Network Atlas by Geza Perneczky - Ruud Janssen

415.............................................................................................................................................................Black and White («...56 page paperback with 46 plates including high-contrast photo- graphs, negative images, and collages depicting a woman's journey toself-awareness and exploring the theme of duality/polarity...» Umbrella,1/#4, 1978.)Continuum. («...a 64-page „autobiography at thirty“ ... that are printed in 57 Stontone prints.. Umbrella, 2/#3, 61 p. 1979) Rapport Printing Corp. New York^Rename Contest. Cat.: Digest, phc. with colour cover, 16 p. Oatman, 1985 ^Fashion (Letter size bound assembling for graphic{100}. Mostly phc., contribu- tions, ~50 leaves, published «in every 4 years»: 1986 & 1990, #1-2)^#1, 2Positives Negatives. (A series of 14 looseleaf pages, b/w xerographic collages utiliz- ing photographic contact sheets) Letter size sheets in a rubber stampedenvelope. Padma Press. Oatman, 1986«Carol has just become postmaster of Oatman which I understand is something like mayor, what a job for a mail-artist...» (Michael And, → Xexoxial, inthe Anti-Isolation, #3-4, 1988. 27 p.)^Femail Art Network. Photocopied postcard (~1990) with image and a list on it: D. Altschul; A. Banana; C. Barbot; C. Burch; Dazar; D. Ciullini;S. Colby; P. Fish; N. Frangione; J. de Groot; M. Handa; C. Herman;J. Hoffberg; M. Holmes; L. Jackson; S. Jackson; L. Kling; G. Lloyd;Madam X; E. Minhopoulos, L. Neaderland; M. Rosenberg; F. Rutkovsky;C. Stetser; S. Wysocki,Artistamps: ^Padma Post Commemorative Stamps (Block of 16 stamps, 2 images, twice folded and striched into a cover of 8.5x6 cm.) 1988^Currents. (Photocopied artists' book with japanese binding. Letter size, 32 p.) Padma Press, Oak Creek1992^One Day in the Eternal Network – in the Life of the Networker: November 10, 1992. Cat.: 30 letter size sheets in portfolio like assembling, phc., 1992^A Cook's Chronicle (Photocopied publs. Letter size, 32 p.) No editorhous, 1993^7. Pacific Festival of Arts '96. A travel journal. Letter, 14 text + 3 colour-xerox image leaves, spiral bound. Western Saome - Polynesia, Sept. 1996~Source:^Padma Press / Artists Books (Catalogue of Stetser's Fashion issues and bookworks as Positive Negatives, 1984; Persistence of Memory, 1985; Hierograms,1988; Poems of Polynesia, 1989; 1992; Pillow Book, 1991 [with → Coole, D.],etc.) n.d.Literature:(Rename Conntest): «In December 1983 I received notice from the leawyersrepresenting the Conde Nast Publications that my use of the trademark VOGUEon my xerographic bookwork VOGUE PATTERNS constituted trademark infrigment,unfair competition, misappropriation and dilution. They demanded that I discontinueall further distribution of this product, recall any remaining quantities ofthe product in the hands of distributors, and destroy all envelopes, promotionalliterature bearing the Vogue trademark as well as any artwork within the productwhich were unauthorized copies of any portion of any publication of Conde Nast...Since I would to print a second edition of the bookwork I have decided to hold acontest to rename „VOGUE“ PATTERNS. Send me a word to replace VOGUE onthe cover of the bookwork. The winning entry receives a FREE copy of the OriginalEdition Unexpurgated VOGUE PATTERNS. (...)Whatever you're working as, 52 of you participated in the Rename Contestand came up with 83 different entries... WINNER of a free copy is Edgar Allen →Bushmiller for his entry VØGE (...) If you want to harras the big boys, Lon →Spiegelman suggest that mail artists write to Conde Nast requesting copies of mybookwork. Or how about sending your own fashion patterns to them. But „Who thehell is Conde Nast Publications?“ asks Michael Hyatt...» (Carol Stetser: Editor'sStatement. In: Rename Contest, Mail Art project catalogue, 1985)