Network Atlas by Geza Perneczky - Ruud Janssen

353with an interest for the underground mouvements and their art events....adresses the problems of cultural forms emerging from the crisis ofmodernity. Letter, offset, ~100 p. 1974-, y., over 20#)^#10, 14, 15, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26Polsky, Sheldon 739 Kimball St. Philadelphia,PA-19147 USA 1980Xero-Post (Compilation magazine for all kind of Mail Art which can be photo- copied, also interviews and news, beautiful layout. Letter, phc. 26 p.1980?- qu.)Pommey, Bruno 36 Résidence Jean Macé Mainvilliers, F-28300 France 1988^Banana Mail (Info and contact rag in A/5 size, phc. 4-8 p. 1988-, #1-4?)^#1, 2, 4Pontes, Hugo Caixa Postal, 922. Poços de Caldas MG. 37701-970. Brasil 1991^ComunicARTE (Visual poetry and concrete art magazine with Mail Art, edited as monthly supplement to the local news Journale da Cidade. One sheetof 47.5x32.5 cm., folded, newsprint. 1991-, m. ~ 50#?)^#1, 2, 12, 13, 14, 16, 17, 20, 21, 22, 24, 25, 26, 27, 28, 31, 32, 34, 35, 48^Artistamps ^Cançao de armar (Sheet of 20 id. stamps, phc.) n.d. (~1992)~Literature: ^Dmitry → Bulatov: A Point of View. Visual Poetry: The 90s. An Anthology. Withover 500 illustrations on 592 p., Russian. Ed. Simplicii. Kaliningrad, 1998. 445 p.«Pontevedra Bienal» (Anton Sobral / Xoan Anleo) EXMA. Diputation Provincial. Pontevedra. Spain 1983Mostra Mail Art. Cat. 1983P-Orridge, Genesis Coum Transmissions London United Kingdom 1973Launching the group COUM Transmissions. Performance and multimedia activity 1969-1975.Launching the L'Ecole de l'Art Infantile (with → Cosey Fanni Tutti and others) andthe Ministry of Antisocial Insecurity about 1973. Parallel activity asmail artist: small paper works, letters, etc. with text inserts and rubberstamp interventions (Gary Gilmore Memorial Society). Co-operativeworkss with → Ackerman, Opal L. → Nations, Jerry → Dreva and→ Albrecht D.G. P. P. v[ersus] G. P-O. / Mail Action. Cut A/4, offset, 104 p. {500}. Ecart Publs. Genève, September-October, 1976~Literature: ® Hervé → Fischer: Art et Communication Marginale. Tampons d' Artistes. Offset,246 p. Edition Balland. France, 1974. 106-107 p.«Subvers #7 (June 1972) (→ Clavin) – special Genesis P-Orridge issue: three bigfolded sheets featuring the anarchic creations of GPO and the COUM group, whosomehow managed to represent Britain at last years' Paris Biennale...»(News and Reviews. In: Kontexts, #8 [→ Gibbs]. Amsterdam, 1976. 15 p.)«...The forerunner of much of the pornographic and punk sensibilities of recentyears was Coum Transmissions. Produced principally by Genesis P-Orridge and →Cosey Fanni Tutti, the works of Coum became well known for their explicit sexualand sado-masochistic content. In 1976 several Coum postcards were seized bypostal authorities in England, and P-Orridge was put on trial for his „indecent“uses of the mail. The proceedings were documented in G. P. O. v. G.P-O, a bookproduced by Ecart Publications, Geneva (→ Armleder), in the same year. Coumhas also been involved in music and punk performances since about the same time.Despite hints of scandal in the English press, Coum's intent in using the mails isabout openness in communication...»