424Szczelkun, Stefan 85 St. Agnes Place London, SE11 4BB United Kingd. 1986^Artists Liberation: rough notes 1986. (A/4, phc., 22 p. ) S. P. London, 1986 Ruins of Glamour, Glamour of Ruins. Cat.: Unpopular Books, London /Exh. in Chisenhale Studios, London, 1986^Collaborations. (A/5, offset, 112 p.) Aldgate Press, London, 1987 ~Literature: (Artists Liberation, 1986. Content and final notes <strong>by</strong> the author):1 GENERAL OPPRESSION OF HUMAN CREATIVITY2 THE VITAL ROLE OF ARTISTS AND THE VALUE OF ART3 ART & CLASSThe Invisible New Working Class Intelligentsia / The Illusion of Scarcityof result for Art / Exploited rather than privileged Identity and Politics /Where are They Now? / The Power of Artists / How Can Artists Get WhatThey Want?4 THE QUEUSTION OF THE QUALITYThe End of „Quality“ / Beauty and Beast / The Failure of Success5 CLASS CONSCIOUS CULTUREIs This Why Modern Art is Incomprehensible? / Fine Arts Claim to Superiority/ Personal Histsory versus Art History / Marginalised Groups /A Class Conscious Art? / The Problem of Collective Working / PossibleCharacteristics of a Working Class Art / Terms: Working Class Defined6 ARTISTS SUPPORT ARTIST7 BRIEF VIEWPOINT OF AUTHORROUGH NOTES ON ARTISTS LIBERATIONThese notes on Artists Liberation from a working class (male, white, Anglo-Polish, ex-catholic, able bodied, heterosexual) viewpoint. However, I thinkartists liberation is for all artists regardless of class background. At the sametime, each viewpoint has its particular experiences to relate and contributionsto make to the general picture.I would like to hear from artists of all viewpoints on the topics raised here.Write to me at the address below.»(Ruins of Glamour...): «...the show was later broken into and destroyed. Thecontents page promises essays such as, „Excremental Culture“, „OublieBaudrillard“, „Sex Without Secretions“, „Panis Sex: Processed Feminism“,„Estheticized Recommodifications“ etc...» (Stephen → Perkins: Catalogues.In: Box of Water, N° 3, 1987)(Collaborations): «...this book is a stimulating chronicle of collaborations Stefanhas been involved with between the years 1983-87. Within this context this bookoperates at various different levels. 1) an examination of the part images play insystem of oppression, 2) the nurturing of a functioning art practice created fromand within daily life, 3) the implications of a new art practice that emphasises therelation between artists (and artists and people) as central to the art process, and 4)an attemp to solve the documentation, archiving, and historicising problems ofperformance and ephemeral work. Using this framework Stefan looks at andexplores all the varied motives, obstacies, and problems inherent in this kind ofcollective cultural activity. Full of reviews of shows, photo-documentation, artistsstatements, excerpts from performance scripts, and other miscellaneous articles.This book is strong and much needed step towards the creation of a „culture withoutcurators“.» (Stephen → Perkins: Magazines. In: Box of Water, N° 4, 1988)Collaborations (Interview). In: Metro Riquet, N° 6, Paris, Jan. 1989 (→ Duvivier)Szefferski, Roland Urbanstrasse 48 J. Berlin-61, D-1000 Germany 1985^(Without title) Copy art on transparent paper, 5 original leaves in cover of A/4. n.d. ^Telephone Booth – Wroclaw. 1981-82. Self edition, A/4, phc., 50 copies. 1985
