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Network Atlas by Geza Perneczky - Ruud Janssen

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439Toshihiko, Shimizu 3-03-23-Jingumae, Shibuya-ku Tokyo, 150 Japan 1976317 Quarterly Magazine (Art magazine with connections to Italian post-futurism literature and int. neo-dada and alternative art. 26x18 cm., offset,~20 p. 1976?-, qu.)317 Quarterly Magazine. Special issue «Parola, Imagine, Oggetto» as Cat.: 160 p. /Exh. of Italian & Japan poets in the Italian Institute, Tokyo, 1976Tót, Endre Engelbert Str. 55 Köln, D-50674 Germany 1996↑ Eisenacher Str. 118 Berlin-30, D-1000 - “ - 1978↑ Kerék u. 10. Budapest, H-1035 Hungary 1970↑ Üteg u. 18., Angyalföld Budapest, XIII - “ - 1969.............................................................................................................................................................Semmi sem semmi / Nothing ain't Nothing. (Offset {50}, 16 p.) S. P. Budapest, '71 I'm glad if I can stamp («The first Mail Art rubber stamp») Budapest. 1971 ®^Stamped <strong>by</strong> Endre Tót (27x9 cm., offset & rub. stamps, 10 p.) S.P. Budapest, 1971 ® ^My rain, your rain (Correspondence project with postcards) Budapest, 1971 °The states of Zero. A/5, offset, 12 p. {100} S. P. Budapest, 1971Zero-Correspondence (Among the partners: Ben, Armleder, Gilbert & George,..) '72 °Possesive Adjetive. Cut A/5, offset, 8 p. {100}. S. P. Budapest, 1972^Exercise / Zero. (Xeroxed mini publ., 16 p.) Ed. I.A.C. → Groh, Oldenburg, 1973 °Correspondence avec John→ Armleder (Facsimile edition of Tót's „zero correspon- dence“ with Armleder from 1973-74, {500}, cut A/4, offset, also colorprint, 80 p.) Ecart Publications. Genève, 1974.Artistamps: °Zero Post (in sheets and band, id. image, green offset on white paper) Edition Howeg. Hinwill CH, 1974°Night Visit to the National Gallery. (Booklet, 20 p.) Beau Geste P. (→ Major) 1974 TÓTal questions (Corresp. proj., with G. Brecht, Dick Higgins, Restany, etc.) 1974 - “ - - “ - (Booklet, 16 p.) Ed. Hundertmark, Berlin, 1974 °TOTal Joys 1971-75. (A/5, offset, 12 p. {700}) Ecart (→ Armleder) / Howeg. Genève / Zürich, 1976°Dirty rains. A/5, offset, 20 p. Ed. Sellem. Lund S, 1977Some Nullified / Rainy / Questions for you (Project) started in the Gallery «A», (→ Ruhé) A'dam and in diverse galleries in Reykjavik, San Francisco& Budapest, 1978^Dirty rain. (Offset booklet {1000}, A/5, 16 p.) Ed. Sellem, Lund. Exh.: → S:t Petri Lund S, 1979^TÓTalJOYS (Cut A/5 offset booklet, 32 p.) Rainer Verlag & DAAD, Berlin, 1979 ^Ten Documents 1973-1980. (Offset with orig. rub. stamps, 10 p.) → Stempelplaats ~Source:1980Endre Tót. Nothing ain't nothing. Restrospective 1965-1995. Cat.: of the exh. inthe Kunsthalle, Budapest. A/4, offset, 198 p. Texts (Hungarian, German andEnglish) <strong>by</strong> Judit Szabadi: The Gesture as the Artist's Self-Awakening; UlrikeLehman: Endre Tót und die Ästhetik der Absenz; Thomas Strauss: Endre Tót alsAktionskünstler; Géza <strong>Perneczky</strong>: Endre Tót und the Mental Monochromy.Budapest, 1995Endre Tót. Cat.: with reproductions & a perforated stampsheet. Letter, phc., 46 p.Spiral bound. / Stamp Art Gallery, → Gaglione, San Francisco, 1995^Nothing Left for Art to Say. (Mini size horz. booklet in phc. with div. stamps andactions <strong>by</strong> Tót, {100}, 20 p. In conjunction with the exh. in Stamp Art Gallery, SanFrancisco, 1995Literature:«In 1973 produceerde de Beau Geste Press (→ Mayor) in Engeland weer eens eenvan die prachtige afleveringen van het tijdschrift Schmuck. Schmuck Hungarybestond geheel uit bijdragen van actuele Hongaarse kunstenaars en Endre Tót was

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