448^#1-17Luther → Blissett & Stewart → Home: Green Apocalypse. 1996 (further → Home)Upstairs, The 107 S. Trade St. Tyron, NC-28782 USA 1986^A New Language for a New Earth. Doc. one sheet of 28x43 cm., offset. June 1986 Urbanski, Stanislaw / Rehfeldt, Robert, ? Cracow Poland 1980°Contart Mail Box. Inv. on 25x17.5 cm. offset sheet. Contart. Cracow, 1980 Urbons, Klaus Friedrichstr. 51 Mülheim / Ruhr, D-45468 Germany 1996Museum für Fotokopie. Kettwigerstr. 33. Mülheim / Ruhr, D-4330 (Closed: 1993) .............................................................................................................................................................^Art Shelter / Kunstschutzkeller, 1984. Exhibition & actions at the Frierichstr. Artists: Balschun, Behme, Eggemann, Gajewski, van Geluwe, Hainke, Malich,Nißle, Olbrich, Paridaen, Wagner Waszek, Weber. Inv.: A4 poster, phc.^The Whole World Catalogue – Musaée Sentimental <strong>by</strong> W. → Hainke. Inv.-card to the show, 1985^Canadian Copy Artists at the Museum... Inv.-card, 1986^Cornu Copia – an exhibition <strong>by</strong> Vittore Baroni. Inv.-card in over size, 1986 ^Elektrografien / Alcalacanales (with Begoña Sanjuán) Cat.: s7x21 cm., colour offset, 52 p. / Museum f. Fotokopie, Mülheim-Ruhr, D / Universitatde València E. August 1988^Copy Art: Kunst und Design mit dem Fotokopierer (Offset, 370 p. with time-tables and large bibliography) DuMont Taschenbücher 269, Köln, 1991^Museum für Fotokopie, Jahrbuch 1992. Editor: Klaus → Urbons (with the text & image material of the exh. project «Trivial Machines 1.», and theessay of Axel Wiczorke: Auf der Suche nach dem verlorenen Original)A/4, hand made publ. {50}, colour xerox, 120 p.Artists: Alcalacanales, C. Arnold Jr., M. Badura, H. Bär, H. Bardenheuer,W. Berman, J. Beuys, R. Beyelschmidt, P. Boissonet, H. Chadwick,Evergon, M. Friedberg, H. W. Franke & H. Helbig, K. G. Gaida,T. Griese, W. Hainke, R. Heuß-Dewald, V. Hildebrandt, D. Hockney,F. John, J. Kierspel, V. Kutscher, J. Mathiaut, F. Megert, K-H. Möller,B. Munari, G. Mühleck, J. O. Olbrich, Dr. Poinegl & Prof. Nolte, DonPreston, Creative Images, Electronic Artwork, Lieve Prins, S. LandySheridan, J. Tinguely, T. Ulrichs, K. Urbons, A. Wrexler→ Olbrich, Jürgen O. / Actions and Exibitions at the Artspace Kunoldstr. 34, Kassel~Literataure: Géza <strong>Perneczky</strong>: The Magazine <strong>Network</strong>. The trends of alternative art in the lightof their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 86 p.Váczy Jépont, Tamás Dobó u. 25. Budapest, H-1153 Hungary 1990^Tripicon Magyarországon / Tripicon in Hungary. Cat.: A/5, offset, 12 p. + flyer, + A/3 poster. Exh.: Újpalota H. April-May 1990Vague, Tom Vague BCM Box. 7207 London, WC1N 3XX United Kingd. 1979^Vague (A very extensive and multifarious anarchistic tinged culture magazine for all possible underground idieas and events such as punk, fanzine literature,new cults, psychedelic fascism, plagiarism, «class war», etc.,in its late issues also a forum for Stewart → Home philosophy ofnegation and Art Strike ideas. A/4, offset, ~100 p. 1979- over 20#)^# 16-17, 18-19, 20, 21Vague N° 18-19 & 20 (large parts as Smile mutants. Texts <strong>by</strong> Stewart → Home) Vallance, Brendan de 2215 S, Ford Ave. 2nd Floor Chicago, IL-60616 USA 1986^Summer Mail Art Show (with Mr. → Bop, Chicago). Cat.: Digest, phc., 8 p. ^Lame Brain (Mail Art compilation, sometimes collaged with little objects. 11x14