425^The Forgotten Language – Berlin '85. Xerographical work in size of A/4, 8 leaves,+ silver cover. 1985 Székely, Ákos→ Leopold BloomSzkárosi, Endre / Garaczi, László. Váci út 34. Budapest, H-1132 Hungary 1988Új Hölgyfutár (Info mag. with vis. poetry & graphic, A/5, offset, 8 p. 1988- 92, qu.) ^Intermámor '88. Muusalliance Transactiviste. (with → Galántai) Cat.: Cut A/4,offset, 28 p. / Club M. M., Almássy tér, Budapest. paril 16, 1988 Szombathy, Bálint Rade Koncara 52 Sremsra-Kamenica, YU-21208, Yugoslavia 1982↑ Save Vukovica 18 Novi Sad, YU-21000 1977↑ Zeljeznicka 14. Novi Sad, YU-21000 1971.............................................................................................................................................................^Underground Elevator (with → Szombathy, Bálint) (Folio magazine like assembl- ing with typewritten matter, handmade drawings and mimepgr.A/4 leaves in a cover of 52x32.5 cm. {40 & 15}, 1971-72, #1-2)Mixed Up Underground (with Attila Csernik) (Assembling for A/4 and A/5 matter, mostly typewritten sheets, in a portfolio of 51x37 cm. {30}1972, #1)^Kontaktor (with → Szombathy, Bálint) (An early assembling in envelope of 23x35 cm. with ~20 leaves each issue, vis. and exp. poetry and image matter.1972-73, #1-2) Edition Group Bosch + Bosch^FLUXUS. Visual literature, in a brochure edited with → Tóth, G. & → Zagoricnik, A/5, offset, 12 p. Experimental Art Publisher. Bohinj YU, 1973^WOW (with → Matkovic, Slavko / Group Bosch + Bosch) (Post-fluxus and Mail Art ®magazine in var. size and contains. 1974-80, #1-6)N°1, A4 size magazine {45}, 1974N°2, 30x41.5 cm, four colour silk screen {150}, 1974N°3, 50x18 cm, folded, offset {210}, 1975N°4, 30,5x45 cm, offset, info, Yug. & Hung. altern. art scene, 1975N°5, 50x18 cm, 4 sheets r/v., int. issue, Würzburg {300}, 1976N°6, 2 oversize sheets with orig. rubber stamps {120}, 1980^#1, 3, 4, 5, 6^Poetical Objects of the urbanical Environment. (with works <strong>by</strong> B. Szombathy, F. → Zagoricnik, Katalin Ladik, Gábor → Tóth) A/5, offset, 16 p.in cover or envelope. Experimental Art Publisher, Budapest -Novi Sad. 1976^Rubberstamps (Project in 1979, with orig. stamps, publ. in: WOW, N° 6, 1980.) ® ^Artists who use pseudonyms (in the network) (Hungarian publ. in: Új Symposion, #183-184, 1980 & Híd, #2-3, 1982, 210-224 & 337-350 p.)^Poetry. Concrete Visual Poems 1969-1979. (Book, 27x20.5 cm., offset, 128 p. Texts: Hungarian, English, Serbian) Ed. Forum, Novi Sad, 1981^Illustrated history of art. (Letter size publ. about spirits-posters, phc., 28 leaves,limited ed.) Centre de Recherche Neoiste, Outremont, 1981Art in the bed (with→ Shimamoto) Doc. in: AU #66 Exh.: 25. Maj. Gallery. Novi Sad / Multimedia Center, Zagreb, 1984^Müvészek és müvészetek («Artists and Arts». From suprematism to Mail Art. 23x 17 cm., offset/colour, 80 p. Hungarian, ) Ed. Forum, Novi Sad, 1987^Új idök, új müvészet («New Times, New Arts». About div. forms of experimentaleart in Yugoslavia. 23x17 cm., offset, 130 p. Hungarian), Ed. Forum,Novi Sad, 1991~Literature: ^Szombathy, Bálint, → Tóth, Gábor, → Konieczny, Marek, and others: Alternativenin der sozialistischen Kunstproduktion. (About the special trait of the EasternEuropean Conceptual / Alternative / Mail Art). Translated into German and published<strong>by</strong> Klaus → Groh in the form of a A/4 flyer, instant print, 4 p. 1976
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Géza PerneczkyNETWORK ATLASWorks a
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317Oberholzer, Christoph Turbinenha
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31968 p., Exh.: Gesamthochschule, M
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321(5x) in plastic box {999}. Tiege
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323Über das Dichtertum für J. O.
