350Eternal <strong>Network</strong>. A Mail Art Anthology. University of Calgary Press, 1995. 243 p.Charles Stanley (aka Carlo Pittore): Yurt Yet (1996). In: S. → Perkins: AssemblingMagazines. International <strong>Network</strong>ing Collaborations. Cat.: Half-legal, phc., 64 p.Subspace, Iowa City. 1996 / Print: 1997. 42-43 p.Vittore → Baroni: Carlo Pittore. In: Arte Postale. Guida al network della corrispondenzacreativa. (Text: Italian) AAA Edizioni. Bertiolo, 1997. 38-40 p.^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. Withover 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 437 p.!Placid et Muzo! (Jean-François Duval) 10 rue Boulard, Paris, F-75014 France 1987↑ 65 rue de Branville, Caen, F-14300 - “ - 1980.............................................................................................................................................................^Journal de Placid et Muzo (Very known graphzine publ. in French mostly of draw- ings from both editors. Humorous and scurillous style, thematic issuesin the form of booklets: A/5 & A/6, phc. or offset, 40-96 p. 1980-,~2xy. 10#?)^#9^Chez les gens. 16x11 cm., offset, 24 p. {150} APAAR Ed. n.d.^Livre qui sent le Caca. Offset graphic anth. A=5, horz., offset, 48 p. SEN, Artefact Edition, Enghien. 1983Plaza, Julio / Suzana, Gabriela, Rua Purpurina 154 São Paulo - Capital, BR-05435. Brasil 1976°Ateria (Assembling in envelope of 23.8x34 cm. Vis, poetry and images in very div. technic: E. Barga, O. Khouri, P. J. Ramos, C. A. de Figuereido,W. Franco, P. Taveres de Lima, E. E. Cummings, C. Cortes, P. Osmar,J. A. Nepomuceno, etc. Ed. Arte Verba. 1975Qorpo Estranho. Revista de criação intersemiotica (Exp. literature: A. de Campos, D. Pignatari, R. Silveira & others. 27x22 / 23.6x17 cm., offset.1976-, qu.)°Exp. de Arte Postal. Cat.: A/4, offset, 138 p. Texts <strong>by</strong> M. Bentivoglio, U.→ Carrión, J. Plaza & W. Zanini (Portuguese). Mail Art project <strong>by</strong> W.Zanini. / XVI. Bienal, São Paulo, 1981Plunkett, Daniel P. O. Box 4144 Austin, TX-78765 USA 1982^N D (All round Mail Art & alternative arts/music magazine: texts, interviews,theories, featuring of people and events, also articles on film, performanceand music, + large cassette review. #7=Audio cassette issue,#11=Video issue. A basic publication for the whole network. Halflegal,offset, ~24-40 p. 1982-, 2xy. ~ 20#)Featuring: Al Ackerman (#15), Byron Black (#11, 14), Guy Bleus (#2),Buz Blurr (#11), Nenad Bogdanovic (#9), Ryosuke Cohen (#9), AndrzejDudek Dürer (#16), Lloyd Dunn (#14), Françoise Duvivier – MétroRiquet (#13), Bill Gaglione (#18), John Held Jr. (#10, 11), HungarianMail Art (#2), Dobrica Kamperelic (#13), Ilmar Kruusamae – Estonia(#14), Ruggero Maggi (#10, 11), Paul McCharty (#3), Media Space –Australia (#4), Ashley Parker Owens (#19), Carolee Schneemann (#14),Serge Segay (#17), Shoso Shimamoto (#9), Ivan Sladek (#9), SouthAmerican Mail Art (#16), Lon Spiegelman (#9), Rod Summers – VECaudio (#17), Andrej Tisma (#9), Chuck Welch (#16), Yugoslavian postalnetwork (#17)^# 2, 3, 4, 5, 6, 8, 9, 10, 12, 13, 14, 15, 16, 17, 19Artistamps: ^Contact - Exchange - Document (Sheet of 12 id. stamps, black and brown print on white paper) n.d.^Cohen & Shimamoto to Texas (Sheet of 9 id. stamps, red and black
351~Source:Literature:print on white paper) July 28, 1987^ Hapunkt Fix kommt nach Texas (Sheet of 9 id. stamp images, blackand red print on yellow paper, not perforated) September 1987^Texas Post N D (Sheet of 18 id. stamps, black and red print on whitepaper) N D, 1990N. D. (Flyer with subscription data & publ. list. «N D serves as a document forexchange and contact between a growing int. network of active artists, musicians,and an involved udience...We feature articles and interviews with musicians,composers, artists, and cover performance, audio art, mailart, casettes...») In theoffer: → Jupitter-Larsen's published essays, large list of ND's CDs, 7'' records,casettes, etc. n.d. (1994)«This publication (#4) espouses a tri-pronged approach of „Contact-Exchange-Document“. What shows is sweet concern; caring without being too precious...Revies, loads of mailart contacts with a heavy leaning toward the cassette musicexchange culture. Slick, useful item.» (Lightworks [→ Burch], These Things Too[Print review], N° 17, 1985, 27 p.)