both types is predom<strong>in</strong>antlyfiber tempered, while coarse, <strong>in</strong>organic temper is generallycharacteristic of the Yukon L<strong>in</strong>e Dot and pla<strong>in</strong> pottery.To determ<strong>in</strong>e the thickness of the ware, all the unexfoliated sherdswere measured. The thickest was 1.5 cm., the th<strong>in</strong>nest 5 mm., andthe average 8 mm. Nearly all the sherds are black or grey-black <strong>in</strong>color but the range is from black to buff with a few sherds that arereddish brown. The fiber-tempered sherds are uniformly lighter <strong>in</strong>color, most often a brown or buff, than those with <strong>in</strong>organic temper.Lamps <strong>in</strong> the <strong>Tikchik</strong> collection of clay artifacts are representedby one complete specimen, another that is virtually complete, a halfof a lamp, and five sherds. The complete lamp is small, probablyfor use by a hunter, and has three circular l<strong>in</strong>es near the center ofthe bowl with a central knob surrounded by a series of dots. Barelyvisible is a row of dots around the outside r<strong>in</strong>g (PI. 6,3). The virtuallycomplete lamp has one encircl<strong>in</strong>g l<strong>in</strong>e outside the rim, five l<strong>in</strong>esjust <strong>in</strong>side the bowl, and a spoke-like design of three l<strong>in</strong>es each ofwhich divides the center of the bowl <strong>in</strong>to quarters (PI. 11, c). Thiscentral cross motif seems to have made its appearance <strong>in</strong> southwesternAlaska after 1830 (Oswalt, 1953, p. 22). The lamp half has twoencircl<strong>in</strong>g l<strong>in</strong>es outside the rim and five l<strong>in</strong>es just <strong>in</strong>side the bowl.The five sherds all have either one or two encircl<strong>in</strong>g l<strong>in</strong>es outside therim and a number of l<strong>in</strong>es just <strong>in</strong>side the bowl. All the lamps andfragments are tempered with gravel.Bark and RootIt might be expected that at an <strong>in</strong>terior site like <strong>Tikchik</strong> Village,birch bark would have been a basic and important material <strong>in</strong> themanufacture of artifacts, particularly baskets. The fact that so littlepreserved birch bark was collected can doubtless be expla<strong>in</strong>ed by thegenerally poor preservation at the site, a situation that resulted <strong>in</strong>the complete absence of artifacts made of wood, and the recovery ofonly a s<strong>in</strong>gle fragment of worked birch bark. The importance of thismaterial <strong>in</strong> house construction has already been mentioned, and ithas also been noted that the bench burial <strong>in</strong> house 5 was coveredwith spruce bark. The only object that can be described as a birchbark artifact, however, is a large fragment, possibly part of a basket,with widely spaced and fairly sizeable holes, probably for sew<strong>in</strong>g withspruce root.The only other bark artifacts <strong>in</strong> the collection are net floats madeof Cottonwood bark. Two specimens, neither complete, are roughly