Network Atlas by Geza Perneczky - Ruud Janssen
Network Atlas by Geza Perneczky - Ruud Janssen
Network Atlas by Geza Perneczky - Ruud Janssen
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515^Judith A. →Hoffberg: Interview with Angela Pahler und Peter Küstermann (About the NetMail Tour, 1991-92). In: Umbrella, Vol. 16, No 1, 1992. Reprinted in: J. A.Hoffberg: Umbrella 1978-1998, the Anthology. Santa Monica, 1999. 112-119 p.^Ford, Simon : Smile Classified. A/5, phc., 12 p. National Art Library / Victoria & AlbertMuseum, London. March-August 1992→ <strong>Perneczky</strong>, G.: The Magazine <strong>Network</strong>. The trends of alternative art... 1968-1988. (Monographicalwork about the div. trends of Mail Art and relative efforts. Especialabout the structure and functions of the Mail Art see the chapter: The Dreamabout Eternal Communication, 117-137 p.) A/4, offset, 286 p. Köln, 1993→ <strong>Perneczky</strong>, Géza: The <strong>Network</strong> as Second Publicity. In: The Magazine <strong>Network</strong>. The trends...Edition Soft Geometry, Köln, 1993. 183-198 p.→^<strong>Janssen</strong>, <strong>Ruud</strong>: Some thoughts about Mail Art (A/4, phc., ~4 leaves publs., started in 1993)→^<strong>Janssen</strong>, <strong>Ruud</strong>: The Mail-Interview Project (A5 brochures, phc., 4-32 p. started Nov. 1994,Further about the single interviews: →<strong>Janssen</strong>)→ Chuck Welch (ed.): Eternal <strong>Network</strong>. A Mail Art Anthology. In Appendix: Mail Art shows1970-1994 / Mail Art archives and collections / Mail Art magazines / <strong>Network</strong>erDatabank. University of Calgary Press, 1995. The most essays in it service – besideauthobiographical data – important contribution to the history and theoriticalproblems of the Mail Art. Selected titles:Ken Friedman: The early Days of Mail Art: A Historical Overview. 3-16 p.Clive Phillpot: The Mailed Art of Ray Johnson. 25-32 p.Tom Cassidy: Postage on My Brow. 33-40 p.Ed Varney: The View from Canadada: 1968-1972. 41-46 p.Anna Banana: VILE History. 47-54 p.David Cole: The Open Letter Aesthetic. 65-76 p.Rea Nikonova: Mail Art in the USSR. 95-100 p.John Held: New Directions: Into the Nineties. 103-112 p.Hans Rudi Fricker: Mail Art: A Process of Detachment. 143-146 p.Vittore Baroni: The Hidden Links: A <strong>Network</strong>ing Fable. 157-164 p.Peter R. Meyer: Mail Art in Commercial Radio and Television. 167-170 p.Ayah Okwabi: <strong>Network</strong>ing Strategies: An African View. 181-184 p.Chuck Welch: Corresponding Worlds: Debate and Dialogue. 187-198 p.Clemente Padín: The Options of Mail Art. 205-208 p.Graciela Gutiérrez Marx: A Folk Art without Artists. 209-212 p.J.P. Jacob: Mail Art: Aesthetic Revolution or Personal Evolution?213-218 p.^Mail Art. Eastern Europpe in International <strong>Network</strong>. (Catalogue and Anthology) StaatlichesMuseum Schwerin / Kunsthalle Budapest. Bilingual edition: German and English.318 pages. Schwerin, 1996. Historical overviews <strong>by</strong> Guy Schraenen, KorneliaRöder, Géza <strong>Perneczky</strong> ( Hungary), Jiri Valoch (Czechoslovakia), Rea Nikonova(USSR), Constantin Flondor (Romania), Piotr Rypson (Poland), Bálint Szombathy(Yugoslavia), Klaus Werner (Eastern Germany), Eugen Blume (about Robert Rehfeldt),Karla Sachse (about Guilermo Deisler), and a discussion with Gerd Börner,Jürgen Gottschalk, Joseph W. Huber, Birger Jesch, Kornelia Röder, FriedrichWinnes, Lutz Wohlrab, Ruth Wolf-Rehfeldt.^Congress Documenation / Mail Art. Eastern Europpe in International <strong>Network</strong> (September 13-15, 1996). Staatliches Museum Schwerin. Bilingual edition: German and English.126 pages. Schwerin, 1996. From the content:
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