372^Idea and Communication (Commonpress #36). {300} A/5, 92 p., offset, 120 participants.Texts <strong>by</strong> V. Baroni, K. Groh, H. Zabala, P. Mesciulam, G. E.Marx-Vigo, Art-Guerilla Group and others. 1980CLINCH (Mag. partly sticker-assembling {200}, including 24,000 stickers in 1,600 magazine-copies of the 10 issues from nearly 100 artists. «Please don'tsend anymore stickers to Clinch more than 15,000 stickers were glued& mailed in the last issues.» [In: Clinch, #4, editorial statement])A/5, phc. + collage, + rubber stamps, ~16 p. 1983-1988, #1- 10:# 1) First Issue. Co-works from the Group Ecart (→ Armleder) toPavel → Petasz' „Clothes“ project. Introduction essay:Ruch: Communication Energy. 1983# 2) Mail Music issue. Mail-sound from P. R. → Meyer's „Audio“ toN. → Frangione's „Mail-Music“- record. Further contributorsand „earlist“ in # 4. 1983# 3) Visual Poetry /Air Mail / Works from Aaron Flores „Stamp-card“to Dick → Higgins „Nature of Fish“. Theoretical essay:G. Bleus: Indirect Correspondence. 1983# 4) Earcut & Social Engagment. 50 participants to the „Ear“ project,a co-project <strong>by</strong> G. Ruch and V. → Baroni. 1984# 5) Mail Art History. 1984. From the content:G. Ruch: From Mail-Art to Other Co-WorksStatements <strong>by</strong> G. Bleus, R. Johnson, G. A. Cavellini,M. Bloch, U. Kattenstroth, V. Baroni, L. Spiegelman,D. Kamperelic, C. PittoreV. Baroni: Real Correspondence - SixG. <strong>Perneczky</strong>: Mail-Art as an alternative?H. R. Fricker: Letter to G. Ruch (Tourism)G. Ruch: Mail Art Messages... ChronologyL. Spiegelman: Mail Art Shows (Rules and statement)# 6) Endless. 1985. From the content:Albrecht d.: Endless Music.L. Spiegelman: Letter To G. Ruch. (Mail Art & shit)R. Crozier: Memories – history for 10 yearsD. Grund & S. Gussow: Open Letter to Hiroshima Day.(International Shadow Project, 1985)H. R.: Fricker: About Tourism.B. Jesch. Kurzgeschichte der DDR Postkunst# 7) Decentralized Worldwide Mail Art Congress. 1985-86. From the content:G. Ruch. It's time to meetV. Baroni: The N Brothers & the <strong>Network</strong> ConnectionF. Eipok: Mail Art Performance Party# 8) Sightseeing. (Texts and images from the MA Congress) 1986.G. Bleus: Mail-Art SociologyG. Ruch: Editor's Crisis (Mail Art contra Tourism)# 9) Retrospective View. (Surplus of printed material of the projects<strong>by</strong> the editor in collaboration with others.) 1987#10) The Last Issue. (Overview of editor's projects in connection tothe network-sea.) 1988^Cut your Ear and Send It to... / The Game is Over. Inv.-flyer, 1984^Fiction and Non-Fiction (for the Swiss Mail Art Congress). Inv.-flyer, 1986 ^Mail Art Congress 86. (Xeroxed documentation, material & sources, A/5, 160 p.) Out-Press / G. Ruch, Genève, 1987^Everybody speaks from Communication and nobody do it (Xeroxed pamphlet about Mail Art Congress, Tourism, etc., A/5, phc., 14 p.) Edition «B(oring)ART theory», Genève, n.d. (1987?)^Post Products (Xeroxed doc. about diff. mailings & distribution forms 1976-1986 {100}, A/5, phc., 24 p. also with some orig. collages) S. P. 1988
