Network Atlas by Geza Perneczky - Ruud Janssen

467~Source:Literature:Plutonium Press (Accordion size leaflet with the listing of the Scrap issues andWinkler's book publs. from 1990.) Favorated authors: Lindley Bhanji: Cocoon(Graphics of a 16 year old girl), Jake Berry: Hairbone Stew (Psychotic nurseryrhymes), Bill Shields: Anatomy of a Male Slut (A phallis shaped book), State ofBeing: Some States of Being (Hauntingly gritty images), K. A. Keefe: ProfessionalDriver ( Poems of automotive sexuality), Tom Roberts: I Dream of War, PaulWeinman: The White Boy Papers (Social observations)(Scrap, #1): «Here's another magazine that has that stylized but not stylish sloppylook with dense black graphics and scraps of verbage polluting throughout. By this Idon't mean the words shouldn't be there, it's just a type of graphics of pollution thathave become a sort of standard style for some xerox magazines. As usual, it's mosteffective when it is used for humour & not to make some political statement....»( Lloyd → Dunn: Mail Review. In: PhotoStatic. N° 20, Oct. 1986, 636 p.)(Scarp, #5): «Chris Winkler has packed up himself and his press and moved toAustralia. In the process, he's switched to A4-size paper (the standard everywherebut North America) and acquired a look in the bargain. The past issues havecontained much more text than this one does, and I personally find the more visualbent a lot of more compiled a wonderful collection of images from all over theworld which works as a nice development on his favorite themes of the emptinessof consumer culture (with regard especially to esthetic fulfillment) and the notionsof this culture being a conspiracy of capitalism wrought purely for corporateprofit...» ( Lloyd → Dunn: Mail Review. In: PhotoStatic. N° 27, Nov.1987, 918 p.)(Scarp): «Looking to be bombarded by the visual-verbal underground. Evenlooking for iguana droppings before dried. Hmmm. First effors are eclectic andraw. (...) Editor seems to equate creativity with nuclear waste or maybe even shit.Xerox copraphilia.» (Mega Zines. In: Anti-Isolation [→ Xexoxial], #3-4, 1987.15 p.)Winkler, Michael J. 331 Columbia Ave. Jersey City, NJ-07307 USA 1986Regular Words. 14x11 cm., offset, 32 p. {1000}. S.E. 1982 Word Art / Art Words. A small offset booklet in size of 23.5x7.5 cm., 26 p. with a combination of images and texts: «...each letter of the alphabet isassociated with a specific point on the perimeter of a circle, lines aredrawn to interconnect these letterpoints acording to the spelling ofthe words...»Equivalents. Digest size xeroxed booklet, 28 p. {125}. S. P. New York, 1987 ~Literature: «My drawings, books, installations, and intermedia performances constitute acontinouing investigation of the patterns of meaning inherent in the signs, symbols,and structural elements of language.» (M. Winkler: Statement. In: Sarah →Jackson: Books Build Bridges / Copier Art – Bookworks. Cat.: TU ° NS. / NationalPostal Museum Halifax, 1986. 286. item)«“Developed by taking phrases from art reviews and articles written about art andpresenting them out of context“. An outstanding interplay of words and images,including Winkler's alphabet circle poems (see this issue of Score for examples ofthese). (Review in Score, #7. [→ Hill] Letter size, offset, ~1988.)Winnes, Friedrich Hertzstr. 29 Berlin, (GDR-1106 → D-13158) Germany 1986^Mail Art Szene DDR 1975-1990. (with → Wohlrab, L., → Jesch, B, → Huber, J-W.) (A/4, offset, 122 p. ) Haude & Spener Verlagsbuchhandlung, Berlin, 1994Texts: Vänci Stirnemann: Mail Art – das Kunstspiel mit der PostRobert Rehfeldt (1976): Ursachen und Wirkung der Kunst in der...