436this new series has been numbered from #10.)#10=1995, #11-12, #13-14=1996, #15-16-17=1997, 18=1998,19-20=1999,^#10 -20,^U Cara Trojana Kozje Usi (Tzar Trojan's Goat Ears. Serbian. Gestual poetry – <strong>by</strong>photo sequences) 19.9x14 cm., offset, 96 p. Ed. Velvet. Beograd, 1995Bibliography / Signalism 1965-1997 (1282 items!) in: Signal #13-14, 1996 and#15-16-17, 1997 ~Literature:(Signalism:)a) The term signalism derives from the Latin signum (sign). Signalism is anavant-garde creative movement whose aim it is to affect and revolutionise all thearts, introducting the kind of thinking that is common to exact science and initiatingnew processes in the field of culture <strong>by</strong> means of radical experiments andmethods within a permanent creative revolution influenced particularly <strong>by</strong> thetechnological civilisation, the sign civilisation, the increasing use of science andscientific methods, and the emergence of the computer. These factors are consideredas new creative instruments, inspirers of creative ideas and aids in theirimplementation.b) Signalism stands for absolute experimentation in all the arts.c) Signalism requires the expeprimenting artist to base his thinking and activityon postulates and methods of the exact sciences. It is only in so doing thatwe can reinvest the art with its oiginal concreteness and truthfulness, while at thesame time destroying all the sediments of mystique and mystification that havebeen gathering on it for centuries, finally to render it completely unable to followthe increasingly rapid development of human society.d) The fact that the avant-garde of our times is based on a scientific and notartistic approach (contrary to certain previous epochs) must <strong>by</strong> no means discouragethe artist; it make him resist or fight science and the new technologicalcivilisation. Any struggle against science is doomed in advance, for it is struggleagainst man himself.(Signalist poetry):a) In the general inflation of the spoken and written word, of writing andthinking in the form of linguistic mythomania and mystifically, signalism will –in literature, and, more specifically, in poetry – aim at an utter linguistic reductionof the word to the bare sign (This refers to signalist poetry in the narrow sense ofthe word)...(M. Todorovic: Signalism. In: Signal N° 1 Serbian / English. Beograd, 1970)Yugoslav Signalist Artists:^Signal, N°1. 1970. As «Yugoslav Signalist Poetry» in this issue works <strong>by</strong> MarinaAbramovic, Branko Andric, Mile Dordevic, Tamara Jankovic, Zoltan Magyar,Slavko Matkovic, Simon Milcic, Nesa Paripovic, Zoran Popovic, BogdankaPoznanovic, Vlada Stojiljkovic, Miroslav Todorovic, Biljana Tomic and SlobodanVukanovic.^Signalisticka Poezija / Signalist Poetry / Szignalista Költészet – izbor / selection /válogatás. (With a Signalism Manifesto in Serbian/English/Hungarian <strong>by</strong>M. Todorovic. Published as Signal N° 4-5, Új Symposium, Forum Ed., NoviSad, 1971) Additive to the artists of the Signal N° 1 as further Yugoslav signalists:Obrad Jovanovic, Dobrivoje Jevtic, Zvonimir Kostic Palanski, ZarkoRosulj, László Szalma, Bálint Szombathy and Vujca Resin Tucic.^Milivoje Pavlovich: Svet u Signalisma (The World in Signals). (Offset book witha reach illustration part, Serbian, 20x14 cm., 196 p. Ed. Prometej, Novi Sad,
4371996) Signalist artists with works in this anthology: Marina Abramovic, OskarDavico, Pop D. Durdev, Jan Hlavac, Ljubisa Josic, Aleksandar Jovanovic,Dobrica Kamperelic, Zvonimir Kostic, Nada Marinkovic, Slavko Matkovic,Petda Neskovic, Nesa Paripovic, Slobodan Pavicevic, Zoran Popovic, BogdankaPoznanovic, Zarko Rosulj, Vlada Stojiljkovic, Jaroslalv Supek, MiroljubTodorovic, Slobodan VukanovicInternational Signalist Theory:^Miodrag B. Sijakovic (ed.): Signalizam u Svetu (Signalism in the World). (Offsetbook, a texts anthology, Serbian, 21x17 cm., 112 p. Ed. Beogradska Knjiga,1984) With essays and theoretical analysies in the book:Matteo D'Ambrosio, Nikolaj A. Anastasjev, Daniel Daligand, GuillermoDeisler, Klaus Peter Dencker, Pierre Garnier, Klaus Groh, Miroslav Klivar,Julian Kornhauser, Enzo Minarelli, Dave Oz, Michael Perfetti, GodehardSchramm, Guy Schraenen, Adriano Spatola, Danuta C. StraszynskaOther works:David → Briers: Eastern Europe – The Yugoslavian Miroljub Todorovic. In:Pages, N° 2, 35 p., London, Winter 1970M. Todorovic: Poesia Signalista. In: Ovum 10, N° 4, (→ Padín) Sept. 1970(Signal, N° 1): «An excellent newly established review devoted to visul, concrete,cybernetic and signalist poetry. This issue contains also the texts <strong>by</strong> internationalvisual poets, including: Hausmann, Perfetti, Clavin, Blaine, Bory,Gerz, Carrega and others: a manifesto of Signalism (in Serbo-Croatian andEnglish) and a choice of Signalist poetry of Yugoslavian authors...» (Michael→ Gibbs: Signal N°1; Kyberno. Both reviews in: Kontexts, N° 3, Exeter,Devon, 1971)Signalism (Recent Yugoslav Activity). With the texts <strong>by</strong> Zharko Roshulj, VladaStoiljkovic, László Szalma and Bogdanka → Poznanovic. In: Second Aeon,N° 14, Cardiff, 1971. (Reviews about the Signalism also in N° 15 / 1972,154 p. and N° 18 / 1973, 148 p.)Guilllermo → Deisler: Miroljub Todorovic, Yugoslavia. In: Poesia visiva en elmundo (Anth.). Antofagasta, Chile, 1972Godehard Schramm: Signal, International Review for Signalist Research hg. vonMiroljub Todorovic – Miroljub Todorovic, Kyberno. In: Literatur und Kritik,N° 61, Wien, 1972. 59 p.M. Todorovic: Courses of Signalism. In: Signalizam. Cat.: 20x21 cm., offset, 42 p.Galerija suvremene umjetnosti, Zagreb, 1974^M. Todorovic: Signalizam (Manifestos and essays) 20x13 cm., offset, 183 p.,Serbian. Ed. Gradina. Niš, 1979Julian Kornhauser: Sygnalizm – Propozycja Serbskiej poezji eksperymentalnej(Signalism – the program of the Serbian experimental poetry) Doct. Disert.Polish. 24x16.5 cm., offset, 172 p. Uniwersytet Jagiellonski, Kraków, 1981.^Ziran Zivkovic: Signalizam (Geneza, Poetika i Umetnicka Praksa). Doct. Disert.Filol. Fac. v Beograd, 1991. Serbian. Published as offset book, 24x16 cm.,344 p., <strong>by</strong> Ed. Vuk Karadzic, Paracin YU, 1994. Keywords: Avant-Garde,Signalism, Manifesto, Poetics, Stochastic-, Visual-, Slang-Poetry, Computer,Mail Art. From the Abstract: «...In the first part of this dissertation the author
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Géza PerneczkyNETWORK ATLASWorks a