373^The Risk. Cutted Fragments of <strong>Network</strong> Experiences. (Co-edition with Arte Postale → Baroni) Xeroxed pamphlet, A/6, 64 p. Genève, 1990^Multiplication. (Assembling like anth. <strong>by</strong> original/multiplications of F. Aguiar, B. Allen, G. Bleus, R. Crozier, G. Deisler, K. de Jonge, J. O. Olbrich,J. Oliveira, G. <strong>Perneczky</strong>, G. Ruch). 21x21 cm., phc. + handmade applications<strong>by</strong> collages, rubber stamps, drawings. {200} Editor's statement:All participants have worked over years as editors of small artistsbooks... what held them together is that every participant knows thework of other contributors through the mail-art channel...Out Press, Genève. 1992.^Text-Lines / Text-Images / Textual Concepts. 20 Years Out-Press, 1973-93. (Xeroxed publ. 21x10.5, 24 p.) Genève, 1993^Phone-Call.. Action in PTT Museum, Febr. 22, 1994 (A doc. + praphic. 21x10 cm., phc., 16 p.) Genève. 1994^Sound-Performance at the PTT-Museum, Bern. Inv.-letter, 1994^Mail Art PTT-Museum Bern – Stampsheets in accoordion folder. 4 stamp sheets for the Mail Art / artists' stamp exhibition at the PTT Museum, Bern,Feb 23 – May 29, 1994, mounted on the pages of a cardbroad accordionof 31.5x 22 cm. (A collective work <strong>by</strong> H-R. Fricker, G. Ruch & M. V.Stirnemann)Direct / a «Nomads» project with → J. N. Laszlo, David Dougal (Mcintosh), J. O. → Olbrich, Ward Tietz, G. Ruch. Genève. 1995^Artists‘ Stamp Show „Direct“. Inv.-card, 1995^DIRECT . Nomads / Artistamps. Cat.: A/5, phc., + collages, 28 p. (Also a larger box publication of A/4 size with a catalogue of found-objects <strong>by</strong> thefive participants {50}) Gallery Forde. Genève, October 1995^CH-Gegenfluss / CH-Contre-Flot. Assembling like publication about 5 artists and their works (mail art, copy art, artistamps, etc. actions) in Switzerland:H. R. → Fricker, Peter W. Kaufmann, G. Ruch, M. V. → Stirnemann &Marcel → Stüssi. A publ. of 21x21.5 cm, with ~ 30 sheets, mostly <strong>by</strong>A/4 size folded into 21x21.5 cm.. Photocopy and offset print, but alsorubber stamp, orig. artistamp and envelope contributions. Curriculumand press docs. Texts: German / French. {100} Edition Out-Press.Genève, 1995^Poesie Sonore (with F. → Aguiar, G. → Bleus, R. → Crozier, J. O. → Olbrich, G. Ruch, and R.→ Summers. Telephone & FAX action on the account ofthe «Festival de Genève», 1996, AMR.) A/5, phc., 16 p. + foil + invitationcard + collage matter, {100}. Out-Press, 1996-97^19 Rubber Stamped Concepts. Assembling like publ. with original rubber stamp ®works and additive documentations <strong>by</strong> texts and images. The artists:V. Baroni, G. Bleus, Buzz Blurr, B. Gaglione, John Held, R. Maggi,R. Nikonova, J. O. Olbrich, M. Pawson, C. Pittore, Colette & Günther& Imelda Ruch, S. Segay, M. Stirnemann, P. Tavenner, P. Thoma,W. Tietz, S. Wyder. 21x21 cm., mix. techn. 27 leaves, {100}. Out-Press,Genève. 1999.^Stickers (It seems the continuation of the magazine Clinch: it is an A/5 size Mail Art publication <strong>by</strong> phc., 44 pages, with original stickers either as collages oras loose insert material collected in a supplement paper-bag.)Published the #1 <strong>by</strong> the Out Press, Geneva, 2001: an anthology withtexts <strong>by</strong> Colette and Günther Ruch, Vittore Baroni, Jenny Holzer, <strong>Ruud</strong><strong>Janssen</strong>, Piermario Ciani, Shepard Fairey, John Windsor and (as posthumuspubl.) <strong>by</strong> Cavellini.^ #1Artistamps: ^...every body is a star... (Sheet of 16 diff. stamp images, blue phc. on green paper, not perforated, but with photocopied imagesof a whole perforation) Ruch Stamps 1985 EX 00^XEROX (Sheet of 20 diff. stamp images, red & blue phc., not perfo-
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Géza PerneczkyNETWORK ATLASWorks a
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317Oberholzer, Christoph Turbinenha
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31968 p., Exh.: Gesamthochschule, M
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- Page 9 and 10: 323Über das Dichtertum für J. O.
