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Network Atlas by Geza Perneczky - Ruud Janssen

Network Atlas by Geza Perneczky - Ruud Janssen

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454~Source:~Literature:audio & visual inserts, written in Catalan. 43x28 cm., newsprint andoffset, ~40-60 p., also disk suppl. in the last issues. 1986-, ~2xy. #0-7)^#1, 2, 3, 4, 5, 6, 7^Fenici (Leaflet in offset, folded A/4 size, with the contents, title pages and thedistribution data of the issues 0-5.) 1988«Among the most visually seductive of journals willing to trade in the networkscene, Fenici has imagination and verve, and each page holds something for thegaze to linger over. In between the full-page black and white ads of young men insurreal hair sporting bizarre fashions there is photography, drawings, and thoseamazing Fenici quuasigeometric techy graphic elements. It is unsettling groovy. Inaddition, most issues are supplemented in some way: N°s 4 and 6 are distributedwith LPs; N° 5, a boxed set, includes an exceptional audio cassette and manyinserts. So the images are frequently augmented <strong>by</strong> sounds. The text, a significiantpart of Fenici and in Catalan, includes interviews, criticism, and coverage of performanceart, galleries, audio/music, etc.» ( Lloyd → Dunn: Print Reviews. Photo-Static. N° 36, June 1989, 1340 p.)«Video-cassettes» Sülzgürtel 67. Köln-41, D-5000 Germany 1985Intermental (The first int. magazine on video cassettes: Umatic/VHS, each issue with a new editor and new events, 1985-?)Vigo, Edgardo-Antonio Cas. de Correo 264. La Plata, AR-1900 Argentina 1976↑ Calle 7. N. 546. - 2E La Plata - “ - 1968.............................................................................................................................................................W.C. Magazine (with Miguel Angel Guereña & Osvaldo Gigli) (Mag. with works <strong>by</strong>Guereña & Vigo, texts <strong>by</strong> Gigli. 1956-57, #1-5.)DRKW '60 (Mag. with works and texts <strong>by</strong> Vigo only. ~1960, #1-3.) ^Diagonal Cero (Portfolio magazine on visual and experimental literature. Until the 18th edition Argentinean poetical or plastic groups, after it (1965)experimental period with contributions like assembling. Perhaps thefirst alternative publ. in this form in Latinamerica. 23x18 cm. matterin portfolio of 24.5x19.5 cm., offset, ~15 leaves in each issue. Inaddition also xylography [wood block] booklets. 1962-68, qu., #1-28)^# 19, 20, 21, 22, 23, 24, 26, 27, 28°Poème mathématique baroque. (Booklet with perforations, 12 p.) Edition Agentzia. Paris, 1968°De la poesía /proceso a la poesía para y/o a realizar. (Anth. 23.5x20 cm., 38 leaves.) Diagonal Cero. La Plata, 1970^Hexa'gono '71 (with → Zabala, Horacio) (Text, visual poetry, concept art, graphic, ®land art, rubber stamp, etc. <strong>by</strong> int. artists, a very important publ. for theLatinamerican scene in the 70s. Assembling, ~8-20 leaves in letter sizeenvelope. #5 = rubber stamp art. 1971-75, #1-13)^# 1971, 1973, 1975°Last International Exhibition of Mail Art '75. (with H. Zabala). Cat.: 24.5x15 cm., offset, 4 leaves. 199 parts. / Galeria Arte Noevo. Buenos Aires, 1975Some copies has been completed <strong>by</strong> the envelope Multiples with orig.works of the project, e.g. <strong>by</strong> D. Barboza, J. Blaine, P. Bruscky, R. Crozier,Ph. Duncan, Lomholt, E-A. Vigo, & H. Zabala.^Libro Internacional / International Books (Small prints like little graphics, stamps and labels collected in portfolios of 23x18 cm. Assembling, ~16 leavesin each issue. Handmade outfit. 1976-80?, irregular, #1-12)^#11, 12^Our International Stamps Cancelled Seals Book (A second series of the Interna- tional Books with more artists' postage stamps like small graphicworks, rubber stamps and labels. 1978-84? #13-20)

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