Network Atlas by Geza Perneczky - Ruud Janssen

434(...)As you might know the international blockade, which included also sportsand cultural embargo, was imposed on Serbia on May 31, 1992 (about the righteousnessof that I will not discuss now). The United Nations, or their mentors,decided to exclude Serbia and its people from the cultural exchange. For us networkers,who are working for decades on establishingcultural exchange with allparts of the globe, looking for a planetary culture, that was a great shock... Duringthese three years of embargo I made more than twenty anti-embargo rubber stamps,did anti-embargo performances, published anti-embargo articles all over the world,organized many anti-embargo exhibitions in collaboration with Aleksandar Jovanovic,publisher of the anti-embargo magazine Cage. (...)All our anti-embargo activity began in Sremski Karlovci, where I organizedthe Anti-Embargo Net Congress (September 1-3, 1992)... Besides me and Javonovicthe anti-embargo group consisted of Dobrica Kamperelic, Miroljub → Todorovic(Belgrade), Jaroslav → Supek, Nenad → Bogdanovic (Odzaci), Ratko Radanovic(Srpski Miletic), Jozef Klacik (Novi Sad), and later Vlado Njaradi (Vrbas),Sandor → Gogolyak (Odzaci) and Anica Vucetic (Belgrade) have joined us. Butmaybe the most important was the support by foreign networkers from abouttwenty countries, who collaborated with Cage magazine, published our protests,exhibited our works, visited us here in Serbia, distributed our stuff, supported usmorally in letters and publicly in their countries, made anti-embargo works themselvesetc...»(Ruud → Janssen: The Mail-Interview withAndrej Tisma. A/5, phc., 16 p.TAM Publs. 960145, Tilburg, 1996)^John → Held, Jr.: L'Arte del Timbro / Rubber Stamp Art. A/5, offset, 176 p.Editor: V. Baroni. AAA Edizioni, Bertiolo I, 1999. 128-129 p.Tisue, Seth / Russel, Brad. Plaster Cramp Press. Box 5975 Chicago, IL-60680 USA 1990^Syzygy (A belated mag. on Mail Art and graphics in the standard style of the earlier golden age of this genres. Half-legal, phc., 52 p. 1990-, ir.)^#1Tivy, Patrick c/o Clouds and Water Gallery, 516 A. 9th Ave. Calgary, S. W. Canada 1979^Whatever Happened to the Seventies? Doc. 36x21.5 cm. photocopied sheet with participation list and text. / Clouds Water Gallery, Calgary, 1979!Toast Post! → Byrd, Gregory T.Todorovic, Miroljub Dobrinjska 3 Beograd, YU-11000 Yugoslavia 1971Planet. (Scientific and graphic poetry, Serbian) Cut A/5, offset, 72 p. Ed. Nestor Zucni. Nis, 1965 (Second edition in: Trip to Astroland, 24x17 cm.,offset, 184 p. Ed. Prosveta. Nis, 1995)Manifesto of Poetical Science. In: Polja, XIV. N°117-118, Novi Sad, June-July 1968. 32 p.^Drawings, Signalist and Computer Poetry. Cat.: 24x18 cm., offset, 6 p. / Likovni Salon Tribine Mladih, Novi Sad, 1969Manifest signalizma (odlomci iz eseja). In: Signalisticka i kompjuterska poezija M. Torodovic. Cat.: 17x11 cm., offset, 6 p. Galerija Ateljea 212,Beograd. October 1969Kyberno (Signalism). (Manifesto) In: Delo (→ Pervic), Vol.16, N° 3. 303-304 p. Beograd, 1970^Signal. International Review for Signalistic Research (with V. Stojiljkovic) (Special magazine for concrete and visual art, good connections to the visualpoetry and conceptual art scene, a rigorouse edited review with archiveand bibliographical data. 16.5x24x cm. horz. [#1 and 2] later cut A/4,offset, ~20-60 p. 1970-73, #1-9)