449~Literature:cm., horz. size, later digest? phc., 24-32 p. 1986, #1-4?)^#1, 2, 3, 4«I had forgotten about this 4½ x 5½ xerozin until Malok recently passed a copy onto me. The Lame Brain motto is „Do it now. Send it out!“ so you know what thatmeans, put your sperm in a mail-safe container (or maybe they mean art?). EditorBrendan de Vallance prints one page <strong>by</strong> each contributor, so if you haven't been in ityet, now is the time»(Mega Zines. In: Anti-Isolation [→ Xexoxial], #3-4, 1987. 13 p.)Vallias, Andre / Block, Friedrich c/o Galerie am Markt, → Annaberg-Buchholz, D-09456. Germany 1992Caligrama para Kazuo Ohno. 1986 / Panta Rhei. 1987 / Crase. 1988 / Self Publs. Seripoemas. / Galeria Macunaíma / FUNARTE. Rio de Janeiro BR, 1987^pOes1e / digitale dichtkunst. (Eine Ausstellung Computergenerierte Gedichte. Org.: → Vallias, A. & Block F.) Cat.: 19x12 cm., offset, 16 p.Galerie am Marktplatz. Annaberg-Buchholz (→ Milde), September-October 1992(Vilém Flusser, André Vallias, Augusto de Campos, Richard Kostelanetz,Jim Rosenberg, Silvestre Pestana, Fritz Lichtenauer, FriedrichBlock, Analdo Antunes, Eduardo Kac)Valoch, Jiri Jugoslavska 46 / a Brno, CS-61300 Czechoslovakia 1988°9 Optical Poems (A/4 leaves in envelope, mimeogr., 10 sheets) WF Folder 3, Writers Forum, London, 1967^Black book, cut up (A/6 size bookwork with collage, 20 p.) S. P. 1968°8 Sonnets. (11x14 cm., mimeogr. 20 p.) Ganglia Press, Toronto, 1969 °Word Book. (10.5x7.5 cm., dactylography, 8 p.) Brno, n.d. (1970)^Book about nothing (Offset booklet A/6, {25}, 60 p.) S. P. Brno, 1970Rubber stamp activity in the style of concrete poetry since ~1970® Snow / Group M. (Small offset publ. about concrete poetry actions in snow, 6 p.)Artists: Dusan Klimes, J. H. Kocman, Jitka Kocmanová, Jiri Valoch.Text: Jiri Valoch. Ed. Vytiska Grafia 01. Brno? 1971 ^Day and Night Book. (A white and a black loose sheets in (3 parts) folio, A/5. 1971 ^8 Concepts. (Concrete poetry, 8 A/5 offset leaves in envelope) S. P. 1971°The first and last collection of sound poems <strong>by</strong> J. V. (Mimeographed, 18 p.)Writers Forum. London, 1971 ^One words poems 1968-72. (10 offset cards, A/7, in envelope {50}) S.P. Brno 1972 ^Story of two Zeros. (A/6, offset, 8 p.) S. P: Brno. 1974°Dialectic Book / The Book of Symetry & other type written works, ~1975^Poesia Visiva / 1: Jiri Valoch (A/5 offset booklet, 64 p., with concrete poetry <strong>by</strong> photos) Introduction texts: Aldo Rossi & Jan Pavlik.Beniamo Carucci Ed. Roma. 1975DIM ART First International. Exhibition in Gallery IPD, Prague, December 1976. With the participation of Klivar and Valoch as only czech artists in thisshow, an exhibition was organized for visual poetry, Mail Art, & otherkind of alternative arts. Further about this event: → Klivar.^Word Works (1974-82). (Offset booklet, A/6, 104 p.) Rainer Verlag, Berlin, 1984~Literature: «...yes, we need new poets, but not poets working in the old categories of „concretepoetry“. We need visual-concrete-spatial-action... etc. poets, working in as manydifferent ways as possible. If we can no longer make old „concrete poems“, we canmake minimalised „one-word-poems“ (process poems, non verbal semantic poems),„poems for realisation“, etc. etc. We can find new possibilities between visualpoetry and concept art (in opposition to some of my friends I am interested inconcept art & find some authors [conceptualists] very fine – e.g. Antonio Dias).I mean, concrete poetry is not dead, but it is no longer only concrete! New poetryis living! Jiri Valoch, 18/11/71» (Statement. In: Kontexts, #5 [→ Gibbs]. Devon,
- Page 1 and 2:
Géza PerneczkyNETWORK ATLASWorks a
- Page 3 and 4:
317Oberholzer, Christoph Turbinenha
- Page 5 and 6:
31968 p., Exh.: Gesamthochschule, M
- Page 7 and 8:
321(5x) in plastic box {999}. Tiege
- Page 9 and 10:
323Über das Dichtertum für J. O.