«The main reason for publishing was to put out information and news that I wasgetting in the mail and to do interesting interviews with people who I felt wereinteresting, but were not being covered in other magazines. The goals of N. D. are„Contact-Exchange-Document“... Document is the magazine itself which publichesthe contact and exchange. I mainly hope that N. D. can be used as a tool for othersin which to meet others and exchange ideas and work with. There needs to be a lotmore collaboration and sharing of ideas. N. D. stands for „New Deal“, or „Newdawn“ take your pick. (...) most [of the artists] are involved in some sort of networking.Some are involved with casettes, music, performance or other mediums.(...) N. D. is soemthing that I plan on being a lifetime process. I feel I will be involvedwith it all for a long time to come.»(Françoise → Duvivier: N D magazine, Paris Texas. (Interview with Daniel Plunkett)In: Metro Riquet, #7, Sept. 1989, n. p.)Poinsot, Jean-Marc ? ? France 1971^Mail Art. Communication a Distance Concept. Cat.: 21x26 cm. horz., offset, 212 p. Édition CEDIC, Paris, 1971 / On the occasion of the Biennalede Paris, Sect. «Envois» (The first larger Mail Art show and publicationwith a theoretical analysis, the establishing the term «Mail Art» at all.Poinsot's exhibition concept in Paris reflects the early stage of the MailArt giving preference the Fluxus movement and the representatives ofthe conceptual works.)Artists: M. Alocco, B. Amiard, É. Andersen, Arman, W. Aue, I. Baxter,B. Vautier, J. Beuys, C. Boltanski, D. Buren, J. Charlier, J. Dibbets,M. Duchamp, A. M. Fine, R. Filliou, G. Maciunas, K. Friedman, J. Furnival,J. Gerz, L. Gosewitz, K. Groh, R. Hastings, G. Hendricks, D. Higgins,D. Huebler, R. Johnson, O. Kawara, A. Kirili, Y. Klein, H. Koetsier,G. Konkoly, J. Le Gac, J. C. Moineau, New Eter, The New York CorrespondenceSchool of Art, R. Page, N. J. Paik, G. Pane, E. Prini, C. Richard,D. Rot, T. Schmit, C. Shiomi, K. Staeck, P. Stembera, E. Tót, W. Vostell,R. Watts.~Literature:(CONCERNING THE TITLE:) MAIL ART. This expression underscores the useof postal material, while not neglecting the specific characteristics of the institution.It designate mailing, <strong>by</strong> which we man sending a simple object or documentthrough the postal system, as well as the system of exchange and the particular formthrough which the message is expressed. We have prefered the term «mail art» to«postal art», since it seems richer in connotations.
- Page 1 and 2: Géza PerneczkyNETWORK ATLASWorks a
- Page 3 and 4: 317Oberholzer, Christoph Turbinenha
- Page 5 and 6: 31968 p., Exh.: Gesamthochschule, M
- Page 7 and 8: 321(5x) in plastic box {999}. Tiege
- Page 9 and 10: 323Über das Dichtertum für J. O.
- Page 11 and 12: 325drawings, 32 p.Pat → Fish: Nin
- Page 13 and 14: 327front of each copy, so each rece
- Page 15 and 16: 329^Tema y variaciones. (Colletive
- Page 17 and 18: 331denouncing the suppression of hu
- Page 19 and 20: 333!Panpost! → Bloch, Mark S.Pap,
- Page 21 and 22: 335Literature:«Coop mail art proje
- Page 23 and 24: 337(France), Klaus Groh (Germany),
- Page 25 and 26: 339^Forty Six. Instruments of Desir
- Page 27 and 28: 341formed as postcards or «letters
- Page 29 and 30: 343^# N°5-6 (1978), N°7 (1978), N
- Page 31 and 32: 345(John Held Jr.: Assembling Perio
- Page 33 and 34: 347^ME (Edited by !Pittore Euforico
- Page 35: 349«...I began my Network mail art
- Page 39 and 40: 353with an interest for the undergr
- Page 41 and 42: 355our five senses. Along with tast
- Page 43 and 44: 357Muzeum Sztuki Aktualnej, Kraków
- Page 45 and 46: 359Pütz, Claudia PIPS, Dada-Corpor
- Page 47 and 48: 361page with green paper. Additiona
- Page 49 and 50: 363GDR with essays, catalogues and
- Page 51 and 52: 3658 Portraits - suicide graphique
- Page 53 and 54: 367Robakowski, Joseph Ul. Mickiewic
- Page 55 and 56: 369& concept art, also assembling i
- Page 57 and 58: 371^# 1/1, 2; 2/1, 2, 3; 3/1; 4/II.