- Page 11 and 12: 325drawings, 32 p.Pat → Fish: Nin
- Page 13 and 14: 327front of each copy, so each rece
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- Page 17 and 18: 331denouncing the suppression of hu
- Page 19 and 20: 333!Panpost! → Bloch, Mark S.Pap,
- Page 21 and 22: 335Literature:«Coop mail art proje
- Page 23 and 24: 337(France), Klaus Groh (Germany),
- Page 25 and 26: 339^Forty Six. Instruments of Desir
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- Page 29 and 30: 343^# N°5-6 (1978), N°7 (1978), N
- Page 31 and 32: 345(John Held Jr.: Assembling Perio
- Page 33 and 34: 347^ME (Edited by !Pittore Euforico
- Page 35 and 36: 349«...I began my Network mail art
- Page 37 and 38: 351~Source:Literature:print on whit
- Page 39 and 40: 353with an interest for the undergr
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- Page 43 and 44: 357Muzeum Sztuki Aktualnej, Kraków
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- Page 49 and 50: 363GDR with essays, catalogues and
- Page 51 and 52: 3658 Portraits - suicide graphique
- Page 53 and 54: 367Robakowski, Joseph Ul. Mickiewic
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- Page 57: 371^# 1/1, 2; 2/1, 2, 3; 3/1; 4/II.
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- Page 63 and 64: 377was the concept of this magazine
- Page 65 and 66: 379Rutkovsky, Paul / Cutrell, Fran.
- Page 67 and 68: 381S:t Petri, Galerie→ Sellem, Je
- Page 69 and 70: 383Sarenco, Amodulo Calaone Baone (
- Page 71 and 72: 385/ Russian. Ed. Gertraud Scholz,
- Page 73 and 74: 387(About Smirk /Smile #4): «...Th
- Page 75 and 76: 389The Bremen-Kassel Connection (A
- Page 77 and 78: 391Roy Adzak: Screws (Object book,
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- Page 106 and 107: 420^Soviet & Eastern European Mail
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422Magazines. International Network
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424Szczelkun, Stefan 85 St. Agnes P
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426(WOW and other publications from
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428[→ Hoffberg], Vol. 3, #1, 17 p
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430Thurner, Hans→ Lechner, UteTif
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432of potentially interested paprti
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434(...)As you might know the inter
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436this new series has been numbere
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438points to the signalism sources
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440voor mij onmiddelijk een van de
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442190182 (untitled). The fanzine
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444{100}.140686 COPYING TOYS. Actio
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446Tron, Otto ? River Fall, WI USA
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448^#1-17Luther → Blissett & Stew
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4501973. 1 p.)Géza Perneczky: The
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452Vancouver East Culture Centre, O
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454~Source:~Literature:audio & visu
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456as a nostalgic joint. (...)With
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458Vitale, Angelo Via Settembrini 2
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460perimental literature [also some
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462^Every Woman is a Gentleman. Doc
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464already transforming as the ethe
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466Wien, A-1080), 1989^Mail Art Por
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468Klaus Werner (1978): Künstlelrp
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470Wozniak, Ryszard Ul. Spolska 5.