- Page 11 and 12:
325drawings, 32 p.Pat → Fish: Nin
- Page 13 and 14:
327front of each copy, so each rece
- Page 15 and 16:
329^Tema y variaciones. (Colletive
- Page 17 and 18:
331denouncing the suppression of hu
- Page 19 and 20:
333!Panpost! → Bloch, Mark S.Pap,
- Page 21 and 22:
335Literature:«Coop mail art proje
- Page 23 and 24:
337(France), Klaus Groh (Germany),
- Page 25 and 26:
339^Forty Six. Instruments of Desir
- Page 27 and 28:
341formed as postcards or «letters
- Page 29 and 30:
343^# N°5-6 (1978), N°7 (1978), N
- Page 31 and 32:
345(John Held Jr.: Assembling Perio
- Page 33 and 34:
347^ME (Edited by !Pittore Euforico
- Page 35 and 36:
349«...I began my Network mail art
- Page 37 and 38:
351~Source:Literature:print on whit
- Page 39 and 40:
353with an interest for the undergr
- Page 41 and 42:
355our five senses. Along with tast
- Page 43 and 44:
357Muzeum Sztuki Aktualnej, Kraków
- Page 45 and 46:
359Pütz, Claudia PIPS, Dada-Corpor
- Page 47 and 48:
361page with green paper. Additiona
- Page 49 and 50:
363GDR with essays, catalogues and
- Page 51 and 52:
3658 Portraits - suicide graphique
- Page 53 and 54:
367Robakowski, Joseph Ul. Mickiewic
- Page 55 and 56:
369& concept art, also assembling i
- Page 57 and 58:
371^# 1/1, 2; 2/1, 2, 3; 3/1; 4/II.
- Page 59 and 60:
373^The Risk. Cutted Fragments of N
- Page 61 and 62:
375centralized mail art congress as
- Page 63 and 64:
377was the concept of this magazine
- Page 65 and 66:
379Rutkovsky, Paul / Cutrell, Fran.
