Network Atlas by Geza Perneczky - Ruud Janssen

427→ Augenweide, Edition~Source:~Literature:^Ulrich Tarlatt. hortus animae. (Ed.: Erik Stephan) Cat.: 25.5x19.5 cm., offset,80 p. With the complete publication list of the artists' books 1987-1995 of theEdition Augenweide. (22 items) / Museum Schloß Burgk / Galerie Himmelreich,Magdeburg / Cranach-Stiftung, Wittenberg. 1996^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. Withover 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 497 p.«TARP» Popular Anthropology. Retzdorffpromenade 3a. Berlin, D-12161 Germany 1995^Smile (A/4 size mag., phc. 1992? Distributed also by → Billé, Bordeaux?)^TARP. Popular Anthropology (One page info zine, A/4, phc. 1995-)TARP E-mail (1995): cantsin@zedat.fu-berlin-deWEB: http//fub46-zedat.fu-berlin-de:8080/~cantsin/tarp.htmi!Tarzanna Savannah! → Altschul, DarleneTavenner, Patricia (!Queen of Mail Art!), P. O. Box 11032, Oakland, CA-94611 USA 1994↑ P. O. Box 11102, Oakland, CA-94611 - “ - 1990↑ 687 Fairmont Ave. Oakland, CA-94611 - “ - 1971.............................................................................................................................................................Mail Order Art (Early network mag. produced by Harry Myers, Phillis Hagberg, R. E. Gasowski, Grant Smith, Travis T. Hopper, Lew Carson, & editedby P. Tavenner.) Tabloid, newsprint, 8-12 p. 1971-73, ~y. #1-4Artistamps: Nom de Plumes N° 1 (Sheet of 50 id. stamps. photo-print) 1973 ^Algoritmic Artistamps (Sheet of 12 id. stamps, phc., not perforated) n.d.^Lillihamer California (Sheet of 6 id. stamps, phc., not perforated) n.d.^Four Years and More (About «Mail Order Art» and other activities. Letter size offset with colour xerox images, bibliogr., 62 p.) Eternal Press, 1979^An Artist Speeks (Small info magazine in letter size. Phc. 4 p. 1994-, y. #1-2?) ^#1, 2^The Hommage to Ray Johnson Book – send a page! Inv., (realized?..) 1995 The First California Artistamp Exhibition. Cat. of letter size. Eternal Press, Box11032. Oakland. Exh.: UC Berkeley-San Francisco Extension. Feb. 26 -April 24, 1995~Literature:«When Mail Order Art started, I had no idea whether or no other artists were intothe concept of art by mail. What I wanted most from this art shopper / newspaperwas dialogue. As it turned out, so did others. M. O. A. became a means of artisticconversation and dialogue, a vehicle for reaching out into a new and excitingarena... Throughout the four issues of Mail Order Art, published biannully in 1971and 1972, there were no paid subscriptions. We each paid about $25.00–$40.00per person, per issue, to print 2,000-5,000 copies and bulk mail part of these. Bythe second issue, out-of-town artists were buying pages and invitations beganpouring in, asking for our participation in events, magazines, books, and exhibitions...all by mail. Perhaps the most crucial invitation for me was an exhibition atthe Wabash transit Gallery in Chicago. It was organized by Ray → Johnson andentitled „The Intercource Show“.» (P. Tavenner: Four Years and More, ? p.)(Four Years and More): «...It includes a rubber stamp introduction, notes andhistory about her collages and montages, how she became involved in the mail artworld by creating an art newspaper called Mail Order Art. Then we get her evolutioninto Xerox and rubber stamp pieces, Living Letters adn The Book ofTongues. The book then reflects her photo stamps and postcards, and ends withsamples of postcards, visuals, and letters from various correspondents. A veryspecial visual autobiography of an important correspondence artist.» (In: Umbrella