Network Atlas by Geza Perneczky - Ruud Janssen

479meaning, because mail is not organizing an exhibition of envelopes, mail art is thecorrespondence, the communication with others, not the exhibition... We continueto call it mail art, like we continue to call painting what is not again painting... Thefact that the mail art movement wasn't able to reach its gool doesn't mean that theinstitutional culture has won or that it is the only culture that has to be rememberedin history. Like the fact that the Soviet government and culture fell does not meanthat capitalism or he relative market is the only solution for the problems of thesocial state and of pacific human living.»(Luca Miti: An Interview with Roberto Zito / 1996. In: Stephen → Perkins:Assembling Magazines. International Networking Collaborations.Cat.: Half-legal, phc., 64 p. Subspace, Iowa City. 1996 / Print: 1997. 25-27 p.)Zolper, Heinz Venloerstr 21. Köln-1, D-5000 Germany 1977Palazzo (One man magazine by informations and photos about the new art scene in Cologne and Düsseldorf in the 70s. A/3 size, offset, 24-48 p. 1977-, ir.)Zulkifli & Zakaria, a.k.a. Joe Kidd, Dakat Balairaya, KG. Pasir Puteh Mercang 21610 Kuala Terengganu, Malaysia^Aedes (A fanzine from Malaysia which was sent to mail artists in Europe, too {30}. An interesting network phenomena. A/5, phc. 32 p. 1987, y.)Statement: «hardcore Scene allover d'world»^#1Zurbrugg, Nicholas «Church Steps», Kersey, Near Ijswich, Suffolk, UK. 1969Stereo Headphones (Magazine for new poetry and photo-poetry. 23x15 and 24x18.5 cm., offset, 40 p. 1969-74, #1-6)~Literature: (Stereo Headphone, #6) News and Reviews. In: Kontexts, #6-7 (→ Gibbs). Amsterdam,1975. n. p.(Stereo Headphone, #7) News and Reviews. In: Kontexts, #9-10 (→ Gibbs). Amsterdam,1977. n. p.