- Page 67 and 68:
381S:t Petri, Galerie→ Sellem, Je
- Page 69 and 70:
383Sarenco, Amodulo Calaone Baone (
- Page 71 and 72:
385/ Russian. Ed. Gertraud Scholz,
- Page 73 and 74:
387(About Smirk /Smile #4): «...Th
- Page 75 and 76:
389The Bremen-Kassel Connection (A
- Page 77 and 78:
391Roy Adzak: Screws (Object book,
- Page 79 and 80:
393NEUES MUSEUM WESERBURG BREMEN.(T
- Page 81 and 82:
395Schwerin: Staatliches Museum^Mai
- Page 83 and 84: 397^Mail Art Puzzle Project. ongio
- Page 85 and 86: 399«Seul, Kwan Hoon Museum», Seul
- Page 87: 401^Gorbachev / Gorbi, Mail Art Pro
- Page 90 and 91: 404^happening & fluxus (Edited by H
- Page 92 and 93: 406*R. Thomas, W. Ting, **B. Watts,
- Page 94 and 95: 408haeadquartier's lobby during Feb
- Page 96 and 97: 410Art competitions, music. Stateme
- Page 98 and 99: 412Géza Perneczky: The Magazine Ne
- Page 100 and 101: 414Stempelplaats Editions:→ Banan
- Page 102 and 103: 416(Fashion, #1): «... features wo
- Page 104 and 105: 418^Il Granaio / Pittura - Mostra a
- Page 106 and 107: 420^Soviet & Eastern European Mail
- Page 108 and 109: 422Magazines. International Network
- Page 110 and 111: 424Szczelkun, Stefan 85 St. Agnes P
- Page 112 and 113: 426(WOW and other publications from
- Page 114 and 115: 428[→ Hoffberg], Vol. 3, #1, 17 p
- Page 116 and 117: 430Thurner, Hans→ Lechner, UteTif
- Page 118 and 119: 432of potentially interested paprti
- Page 120 and 121: 434(...)As you might know the inter
- Page 122 and 123: 436this new series has been numbere
- Page 124 and 125: 438points to the signalism sources
- Page 126 and 127: 440voor mij onmiddelijk een van de
- Page 128 and 129: 442190182 (untitled). The fanzine
- Page 130 and 131: 444{100}.140686 COPYING TOYS. Actio
- Page 132 and 133: 446Tron, Otto ? River Fall, WI USA
- Page 136 and 137: 4501973. 1 p.)Géza Perneczky: The
- Page 138 and 139: 452Vancouver East Culture Centre, O
- Page 140 and 141: 454~Source:~Literature:audio & visu
- Page 142 and 143: 456as a nostalgic joint. (...)With
- Page 144 and 145: 458Vitale, Angelo Via Settembrini 2
- Page 146 and 147: 460perimental literature [also some
- Page 148 and 149: 462^Every Woman is a Gentleman. Doc
- Page 150 and 151: 464already transforming as the ethe
- Page 152 and 153: 466Wien, A-1080), 1989^Mail Art Por
- Page 154 and 155: 468Klaus Werner (1978): Künstlelrp
- Page 156 and 157: 470Wozniak, Ryszard Ul. Spolska 5.
- Page 158 and 159: 472Strategic for Wracking Hylic. (1
- Page 160 and 161: 474amson...»(Lightworks [→Burch]
- Page 162 and 163: 476Univer sity of Chicago and read
- Page 164 and 165: 478Zerpa, Carlos Urb. Los Sauces, C
- Page 166 and 167: 482A P P E N D I X(General bibliogr
- Page 168 and 169: 484°Rutkovsky, Paul: Visual Satire
- Page 170 and 171: 486→ Perneczky, G.: The Story of
- Page 172 and 173: 488Periodics by Original Graphics b
- Page 174 and 175: 490Radlov, Sergej: Kurze Einführun
- Page 176 and 177: 492Model Peltex. 3 rue des Couples.
- Page 178 and 179: 494United States of Mind = Anna Ban
- Page 180 and 181: 496Art. Contemporary Art Press (→
- Page 182 and 183: 498→ Guy Bleus: Philately: Mail A
- Page 184 and 185:
500I Cardona, Carolee Schneemann, A
- Page 186 and 187:
502→ MacLeod, Scott: Art Strike.