- Page 59 and 60: 373^The Risk. Cutted Fragments of N
- Page 61 and 62: 375centralized mail art congress as
- Page 63 and 64: 377was the concept of this magazine
- Page 65 and 66: 379Rutkovsky, Paul / Cutrell, Fran.
- Page 67 and 68: 381S:t Petri, Galerie→ Sellem, Je
- Page 69 and 70: 383Sarenco, Amodulo Calaone Baone (
- Page 71 and 72: 385/ Russian. Ed. Gertraud Scholz,
- Page 73 and 74: 387(About Smirk /Smile #4): «...Th
- Page 75 and 76: 389The Bremen-Kassel Connection (A
- Page 77 and 78: 391Roy Adzak: Screws (Object book,
- Page 79 and 80: 393NEUES MUSEUM WESERBURG BREMEN.(T
- Page 81 and 82: 395Schwerin: Staatliches Museum^Mai
- Page 83 and 84: 397^Mail Art Puzzle Project. ongio
- Page 85 and 86: 399«Seul, Kwan Hoon Museum», Seul
- Page 87:
401^Gorbachev / Gorbi, Mail Art Pro
- Page 90 and 91:
404^happening & fluxus (Edited by H
- Page 92 and 93:
406*R. Thomas, W. Ting, **B. Watts,
- Page 94 and 95:
408haeadquartier's lobby during Feb
- Page 96 and 97:
410Art competitions, music. Stateme
- Page 98 and 99:
412Géza Perneczky: The Magazine Ne
- Page 100 and 101:
414Stempelplaats Editions:→ Banan
- Page 102 and 103:
416(Fashion, #1): «... features wo
- Page 104 and 105:
418^Il Granaio / Pittura - Mostra a
- Page 106 and 107:
420^Soviet & Eastern European Mail
- Page 108 and 109:
422Magazines. International Network
- Page 110 and 111:
424Szczelkun, Stefan 85 St. Agnes P
- Page 112 and 113:
426(WOW and other publications from
- Page 114 and 115:
428[→ Hoffberg], Vol. 3, #1, 17 p
- Page 116 and 117:
430Thurner, Hans→ Lechner, UteTif
- Page 118 and 119:
432of potentially interested paprti
- Page 120 and 121:
434(...)As you might know the inter
- Page 122 and 123:
436this new series has been numbere
- Page 124 and 125:
438points to the signalism sources
- Page 126 and 127:
440voor mij onmiddelijk een van de
- Page 128 and 129:
442190182 (untitled). The fanzine
- Page 130 and 131:
444{100}.140686 COPYING TOYS. Actio
- Page 132 and 133:
446Tron, Otto ? River Fall, WI USA
- Page 134 and 135:
448^#1-17Luther → Blissett & Stew
- Page 136 and 137:
4501973. 1 p.)Géza Perneczky: The
- Page 138 and 139:
452Vancouver East Culture Centre, O
- Page 140 and 141:
454~Source:~Literature:audio & visu
- Page 142 and 143:
456as a nostalgic joint. (...)With
- Page 144 and 145:
458Vitale, Angelo Via Settembrini 2
- Page 146 and 147:
460perimental literature [also some
- Page 148 and 149:
462^Every Woman is a Gentleman. Doc
- Page 150 and 151:
464already transforming as the ethe
- Page 152 and 153:
466Wien, A-1080), 1989^Mail Art Por
- Page 154 and 155:
468Klaus Werner (1978): Künstlelrp
- Page 156 and 157:
470Wozniak, Ryszard Ul. Spolska 5.
- Page 158 and 159:
472Strategic for Wracking Hylic. (1
- Page 160 and 161:
474amson...»(Lightworks [→Burch]
- Page 162 and 163:
476Univer sity of Chicago and read
- Page 164 and 165:
478Zerpa, Carlos Urb. Los Sauces, C
- Page 166 and 167:
482A P P E N D I X(General bibliogr
- Page 168 and 169:
484°Rutkovsky, Paul: Visual Satire
- Page 170 and 171:
486→ Perneczky, G.: The Story of
- Page 172 and 173:
488Periodics by Original Graphics b
- Page 174 and 175:
490Radlov, Sergej: Kurze Einführun
- Page 176 and 177:
492Model Peltex. 3 rue des Couples.
- Page 178 and 179:
494United States of Mind = Anna Ban
- Page 180 and 181:
496Art. Contemporary Art Press (→
- Page 182 and 183:
498→ Guy Bleus: Philately: Mail A
- Page 184 and 185:
500I Cardona, Carolee Schneemann, A
- Page 186 and 187:
502→ MacLeod, Scott: Art Strike.
