Network Atlas by Geza Perneczky - Ruud Janssen
Network Atlas by Geza Perneczky - Ruud Janssen
Network Atlas by Geza Perneczky - Ruud Janssen
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329^Tema y variaciones. (Colletive art project via Mail Art, performed in Sept. /72, exposed Sept. /73 in Gallery U. of Montevideo. 21.5x17.5 cm., offset,20 p.) S. P. {100}, Montevideo. 1986^Sudafrica '86 – No al Apartheid, salva a Mandela. Exp. internacional de arte correo. Cat.: 21x 17 cm., offset, 4 p. Exh.: Subte municipal Montevideo,organized <strong>by</strong> AUAC / C. Padín, July 14-21, 1986^Por la vida y por la paz. (A performance in texts & photos: 16x11 cm., offset, 16 p.) Montevideo. 1987^Action, Works, Performances, 1970-1987. (Work catalogue + exh. list, 22x17.5 cm., offset, 24 p.) S. P., Montevideo. 1987^Mail Art Exhibitions 1983-1988. Cat.: 22.5x18 cm., phc., 4 p. / Ass. Uruguaya de Artistas Correo / Galeria Asoc. de Jóremes. December 1988Artistamps: No More Armies (Sheet of 30 id. stamps, b/w phc.) n.d. ^III. Bienal de Poesía Visual, Experimental y Alternativa. Sección Cono Sur Latinoamericano: Argentina, Chile, Uruguay (with Jorge Echenique,Nucleo Post Arte de Mexico) Cat.: A/5, offset, 24 p. / Goethe Institut,Montevideo, IMM - Dept. de Cultura. June 1990^Solidaridad Uruguay. Cat.: 21x16.5 cm., offset, 40 p. Org.: J. Caraballo - C. Padín. Montevideo. 1991The Ideological Character of NETWORK. In: N D # 15. 1991, 35-36 p. Action, Works, Performances, 1970-1991 (3rd Ed., offset, 32 p.) S. P. 1992 El <strong>Network</strong>er Latinamericano. (Newsletter with information about the Decentralized World Wide <strong>Network</strong>er Congress. 22.5x17.7 cm. phc. 1992. 1-2#?)^The Latinoamerican Poetic Vanguard / The Ideological Character of <strong>Network</strong> / Conceptualism: The Ideological meaning of the Artistic Avant-Garde(and essays <strong>by</strong> → Arganaraz, N. → Held, J., 21.5x18 cm, offset, 20 p.)S. P. Montevideo. 1992^El Inismo: Nueva Tendencia Poetica. (Leaflet, 2 p. from March 1994) Uruguay ^Arte Correo Centenario de Martí, 1895-1995. Cat.: 21.5x16 cm., offset, 20 p. Text: Padín (Spanish, English) Exh.: Caja Uruguay-Cuba. 1995^<strong>Network</strong>ing (3 actions: FAX ART / Artstamps / Express yourself and send back) FAXCat.: 22x18 cm., offset, 20 p. / Gal. Cinemateca Uruguaya. July 1995^<strong>Network</strong> and the artist's role before and after Lyotard. Essay. In: Help me to Paint! Una Propuesta de Hans → Braumüller (Cat.:, text: Spain & English)/ Galeria Posada del Corregidor. Santiago de Chile, Aprj., 1995Artistamps: ^Chirac mon amour (Sheet of 25 id. stamps, phc., not perforated) 1995 ^Damaso Ogaz Latinamerican Pioneer Mailartist (Sheet of 20 stamps,id. portraits with diff. text, phc., not perforated) 1995~Source:~Literature:^PAN - PAZ. Arte Correo (Mail Art aus Lateinamerika. Org.: René Block &Wieland Schmid.) Cat.: 26x21 cm., offset, 32 p. / Galerie DAAD, Kurfürstenstr.58, Berlin, 1984We Get Letters / from Geoffrey Cook (About the affair of Clemente Padín and JorgeCarabello with the Uruguayan Army Government) In: Umbrella (→ Hoffberg).Vol. 2, #1. 15 p. Glendale, 1979. / Updating: Vol. 2, #4, 79 p.Geoffrey Cook: The Padín/Caraballo Project (A report on the inprisonment of theboth artists and the channeling the mail art network's protest). In: M. Crane / M.Stofflet (eds.): Correspondence Art. Contemporary Art Press (→ Loeffler). S. F.,1984. 369-373 p.Géza <strong>Perneczky</strong>: The Magazine <strong>Network</strong>. The trends of alternative art in the lightof their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 56-57, 110 p.Clemente Padín: The Options of Mail Art. (I. Biographical Background / II. MyAttraction to Mail Art / The Ideological Character of Mail Art Communication)
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