Network Atlas by Geza Perneczky - Ruud Janssen

377was the concept of this magazine?...CLINCH was founded as „alternative“ art paper, was looked as „exchanged“proposition, mailed as „marginalized“ information, exposed as „visualized“archive, and collected as „historified“ Mail Art-fragment by hundreds of participants...CLINCH brought such different individuals in company like „MA-kings“(Ray Johnson and G. A. Cavellini), „poetry-writers“ (Dick Higgins or RichardKostelanetz), „MAG-inventors“ (Pawel Petasz or Vittore Baroni), „stamp-editors“(Anna Banana or György Galántai), „book-producers“ (Ulises Carrión or JürgenO. Olbrich), „poetry-performers“ (Julien Blaine or Guillermo Deisler), „archiveconceptionalists“(Guy Bleus or Géza Perneczky), „social fighters“ (Lon Spiegelmanor Clemente Padín), „realism-painters“ (Carlo Pittore or Leonard Duch),„myth-constructors“ (István Kántor or Al Ackerman), and so on...»(Ruud → Janssen: The Mail-Interview with Günther Ruch. A/5, ? p. TAMPubls.: TAM-970167, Tilburg, 1997)Vittore → Baroni: Günther Ruch. In: Arte Postale. Guida al network della corrispondenzacreativa. (Text: Italian) AAA Editori. Bertiolo, 1997. 164-165 p.^John → Held, Jr.: L'Arte del Timbro / Rubber Stamp Art. A/5, offset, 176 p.Editor: V. Baroni. AAA Edizioni, Bertiolo I, 1999. 84-85 p.Rudolf, Pavel Vecerova 6. Brno, CS-62100 Czechoslovakia 1986^10 Logogriphs (Vis. poetry, offset print {30}, 10 + 1 A/4 leaves in cover) 1980-82 ^Phased Works (Vis. poetry & constructivism, 20 A/4 leaves {25}) Text by Jiri → Valoch (Czech & English), Brno, 1983^Sest promitání. (Drawings on 6 loose sheets in folio A/4, offset) Text on the folio: → Valoch. Exh.: Malá galeria vysoké skoly veterináriú, Brno, 1987^Sonety (Poetry & drawings with I. Wernischy, J. Húla & V. Vokolek) 42 leaves in folio. (Exhibition Cat.: for a gallery in Brno ?) 1988?^Triangle Square Circle. (4 xeroxed leaves {100}) CURVD H&Z, Toronto, 1988 Ruhé, Harry Gallery «A», Joh. Verhulststraat 53 Amsterdam MS, NL-1071 Netherlands 1987↑ Kleine Gartmanplantsoen 12. Amsterdam RR, NL-1017 - “ - 1984↑ Leidsekruisstraat 10. Amsterdam 1978.............................................................................................................................................................°Fluxus, the most radical and experimental art mouvement of the 60s. (Anthology, FluxusA/4, offset, 340 p.) Gallery A. Amsterdam, 1979^Artzien (with Michael →Gibbs / Kontexts Publs.) (Mag. for intermedia and alternativeart + vis. poetry. Analytical texts, interviews, exh.reviews, etc.21.4x17 cm., at the start mimeogr., later offset. 36 p. 1979-82, #1-25)^# 1-25 ~Litterature: Michael Gibbs: Fluxus, the most radical... a book and an exhibition, Gallery A.In: Artzien (→ Gibbs) Amsterdam, N°7, May 1979. n.p.«...the definitive book on the subject. It contains bio- and bibliographical detailson nearly 80 artists, as welll as numerous photos, lists and reproductions... Thebook is open-ended, issued in a loose-leaf binder so that later pages can be added.Very few of the original Fluxus editions are still in circulation, but some of themare included in the book...»(Fluxus, the most radical... In: Umbrella [→Hoffberg] Vol. 2/#4, 92 p. 1979)Rupocinski, Nina + Robert. Lesna Polana 1, Jzabelin, PL 05-080 Polen 1985^View from the Artist Studio’s Window. Inv.-flyer, 1985Russian Underground Artists in the UDSSR and in the emigration:(Valerin Gerlovin, Lev Rubinstein, Andrzej Monastirsky, Irina Gerlovina, Nikita Aleksejev, etc.)