- Page 188 and 189:
504→ Dunn, Lloyd: Editorial. (For
- Page 190 and 191:
506Objeto Biografico. 21x31 cm., xe
- Page 192 and 193:
508^Copy Art. Trocken schreiben - i
- Page 194 and 195:
510Les lignes brisées.Le panier de
- Page 196 and 197:
512→^Banana, Anna: About VILE (Le
- Page 198 and 199:
514→^Ruch, Günther: Mail Art Con
- Page 200 and 201:
516Karol Sauerland: On the Latitude
- Page 202 and 203:
518Press, London, 1988. Tetxts by K
- Page 204 and 205:
520The Curch of the SubGenius, Dall
- Page 206 and 207:
522LOUISE LITSZActor and singer, me
- Page 208 and 209:
524Mail Art) In: The Magazine Netwo
- Page 210 and 211:
526→ Kocman, J. H.: Stamp Activit
- Page 212 and 213:
528→ Vigo, E. A.: Small Creative
- Page 214 and 215:
530offset, 16 p. {500} In: Ed. «co
- Page 216 and 217:
532*Abracadada - Box 210367. San Fr
- Page 218 and 219:
534AustraliaSMIRK #1 by «Sam Monk
- Page 220 and 221:
536SMILE by Vittore Baroni (unique
- Page 222 and 223:
538«Suicide» as a Network Idea→
- Page 224 and 225:
540konkrete poëzie? / concrete poe
- Page 226 and 227:
542offset / colour, 144 p. Galerie
- Page 228 and 229:
544Tischkov) In: ersichtlichkeiten,
- Page 230 and 231:
Acuse de recibo (Mail Art project w
- Page 232 and 233:
548And / „&“ (Mail Art project,
- Page 234 and 235:
550Art is Books (exh. at the Centr.
- Page 236 and 237:
552Artists' Books, Permanent Collec
- Page 238 and 239:
554Audio Mail Art: Introvision (inf
- Page 240 and 241:
Big Art (1 km², concpetual publ. o
- Page 242 and 243:
558Bric a Brac (Mail Art zine, anno
- Page 244 and 245:
Cella n. 27851, (Mail Art exh., 198
- Page 246 and 247:
562Commodity Character (Photoreport
- Page 248 and 249:
564„Cosey Fanni Tutti“ (artist
- Page 250 and 251:
„Dazar“ / „Omahaha“ / „Po
- Page 252 and 253:
568Drucksache (Mag. with poetry, gr
- Page 254 and 255:
Envelope and its Contents (Mail Art
- Page 256 and 257:
572Fast-Lift Mail Art Project (1994
- Page 258 and 259:
574Fluxu Action #1 - incongruous me
- Page 260 and 261:
576General Idea (eds.): FILE magazi
- Page 262 and 263:
„Harlekin Art“ (post-Fluxus, Ma
- Page 264 and 265:
580I Support the Postal Workers (Co
- Page 266 and 267:
582Int. Mail Art Exh. (at the Postk
- Page 268 and 269:
Kepler (Mail Art prj., Wendelinskap
- Page 270 and 271:
Laughing Bear - Newsletter (Magazin
- Page 272 and 273:
588Luna Bisonte Prods. / Lost and F
- Page 274 and 275:
Mail etc. Art (exh. at the Universi
- Page 276 and 277:
mEINBLICK (Mail Art at the Gal. im
- Page 278 and 279:
594(Moon Faces:) The Springfullmoon
- Page 280 and 281:
596Neoist Para-Festival - APT '80 (
- Page 282 and 283:
Obscurities - Mail Art / Missing Do
- Page 284 and 285:
P. S. (Tabloid for the int. perform
- Page 286 and 287:
602Photography thematical postcards
- Page 288 and 289:
Positiv-Negativ (Commonpress #8, 19
- Page 290 and 291:
606Prison, Today Art is a... (Mail
- Page 292 and 293:
Recycling Mail (assembled matterial
- Page 294 and 295:
610Newspaper: The Stampa / (Inv. to
- Page 296 and 297:
612Season's Greetings (Mail Art prj
- Page 298 and 299:
Sky Views Magazine (new and alterna
- Page 300 and 301:
616Stamp Art (offset cat. for the c
- Page 302 and 303:
618Synapse, Visual Art Press for Ar
- Page 304 and 305:
Timbro d'Artista (Mail Art project
- Page 306 and 307:
622Un Regard Moderne (tabloid size
- Page 308 and 309:
624Visual Poetry 1985-1995 (exh. at
- Page 310 and 311:
626WO. Visuella Poesie in Berlin (l
- Page 312 and 313:
628Zeitschrift für alles - Review
- Page 314 and 315:
ABBREVIATIONSMagazines: m. = monthl