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Network Atlas by Geza Perneczky - Ruud Janssen

Network Atlas by Geza Perneczky - Ruud Janssen

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404^happening & fluxus (Edited <strong>by</strong> H. Sohm, with the co-operation <strong>by</strong> → Albrecht/d)Cat.: 23x15 cm., offset, ~400 (n. p.). The most important Europeanseurce book for the happening and fluxus scene (also Eastern Europeanevents included), with a very large chronological survey and an alphabeticalartist catalogue. Bibliography. The exhibition was held at theKölnischer Kunstverein, November 6, 1970 - January 6. Köln, 1971,~Literature:Fluxus^Georg F. Schwarzbauer: Die Dokumentationssammlung Sohm. (Survey on theSohm Collection in Markgröningen for Fluxus and post-fluxus / alternativearts – the largest privat collection of these genres in Europe. Some yearslater, the archive was gone to the Staatsgalerie Stuttgart. Text German.)In: Magazin Kunst, #4. 1975^Thomas Kellein: «Fröhliche Wissenschaft» Das Archiv Sohm. Monographicalbook publ. {2500} to an exhibition between Nov. 22, 1986 - Nov. 11,1987 in the Staatsgalerie Stuttgart. Offset album with b/w and colourimages, 184 p. Stuttgart, 1986!Söhne Onans! (Pawel, Viktor / Lukacevic, Dominik) Reuchlinstr 15, Stuttgart, D-7000 Germany 1985Typical representatives of the youth culture involved in Mail Art and Sound Art or the tape- and cassette network stories. Belonging also to the circle Graf→ Haufen, Berlin. A leaflet text <strong>by</strong> them: „Mit jedem Tage vermehrtsich zwangsläufig die Zahl derer, die mich am Arsch lecken können...und ab heute gehören Sie auch dazu.“Sonntag, Jörg Prißnitzstr. 39 Dresden, D-01099 Germany 1992↑ Bautzner Str. 55 Dresden, GDR-8060 - “ - 1985.............................................................................................................................................................^Raumbild. (Text and image pages <strong>by</strong> silk screen technic. Texts <strong>by</strong> Christopher Tannert & Jörg Sonntag (German). A/4, 9 BW + 5 colour silk screenleaves in silk screen cover. {60} Colour pages singel numbered andsigned. Self edition. Dresden, 1984^Reflections about the envelope-girl (girl-image on the envelope). Inv., 198? Soós, Tamás Váci utca 50 Budapest, H-1056 Hungary 1985^International Day 1 Art Exh. Cat.: A/4, phc., 88 p. / Liget-Galéria, → Várnagy. Budapest, November 15 - December 6, 1985~Literature: «Every day is a work of ART. Every day is Art. DAY ART. Send me your one day,send me your Day Art.» (T. Soós: Statement. In: Sarah → Jackson: Books BuildBridges / Copier Art – Bookworks. Cat.: TU ° NS. / National Postal Museum Halifax,1986. 108. item)«Sopalco, Il»Home Art Gallery → Baroni, VittoreSoreff, Stephen s' 79. Mercer St. New York, NY-10012 USA 1980^AGAR / Avant Garde Art Review (One-sheet mag., dated into the future. Letter, offset. 1980-, 2-3xy.,#1-13)^# 1/1, 3, 4, 6; 2/2, 3, 6; 3/1, 2, 3~Literature:«AGAR, an arconym for Avant Guarde Art Review, is always ahead of iself. It is aone page art work and art magazine which predicts, speculates and suggests a stateof the art world as it will stand exactly seven years. Over the course of its 12 issue„history“, AGAR has fielded topics like arms-art (imagery of Weapons designed <strong>by</strong>artists), weather, geothermal and wave art (exploring artistic manipulation of naturalforces), and computerized storage and transmittal of artists' books. The scope ofAGAR is more than amusing – it's a thought-provoking, creative probe whichharpoons what may lie ahead. And it's free.» (Future Art Reviews 1988-1990. In:

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