358Przyjemski, Leszek / → Petasz, Pavel, Chopina 4 M 6. Polczyn Zdrój, PL 78-320 Poland 1977^Antivalues (Also as Cat.: to the action «Circle '77», mag. 1977, #1, more → Petasz) ^#1«PTT Museum, Bern» Helvetiastr. 16. Bern-6, CH-3000 Switzerland 1994^Mail Art. Netzwerk der Künstler / Reseau d'Artistes. Cat.: 21x21 cm., offset, 40 p. Texts: H. R. Fricker, K. Krönig, G. Ruch, M. V. Stirnemann.PTT Museum, Bern. February 1994^Mail Art. Netzwerk der Künstler. (Also as supplement to the exh. Cat.:) Artists' Postage Stamps, 4 sheets, monted on an accordion folder, Bern, 1994^The Face of the <strong>Network</strong>. (A networking FAX-project on the opening of the Mail Art <strong>Network</strong> exh. at PTT Museum, Bern. Curator: → Langenbacher,Dominik, author of further FAX-projects). Cat.: A/5, phc., 40 p.Bern. February 22-23, 1994^The Face of the <strong>Network</strong>. (Art for Archives) Cat.: A/4, phc., 38 p. {73}. (Org.: → D. Langenbacher) Bern. July 1995«Public Arts in Print» Circle Art /West, 1350 Florida St. San Francisco, CA-94110 USA 1984↑ 1439 Ocean Ave. #2F. Brooklyn, NY-11230 - “ - 198?......................................................................................................................................................^Public Property (with Ramey Owen & Jim Hoadley) (Mag. 1984- m.)^#5Puchalski, Greg 120 Gary St. Buffalo, NY-14210 USA 198?↑ 4711 Waldrop A3. Forest PK. GA - “ - 1973.............................................................................................................................................................491 (Magazine. 1973-78?) «Punknow Edition» → InconnuPurves, Ted (0,0) Editions. 3625. 23rd St. San Francisco, CA 94110 USA. 1996^Plans, Maps, Scores (Bag with various small pieces, mostly visual poetry) S. P. ^Score for Light Music (Empty score with a magnifier {500} in small envelope of6.5x11 cm. + title cover of 11x14 cm., mixed techn.) S. P. 1995^Tampon-De-Collage (Mini-zine <strong>by</strong> hand stamped rubber stamps {30}. ® Statement: conceptual and expanded stamp activity, the use of found,destroyed and remade stamps, stamp-as-action, event collage andontology. ~14x11 cm., rubber stamps + phc. texts, 4-8 p., also objectissues as wood or puzzle. 1995→ sbim., over 20 #) (0,0) Edition, S.F.^#1, 2, 3, 4, 5, 6, 7, 8-9, 10, 12, 13, 14, 15, 16, 17, 18, 21^Daybook #13. One Week of Spring. Five Sunny Days and Clear Nights. Rained Lightly on the Sixth. (Edition of 8 booklets made from a book of papereft outside) 8 postcard size sheets in a self made envelope. 1996^Daybooks – announcement for alternative publications. Inv.-card, 1998 ^Contributions to Knowledge. (Assembling publ. <strong>by</strong> anthologies of small editions and print works {100}. Each issue contains more publs. of variousform and technic and one sheet «title page» of letter size. Strongconceptual style <strong>by</strong> graphics and texts. 1996-, ~3xy.)^#1, 2~Literature:(0,0) Editions. Anniversary Show @ refusalon. 1995 (Editorial checklist like flyer.«Originally, this was all just supposed to be a magazine... However, as time wenton, and more projects and ideas for projects trickled in, I began to realize thatmaybe an ongoing output of smaller collections, or individual ditions, might be amore realistic approach...») Anthologies (Anniversary Box), Teamworks (Sites andEvents / Projects for Water) & Individual Eds. <strong>by</strong> Lucy Gongdon, Jordan Crandall,George Gessert, Eve A. Larames, Brennan McGaffey, Diana Mars, Ted Purves.