- Page 188 and 189:
504→ Dunn, Lloyd: Editorial. (For
- Page 190 and 191:
506Objeto Biografico. 21x31 cm., xe
- Page 192 and 193:
508^Copy Art. Trocken schreiben - i
- Page 194 and 195:
510Les lignes brisées.Le panier de
- Page 196 and 197:
512→^Banana, Anna: About VILE (Le
- Page 198 and 199:
514→^Ruch, Günther: Mail Art Con
- Page 200 and 201:
516Karol Sauerland: On the Latitude
- Page 202 and 203:
518Press, London, 1988. Tetxts by K
- Page 204 and 205:
520The Curch of the SubGenius, Dall
- Page 206 and 207:
522LOUISE LITSZActor and singer, me
- Page 208 and 209:
524Mail Art) In: The Magazine Netwo
- Page 210 and 211:
526→ Kocman, J. H.: Stamp Activit
- Page 212 and 213:
528→ Vigo, E. A.: Small Creative
- Page 214 and 215:
530offset, 16 p. {500} In: Ed. «co
- Page 216 and 217:
532*Abracadada - Box 210367. San Fr
- Page 218 and 219:
534AustraliaSMIRK #1 by «Sam Monk
- Page 220 and 221:
536SMILE by Vittore Baroni (unique
- Page 222 and 223:
538«Suicide» as a Network Idea→
- Page 224 and 225:
540konkrete poëzie? / concrete poe
- Page 226 and 227:
542offset / colour, 144 p. Galerie
- Page 228 and 229:
544Tischkov) In: ersichtlichkeiten,
- Page 230 and 231:
Acuse de recibo (Mail Art project w
- Page 232 and 233:
548And / „&“ (Mail Art project,
- Page 234 and 235:
550Art is Books (exh. at the Centr.
- Page 236 and 237:
552Artists' Books, Permanent Collec
- Page 238 and 239:
554Audio Mail Art: Introvision (inf
- Page 240 and 241:
Big Art (1 km², concpetual publ. o
- Page 242 and 243:
558Bric a Brac (Mail Art zine, anno
- Page 244 and 245:
Cella n. 27851, (Mail Art exh., 198
- Page 246 and 247:
562Commodity Character (Photoreport
- Page 248 and 249:
564„Cosey Fanni Tutti“ (artist
- Page 250 and 251:
„Dazar“ / „Omahaha“ / „Po
- Page 252 and 253:
568Drucksache (Mag. with poetry, gr
- Page 254 and 255:
Envelope and its Contents (Mail Art
- Page 256 and 257:
572Fast-Lift Mail Art Project (1994
- Page 258 and 259:
574Fluxu Action #1 - incongruous me
- Page 260 and 261:
576General Idea (eds.): FILE magazi
- Page 262 and 263:
„Harlekin Art“ (post-Fluxus, Ma
- Page 264 and 265:
580I Support the Postal Workers (Co
- Page 266 and 267:
582Int. Mail Art Exh. (at the Postk
- Page 268 and 269:
Kepler (Mail Art prj., Wendelinskap
- Page 270 and 271:
Laughing Bear - Newsletter (Magazin
- Page 272 and 273:
588Luna Bisonte Prods. / Lost and F
- Page 274 and 275:
Mail etc. Art (exh. at the Universi
- Page 276 and 277:
mEINBLICK (Mail Art at the Gal. im
- Page 278 and 279:
594(Moon Faces:) The Springfullmoon
- Page 280 and 281:
596Neoist Para-Festival - APT '80 (
- Page 282 and 283:
Obscurities - Mail Art / Missing Do
- Page 284 and 285:
P. S. (Tabloid for the int. perform
- Page 286 and 287:
602Photography thematical postcards
- Page 288 and 289:
Positiv-Negativ (Commonpress #8, 19
- Page 290 and 291:
606Prison, Today Art is a... (Mail
- Page 292 and 293:
Recycling Mail (assembled matterial
- Page 294 and 295:
610Newspaper: The Stampa / (Inv. to
- Page 296 and 297:
612Season's Greetings (Mail Art prj
- Page 298 and 299:
Sky Views Magazine (new and alterna
- Page 300 and 301:
616Stamp Art (offset cat. for the c
- Page 302 and 303:
618Synapse, Visual Art Press for Ar
- Page 304 and 305:
Timbro d'Artista (Mail Art project
- Page 306 and 307:
622Un Regard Moderne (tabloid size
- Page 308 and 309:
624Visual Poetry 1985-1995 (exh. at
- Page 310 and 311:
626WO. Visuella Poesie in Berlin (l
- Page 312 and 313:
628Zeitschrift für alles - Review
- Page 314 and 315:
ABBREVIATIONSMagazines: m. = monthl