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472Strategic for Wracking Hylic. (1
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474amson...»(Lightworks [→Burch]
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476Univer sity of Chicago and read
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478Zerpa, Carlos Urb. Los Sauces, C
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482A P P E N D I X(General bibliogr
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484°Rutkovsky, Paul: Visual Satire
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486→ Perneczky, G.: The Story of
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488Periodics by Original Graphics b
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490Radlov, Sergej: Kurze Einführun
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492Model Peltex. 3 rue des Couples.
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494United States of Mind = Anna Ban
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496Art. Contemporary Art Press (→
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498→ Guy Bleus: Philately: Mail A
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500I Cardona, Carolee Schneemann, A
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502→ MacLeod, Scott: Art Strike.
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504→ Dunn, Lloyd: Editorial. (For
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506Objeto Biografico. 21x31 cm., xe
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508^Copy Art. Trocken schreiben - i
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510Les lignes brisées.Le panier de
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512→^Banana, Anna: About VILE (Le
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514→^Ruch, Günther: Mail Art Con
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516Karol Sauerland: On the Latitude
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518Press, London, 1988. Tetxts by K
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520The Curch of the SubGenius, Dall
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522LOUISE LITSZActor and singer, me
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524Mail Art) In: The Magazine Netwo
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526→ Kocman, J. H.: Stamp Activit
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528→ Vigo, E. A.: Small Creative
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530offset, 16 p. {500} In: Ed. «co
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532*Abracadada - Box 210367. San Fr
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534AustraliaSMIRK #1 by «Sam Monk
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536SMILE by Vittore Baroni (unique
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538«Suicide» as a Network Idea→
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540konkrete poëzie? / concrete poe
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542offset / colour, 144 p. Galerie
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544Tischkov) In: ersichtlichkeiten,
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Acuse de recibo (Mail Art project w
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548And / „&“ (Mail Art project,
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550Art is Books (exh. at the Centr.
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552Artists' Books, Permanent Collec
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554Audio Mail Art: Introvision (inf
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Big Art (1 km², concpetual publ. o
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558Bric a Brac (Mail Art zine, anno
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Cella n. 27851, (Mail Art exh., 198
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562Commodity Character (Photoreport
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564„Cosey Fanni Tutti“ (artist
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„Dazar“ / „Omahaha“ / „Po
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568Drucksache (Mag. with poetry, gr
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Envelope and its Contents (Mail Art
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572Fast-Lift Mail Art Project (1994
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574Fluxu Action #1 - incongruous me
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576General Idea (eds.): FILE magazi
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„Harlekin Art“ (post-Fluxus, Ma
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580I Support the Postal Workers (Co
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582Int. Mail Art Exh. (at the Postk
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Kepler (Mail Art prj., Wendelinskap
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Laughing Bear - Newsletter (Magazin
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588Luna Bisonte Prods. / Lost and F
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Mail etc. Art (exh. at the Universi
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mEINBLICK (Mail Art at the Gal. im
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594(Moon Faces:) The Springfullmoon
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596Neoist Para-Festival - APT '80 (
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Obscurities - Mail Art / Missing Do
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P. S. (Tabloid for the int. perform
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602Photography thematical postcards
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Positiv-Negativ (Commonpress #8, 19
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606Prison, Today Art is a... (Mail
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Recycling Mail (assembled matterial
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610Newspaper: The Stampa / (Inv. to
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612Season's Greetings (Mail Art prj
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Sky Views Magazine (new and alterna
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616Stamp Art (offset cat. for the c
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618Synapse, Visual Art Press for Ar
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Timbro d'Artista (Mail Art project
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622Un Regard Moderne (tabloid size
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624Visual Poetry 1985-1995 (exh. at
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626WO. Visuella Poesie in Berlin (l
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628Zeitschrift für alles - Review
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ABBREVIATIONSMagazines: m. = monthl