359Pütz, Claudia PIPS, Dada-Corporation, Prinz-Albert-Str. 30. Bonn, D-53113 Germany 1996↑ Beethovenstr. 40. Bonn-1, D-5300 - “ - 1987↑ Marxstr. 35 Bonn, D-5225 - “ - 1986.............................................................................................................................................................PIPS (with C. Kinzel, P. M. Pennartz) Neo-dada / Mail Art fashion A/4 magazine, later assembling with changed packing and format (in spring folder,unbound in bag, or – since 1991 / N° 2 – in cardboard box). From 1989thematic issues. 35-40 artists per publ. 1986-, 3x yearly, altogetherover 40 issues.^UN-ART – non-festival in Bonn with the Mail Art action ”Wiedervereinigung”. ~Literature: Inv.-letter, 1990«(...) Apart from that PIPS is a disease afflicting children, showing an inflamedcoating of the tongue. Every now & then, humans, too, have a PIPS, for examplewhen they have a cold or 'flu. Then there are small pipe filters carrying the lovelybrand name PIPS, and at 123 Cromwell Road, London, we find a Mexican restaurant-cum-winebar named PIPS. In short: PIPS can be anything and everything,even a mail-art box, which is simply a place where we find people from all overthe world, weird & wonderful things, dogs, phone cards, and – just as in real life– even cars in traffic jams.When PIPS was born in 1986, nobody knew that one day PIPS would bea box. In its early days PIPS was just a normal dada magazine, appearing in anairtight storage bag, with various additivies, faithfully following in the footstepsof YPS (a German children's magazine). The one day the Pips-Dada-Corporationdiscovered mail art, and ever since that day artists & authors from all over theworld engaged in long-haul travel into the PIPS box. Their destinations wereMystery Secret, Seahorses and Flying Fish, Heart & Mart, Duet & Duel, Magic& Circus, or Paradox Box. Most recently, 36 mail artists were lying in thePrayer-and-Repetance Day Box, thus reviving a religious holiday which had beenmade redundant in Germany...»(Claudia Pütz: PIPS – The Magazine for UnZeitgeist, UnCommerce and LiteraryObjects / 1996. In: Stephen → Perkins: Assembling Magazines. International<strong>Network</strong>ing Collaborations. Cat.: Half-legal, phc., 64 p. Subspace, Iowa City. 1996/ Print: 1997. 31-32 p.)«Pyramid Atlantic» Center for hand papermaking, printmaking & the art of the book. 19896925 Willow St. NW. Washington D.C. 20012 USA 19891601 Guilford Av. 4. Floor Baltimore, MD-21202, - “ - 1989.............................................................................................................................................................^Artists' Books. (Doc.: coloured offset accordion book in 25.5x11 cm., 4 parts) 1989 Pyros, J. c/o Epistolary Study Farm New York USA 1979Modern Greek – Modern Turk (Commonpress #17) Cut letter, 27 p., 27 participants. Dramatika Press. December 1979«Quel Fromage - Cafe» 523 University Avenue San Diego, CA- 92103 USA 1991Coffe-themed exhibitions within the time of the years ca. 1988-1996. The shows have been takenover <strong>by</strong> other cafes of San Diego, too. Press-Echo in “Art Paper” (#January, 1992)^Coffee. Doc.: One sheet of 43x28 cm., phc. (“forth annual coffe-themed show”) 1991 ^Sixth annual coffee-themed Mal Art exhibit. Inv.-card, 1994!Ra!→ Juin, JacquesRabascall, Joan (Atelier) 67 rue Vernigaud Paris, F.75013 France 1986°Textes. 15x10 cm. offset, 48 p., in plastique cover + spiral bound. Centre d' Art etCommunication, Vaduz / Lichtenstein, 1975^Première Fête de la Lettre. Cat.: 22x22 cm., offset, 52 p. (with 88 parts.)
- Page 1 and 2: Géza PerneczkyNETWORK ATLASWorks a
- Page 3 and 4: 317Oberholzer, Christoph Turbinenha
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- Page 9 and 10: 323Über das Dichtertum für J. O.
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- Page 13 and 14: 327front of each copy, so each rece
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- Page 17 and 18: 331denouncing the suppression of hu
- Page 19 and 20: 333!Panpost! → Bloch, Mark S.Pap,
- Page 21 and 22: 335Literature:«Coop mail art proje
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- Page 25 and 26: 339^Forty Six. Instruments of Desir
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- Page 29 and 30: 343^# N°5-6 (1978), N°7 (1978), N
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- Page 33 and 34: 347^ME (Edited by !Pittore Euforico
- Page 35 and 36: 349«...I began my Network mail art
- Page 37 and 38: 351~Source:Literature:print on whit
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- Page 51 and 52: 3658 Portraits - suicide graphique
- Page 53 and 54: 367Robakowski, Joseph Ul. Mickiewic
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- Page 57 and 58: 371^# 1/1, 2; 2/1, 2, 3; 3/1; 4/II.
- Page 59 and 60: 373^The Risk. Cutted Fragments of N
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- Page 65 and 66: 379Rutkovsky, Paul / Cutrell, Fran.