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325drawings, 32 p.Pat → Fish: Nin
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327front of each copy, so each rece
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329^Tema y variaciones. (Colletive
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331denouncing the suppression of hu
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333!Panpost! → Bloch, Mark S.Pap,
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335Literature:«Coop mail art proje
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337(France), Klaus Groh (Germany),
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339^Forty Six. Instruments of Desir
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341formed as postcards or «letters
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343^# N°5-6 (1978), N°7 (1978), N
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345(John Held Jr.: Assembling Perio
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347^ME (Edited by !Pittore Euforico
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349«...I began my Network mail art
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351~Source:Literature:print on whit
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353with an interest for the undergr
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355our five senses. Along with tast
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357Muzeum Sztuki Aktualnej, Kraków
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359Pütz, Claudia PIPS, Dada-Corpor
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361page with green paper. Additiona
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363GDR with essays, catalogues and
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3658 Portraits - suicide graphique
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367Robakowski, Joseph Ul. Mickiewic
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369& concept art, also assembling i
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371^# 1/1, 2; 2/1, 2, 3; 3/1; 4/II.
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- Page 65 and 66: 379Rutkovsky, Paul / Cutrell, Fran.
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- Page 73 and 74: 387(About Smirk /Smile #4): «...Th
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- Page 108 and 109: 422Magazines. International Network
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- Page 120 and 121: 434(...)As you might know the inter
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- Page 138 and 139: 452Vancouver East Culture Centre, O
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- Page 148 and 149: 462^Every Woman is a Gentleman. Doc
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474amson...»(Lightworks [→Burch]
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476Univer sity of Chicago and read
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478Zerpa, Carlos Urb. Los Sauces, C
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482A P P E N D I X(General bibliogr
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484°Rutkovsky, Paul: Visual Satire
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486→ Perneczky, G.: The Story of
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488Periodics by Original Graphics b
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490Radlov, Sergej: Kurze Einführun
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492Model Peltex. 3 rue des Couples.
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494United States of Mind = Anna Ban
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496Art. Contemporary Art Press (→
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498→ Guy Bleus: Philately: Mail A
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500I Cardona, Carolee Schneemann, A
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502→ MacLeod, Scott: Art Strike.
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504→ Dunn, Lloyd: Editorial. (For
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506Objeto Biografico. 21x31 cm., xe
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508^Copy Art. Trocken schreiben - i
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510Les lignes brisées.Le panier de
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512→^Banana, Anna: About VILE (Le
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514→^Ruch, Günther: Mail Art Con
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516Karol Sauerland: On the Latitude
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518Press, London, 1988. Tetxts by K
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520The Curch of the SubGenius, Dall
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522LOUISE LITSZActor and singer, me
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524Mail Art) In: The Magazine Netwo
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526→ Kocman, J. H.: Stamp Activit
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528→ Vigo, E. A.: Small Creative
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530offset, 16 p. {500} In: Ed. «co
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532*Abracadada - Box 210367. San Fr
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534AustraliaSMIRK #1 by «Sam Monk
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536SMILE by Vittore Baroni (unique
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538«Suicide» as a Network Idea→
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540konkrete poëzie? / concrete poe
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542offset / colour, 144 p. Galerie
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544Tischkov) In: ersichtlichkeiten,
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Acuse de recibo (Mail Art project w
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548And / „&“ (Mail Art project,
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550Art is Books (exh. at the Centr.
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552Artists' Books, Permanent Collec
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554Audio Mail Art: Introvision (inf
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Big Art (1 km², concpetual publ. o
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558Bric a Brac (Mail Art zine, anno
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Cella n. 27851, (Mail Art exh., 198
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562Commodity Character (Photoreport
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564„Cosey Fanni Tutti“ (artist
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568Drucksache (Mag. with poetry, gr
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Envelope and its Contents (Mail Art
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572Fast-Lift Mail Art Project (1994
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574Fluxu Action #1 - incongruous me
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576General Idea (eds.): FILE magazi
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580I Support the Postal Workers (Co
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582Int. Mail Art Exh. (at the Postk
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Laughing Bear - Newsletter (Magazin
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588Luna Bisonte Prods. / Lost and F
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594(Moon Faces:) The Springfullmoon
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596Neoist Para-Festival - APT '80 (
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602Photography thematical postcards
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606Prison, Today Art is a... (Mail
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610Newspaper: The Stampa / (Inv. to
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612Season's Greetings (Mail Art prj
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616Stamp Art (offset cat. for the c
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618Synapse, Visual Art Press for Ar
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622Un Regard Moderne (tabloid size
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624Visual Poetry 1985-1995 (exh. at
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626WO. Visuella Poesie in Berlin (l
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628Zeitschrift für alles - Review
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ABBREVIATIONSMagazines: m. = monthl