Network Atlas by Geza Perneczky - Ruud Janssen

354(Michael Crane: The Spread of Correspondence Art / 1968-73 In: M. Crane/ M. Stofflet [eds.] Correspondence Art. Contemporary Art Press [→ Loeffler].San Francisco, 1984. 170- p.)Vittore → Baroni: Genesis P-Orridge / Psychic TV – A Coumprehensive CollectionOv Lyrics. Offset, 100 p. with CD. Stampa Alternativa, Roma, 1992Géza Perneczky: The Magazine Network. The trends of alternative art in the lightof their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 60 p.Vittore → Baroni: Genesis P-Orridge. In: Arte Postale. Guida al network dellacorrispondenza creativa. (Text: Italian) AAA Editori. Bertiolo, 1997. 202-203 p.Porter, Bern ↓ P. O. Box 143 S. Harpswell, ME-04079, USA 1995↑ 22 Salmond Road Belfast, ME-04915 - “ - 1995.............................................................................................................................................................Scientist (Manhattan Project, 1945), visual poet, performance artists and publisher(the first American publisher to print Henry Miller's prose), a leadingpersone of the American intellectual life.^Found Poems. (The maybe most important anthology of American concrete poetry. 27.5x21 cm., offset, ~ 350 p.) Something Else Press, N.Y. 1972°The Manhattan telephon book 1972. {250}(Book, 228 p.) Someville MA, 1975 The Eternal Poetry Festival. (C-60 cassette, offered by the → Xexoxial Ed.) A sound poetry improvisation with Mark Melnicove. ca. 1979.Light (Commonpress #30, not edited yet)Found Sounds. (C-60 cassette, produced by New Wilderness Audigraphics, offered by the → Xexoxial Ed.) Session with D. Higgins & Ch. Morrow,Dec 2, 1978; Porter in concert with P. Burgess, May 9, 1981Aspects of Modern Poetry. (C-35 cassette, offered by the → Xexoxial Ed.) Recorded live on WBI, NYC, 1982, talking with Robert Holman^The Last Acts of Saint Fack You (Graphics by Perkins / tetxts by → Porter, B.) Xeroxed bookwork, 22x14.5 cm., phc., 42 p. → Xexoxial Ed. 1985^My my dear me. (Xeroxed bookwork, Half-legal, 20 p.) → Xexoxial Endarchy, 1985 CRCNCL / a sur surrealistic. (vhs-60, a video movie with Bern Porter & 2 year old Liaizon Wakest, visual and peprformance poetry) The text alsoin booklet form offered by the Xexoxial Ed., 1989^Sweet End. (A second large volume of found poetries. 27.5x21 cm., offset, ~320 p.) The Dog Ear Press, Brunswick. / First Edition of 125 copies. 1989^Why my left leg is hot. (Letter size, 63 colour xerox + 36 b/w xerox pages. cover ~Literature:with orig. unique collage) Xexoxial Ed., Madison, 1990«In 1920 I started making books. Up in Maine my problem was the simple act ofreproduction... to draw them by hand. This meant writing, printin the texts andmaking the illustrations, and it meant an edition of five copies, an incredible workin terms of hours and of effort... And since I had difficulty with the titles in thosedays, I simply called them numbers, like 179B, and the next book, of course, wasCD21. Thus, every title had at least one number and one initial. My audience was awoman who lived down the street about four blocks, and when I completed a book,I would take it down to her, and she would give me a dozen eggs which I wouldtake back to my mother. (...) I personaly have no more of those, but the masterollection at the UCLA campus un Westwood does have the magazine which I handttered,which runs to about three pages, so I began at the age of 9. (...)Here I am 70 years old, and I could easily ask the question: „Why does ittake so long?“... I earned my living as a physicist all these years, and the incomeform that has gone into all of these artistic efforts. And the art forms have evolvedfrom physics' domination and physics have enmeshed themselves into many of myproductions. I'm, very concerned about the human eye; I'm also concerned about