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Network Atlas by Geza Perneczky - Ruud Janssen

Network Atlas by Geza Perneczky - Ruud Janssen

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387(About Smirk /Smile #4): «...The main thrust of this mag is ideology. The ideologyof anarchism including such concepts as „re-eroticization“ (their term) of theworld, which basically comes down to warmed over Herbert Marcuse (Eros andCivilization) under the guise of modern-day lingo i.e. „Rediscover your wildness“..The second thing that irked me and that isn't as excusable is the „re-eroticization“stuff...the editors of this mag have such a thouroughlybourgeois conception oferoticism. This is evidenced <strong>by</strong> fictional interludes depicting „goddess“ womenand concern expressed as to their campaign being viewed as „sexist“...» ( AnastasiaColes: Print Reviews. PhotoStatic. N° 38, Oct. 1989, 1442 p.)Schlemm, Emil / Scholz, W. / Rohr, I. Bleichstr. 2 Hamburg-50, D-2000 Germany 1988^800 Anniversary of the Hamburg Harbour – Mail Art Campaigne. Inv.-card, 1988 ^Wermöven für Achim – Mail Art. Inv.-letter, 1990!Schmiedbauer Art Phänomen! / «DIE Gang» Group, München Germany 1975Gang Time (Magazine on underground art / life. A/4, offset. 1975-77, #1-4) ~Literature: Instant Media N° 16. (→ Kretschmer)Schmidlapp, David (!Yanqui Junkie!), Box 299, Prince Stat. New York, NY-10012. USA 1984^International Graffiti Times (Art from the subway and the street, interviews, photos and reports, also Latinamerican and South African matter, magazinereviews, etc. Tabloid of 43x28 cm. folded, offset. 4-12 p. 1984- #1-11?)Edition <strong>by</strong> «The Subway Sun»^#1, 4, 5, 7, 9,10, 11^Chronicles (Bookwork in accordion form [9 sheets], 14x10.5 cm., offset) Reaper ~Literature:Press, 96 Grand Street, #3R. New York. 1990IGT advances graffiti as a cultural movement with verve and insouciance. Itdocuments, inaone sheet broadside, the work of graffitiwriters in NYC and elsewhere.With a gritty, semi-wastoid frame of reference it passes some listings alongand basically presents this art form true to nature.» (Lightworks [→ Burch], TheseThings Too [Print review], N° 17, 1985, 26 p.)Géza <strong>Perneczky</strong>: The Magazine <strong>Network</strong>. The trends of alternative art in the lightof their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 142 p.Schmidt, Angelika Heuglinweg 15 Stuttgart-70, D-7000 Germany 1976°Artists Report Mail Art. Cat.: A/5, offset, 125 p. Künstlerhaus. Stuttgart, 1979.Exhibition paralell to the IX. Congress of the IAA / AIAPI. Large documentationabout the internationaL Mail Art scene: works <strong>by</strong> 360 artistsfrom 35 countries. Essays:P. Below: Mail Art (German)D. R. Todosijevic: Stuttgarter Erklärung (German + English)R. Cristobal: Mail Art as an Alternative (English)J. Elsässer: Artists Report (English)P. Bruscky: Mail Art (English)Photobootpicture – Automatenfotos (Commonpress #46) A/4, 51 p., 130 participants. Stuttgart, 1982Bundeskartenschau (with →Albrecht/d /, «Elsässer») Cat.: A/4, mimeogr. & phc., 140 p. / Stadtbücherei, Stuttgart, 1977Schmidt, S. J. ? Münster Germany 1968Konkrete Dichtung - Konrete Kunst (Anth., Ed. S. J. Schmidt), Stuttgart, 1968 Editor of the experimentelle texte (with → Riha, K.), Universität Siegen, D, 1986-

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