Network Atlas by Geza Perneczky - Ruud Janssen

328Ozory, Georg c/o Künstlerhaus, Reuchlinstr 4 b. Stuttgart-1. D-7000 Germany 1981°Mail Art for Peace. Cat.: Künstlerhaus. Stuttgart, 1981^Mail Art for Peace. Tabloid Cat.: of 42x60 cm., offset, 8p. / Staatstheater Stuttgart, Kleines Haus. March 1982Pack, Tom Diverse Works (Gallery). 214 Travis Houston, TX-77002 USA 1985^Echo. Cat.: Digest, phc., 20 p. March 1985Padín, Clemente Casilla C. Central 12211 Montevideo Uruguay 1996↑ Lindoro Forteza 2713, Apte 3. Montevideo - “ - 1969.............................................................................................................................................................Prominent visual poet, performance, video and mail artist, has edited the magazines of historical importance Los Huevos del Plata 1966 and the Ovum 101969, one of the most known theoreticians of the alternative arts.Ovum 10 (The first era of this very important periodical for the Latinamerican alter- native art focused on vis. poetry and collages of images. 25.5x15.5 cm.,offset. 1969-72, #1-10)°Esquema: Grado 13. 21.7x16.7 cm., offset, 14 p. {100} Ovum. Montevideo, 1971 ^Exposición. (A small and seldom original publ.) Textos, signografías, arte inobjectal & the mailing project Tema y Variaciones Accordion size (3x) leafletcatalogue:11x13.5 cm., offset print. Exh.: Galería de arte, Sarandi 690,Montevideo. September-October, 1973^Tema y Variaciones. (A late publ., printed 1986 only!) Collective art project, via mail art, performed in September '72, exposed Sept. '73 in Montevideo.Cat.: {100} Half-legal, offset, 20 p., self-publication in 1986^Ovum 2a (The second era of Ovum. A periodical with avantgarde visual culture and in the form of assembling with Mail Art and polit art contributions {500}.A great influence on the international underground magazine scene. (see:O Feto, O Dos, etc.) Letter size, stitched, mix. techn. 1973-74, #1-7)^#6°Instrumentos '74. (Bookwork by xerox + traces of the action by «instruments») A/6, phc., 20 p. Ovum. Montevideo, 1974Festival de la Postal Creativa (Org. by C. Padín), Galleria U. Montevideo, 1974 °Me-Ti: El Libro de las Mutaciones. (Xeroxed bookwork) 28x22.4 cm., 20 p. n.d. ^Signo (1974), Ideogramma (1975). (Two projects with vis. poetry. 22..5x17.5 cm., offset, 48 p.) S. P., Montevideo. 1975°Registered Marks. (Xeroxed bookwork) 12x11 cm., phc., 12 p. Ovum. 1975 °Acuse de recibo. Cat.: («Hacia un lenguaje de la accion») A/6, offset, 15 p. 66 parts. Montevideo, 1975°Happy Bicentennial Amsterdam. (14.5x105 cm., mimeogr. 10 p.) Daylight Press, Amsterdam, 1976^Exposicion Internacional de Arte Correo. Cat.: 21.5x17 cm., mimeogr., 26 p. with an offset cover. Curator: C. Padín, essay by N. N. Argañaraz.Exh.: Ass. de Empleados Bancarios de Uruguay, Camacúa 575,Montevideo, Oct 14 - Nov 11, 1983^Participation (Art theory mag., for some years perhaps the most important publs. on the problems of Mail Art and society in Latinamerica {500}. Veryernest presentation. 28x22 cm., offset, 4 p. 1984-86, #1-10)^#1-10 (complete)^Desparecidos Politicos de Nueustra America / Ia Bienal de la Habana. Curator: Clemente Padín with the Asociación Uruguaya de Artistas Correo,with Eduardo Kuben, Cuba, and the Solidarte Arte Correo, Mexico. Cat.: 22.5x18 cm., phjc., 12 p. June, 1985^Nicaragua patria o muerte. Doc. Legal, phc., 4 p. / Lindoro Forezza, Monte- video, 1985^El libro de las Mutationes. Fotogrammas (to Bertolt Brecht). 21x16.5 cm., phc.,12 p. n.d. (~1985)