- Page 67 and 68: 381S:t Petri, Galerie→ Sellem, Je
- Page 69 and 70: 383Sarenco, Amodulo Calaone Baone (
- Page 71 and 72: 385/ Russian. Ed. Gertraud Scholz,
- Page 73 and 74: 387(About Smirk /Smile #4): «...Th
- Page 75 and 76: 389The Bremen-Kassel Connection (A
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408haeadquartier's lobby during Feb
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410Art competitions, music. Stateme
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412Géza Perneczky: The Magazine Ne
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414Stempelplaats Editions:→ Banan
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416(Fashion, #1): «... features wo
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418^Il Granaio / Pittura - Mostra a
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420^Soviet & Eastern European Mail
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422Magazines. International Network
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424Szczelkun, Stefan 85 St. Agnes P
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426(WOW and other publications from
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428[→ Hoffberg], Vol. 3, #1, 17 p
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430Thurner, Hans→ Lechner, UteTif
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432of potentially interested paprti
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434(...)As you might know the inter
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436this new series has been numbere
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438points to the signalism sources
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440voor mij onmiddelijk een van de
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442190182 (untitled). The fanzine
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444{100}.140686 COPYING TOYS. Actio
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446Tron, Otto ? River Fall, WI USA
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448^#1-17Luther → Blissett & Stew
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4501973. 1 p.)Géza Perneczky: The
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452Vancouver East Culture Centre, O
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454~Source:~Literature:audio & visu
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456as a nostalgic joint. (...)With
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458Vitale, Angelo Via Settembrini 2
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460perimental literature [also some
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462^Every Woman is a Gentleman. Doc
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464already transforming as the ethe
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466Wien, A-1080), 1989^Mail Art Por
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468Klaus Werner (1978): Künstlelrp
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470Wozniak, Ryszard Ul. Spolska 5.
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472Strategic for Wracking Hylic. (1
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474amson...»(Lightworks [→Burch]
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476Univer sity of Chicago and read
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478Zerpa, Carlos Urb. Los Sauces, C
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482A P P E N D I X(General bibliogr
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484°Rutkovsky, Paul: Visual Satire
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486→ Perneczky, G.: The Story of
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488Periodics by Original Graphics b
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490Radlov, Sergej: Kurze Einführun
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492Model Peltex. 3 rue des Couples.
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494United States of Mind = Anna Ban
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496Art. Contemporary Art Press (→
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498→ Guy Bleus: Philately: Mail A
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500I Cardona, Carolee Schneemann, A
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502→ MacLeod, Scott: Art Strike.
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504→ Dunn, Lloyd: Editorial. (For
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506Objeto Biografico. 21x31 cm., xe
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508^Copy Art. Trocken schreiben - i
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510Les lignes brisées.Le panier de
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512→^Banana, Anna: About VILE (Le
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514→^Ruch, Günther: Mail Art Con
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516Karol Sauerland: On the Latitude
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518Press, London, 1988. Tetxts by K
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520The Curch of the SubGenius, Dall
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522LOUISE LITSZActor and singer, me
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524Mail Art) In: The Magazine Netwo
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526→ Kocman, J. H.: Stamp Activit
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528→ Vigo, E. A.: Small Creative
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530offset, 16 p. {500} In: Ed. «co
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532*Abracadada - Box 210367. San Fr
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534AustraliaSMIRK #1 by «Sam Monk
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536SMILE by Vittore Baroni (unique
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538«Suicide» as a Network Idea→
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540konkrete poëzie? / concrete poe
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542offset / colour, 144 p. Galerie
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544Tischkov) In: ersichtlichkeiten,
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Acuse de recibo (Mail Art project w
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548And / „&“ (Mail Art project,
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550Art is Books (exh. at the Centr.
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552Artists' Books, Permanent Collec
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554Audio Mail Art: Introvision (inf
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Big Art (1 km², concpetual publ. o
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558Bric a Brac (Mail Art zine, anno
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Cella n. 27851, (Mail Art exh., 198
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562Commodity Character (Photoreport
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564„Cosey Fanni Tutti“ (artist
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568Drucksache (Mag. with poetry, gr
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Envelope and its Contents (Mail Art
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572Fast-Lift Mail Art Project (1994
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574Fluxu Action #1 - incongruous me
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576General Idea (eds.): FILE magazi
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580I Support the Postal Workers (Co
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582Int. Mail Art Exh. (at the Postk
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Laughing Bear - Newsletter (Magazin
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588Luna Bisonte Prods. / Lost and F
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594(Moon Faces:) The Springfullmoon
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596Neoist Para-Festival - APT '80 (
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Obscurities - Mail Art / Missing Do
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602Photography thematical postcards
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Positiv-Negativ (Commonpress #8, 19
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606Prison, Today Art is a... (Mail
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610Newspaper: The Stampa / (Inv. to
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612Season's Greetings (Mail Art prj
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Sky Views Magazine (new and alterna
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616Stamp Art (offset cat. for the c
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618Synapse, Visual Art Press for Ar
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Timbro d'Artista (Mail Art project
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622Un Regard Moderne (tabloid size
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624Visual Poetry 1985-1995 (exh. at
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626WO. Visuella Poesie in Berlin (l
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628Zeitschrift für alles - Review
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ABBREVIATIONSMagazines: m. = monthl