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317Oberholzer, Christoph Turbinenha
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31968 p., Exh.: Gesamthochschule, M
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321(5x) in plastic box {999}. Tiege
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323Über das Dichtertum für J. O.
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325drawings, 32 p.Pat → Fish: Nin
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327front of each copy, so each rece
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329^Tema y variaciones. (Colletive
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331denouncing the suppression of hu
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333!Panpost! → Bloch, Mark S.Pap,
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335Literature:«Coop mail art proje
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337(France), Klaus Groh (Germany),
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339^Forty Six. Instruments of Desir
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341formed as postcards or «letters
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343^# N°5-6 (1978), N°7 (1978), N
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345(John Held Jr.: Assembling Perio
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347^ME (Edited by !Pittore Euforico
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349«...I began my Network mail art
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351~Source:Literature:print on whit
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353with an interest for the undergr
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355our five senses. Along with tast
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357Muzeum Sztuki Aktualnej, Kraków
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359Pütz, Claudia PIPS, Dada-Corpor
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361page with green paper. Additiona
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363GDR with essays, catalogues and
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3658 Portraits - suicide graphique
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367Robakowski, Joseph Ul. Mickiewic
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369& concept art, also assembling i
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371^# 1/1, 2; 2/1, 2, 3; 3/1; 4/II.
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373^The Risk. Cutted Fragments of N
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375centralized mail art congress as
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377was the concept of this magazine
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379Rutkovsky, Paul / Cutrell, Fran.
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381S:t Petri, Galerie→ Sellem, Je
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383Sarenco, Amodulo Calaone Baone (
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- Page 162 and 163: 476Univer sity of Chicago and read
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488Periodics by Original Graphics b
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490Radlov, Sergej: Kurze Einführun
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492Model Peltex. 3 rue des Couples.
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494United States of Mind = Anna Ban
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496Art. Contemporary Art Press (→
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500I Cardona, Carolee Schneemann, A
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502→ MacLeod, Scott: Art Strike.
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504→ Dunn, Lloyd: Editorial. (For
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506Objeto Biografico. 21x31 cm., xe
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508^Copy Art. Trocken schreiben - i
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510Les lignes brisées.Le panier de
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512→^Banana, Anna: About VILE (Le
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514→^Ruch, Günther: Mail Art Con
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516Karol Sauerland: On the Latitude
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518Press, London, 1988. Tetxts by K
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520The Curch of the SubGenius, Dall
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522LOUISE LITSZActor and singer, me
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524Mail Art) In: The Magazine Netwo
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526→ Kocman, J. H.: Stamp Activit
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528→ Vigo, E. A.: Small Creative
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530offset, 16 p. {500} In: Ed. «co
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532*Abracadada - Box 210367. San Fr
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534AustraliaSMIRK #1 by «Sam Monk
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536SMILE by Vittore Baroni (unique
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538«Suicide» as a Network Idea→
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540konkrete poëzie? / concrete poe
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542offset / colour, 144 p. Galerie
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544Tischkov) In: ersichtlichkeiten,
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Acuse de recibo (Mail Art project w
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548And / „&“ (Mail Art project,
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550Art is Books (exh. at the Centr.
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552Artists' Books, Permanent Collec
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554Audio Mail Art: Introvision (inf
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558Bric a Brac (Mail Art zine, anno
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562Commodity Character (Photoreport
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564„Cosey Fanni Tutti“ (artist
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572Fast-Lift Mail Art Project (1994
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574Fluxu Action #1 - incongruous me
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580I Support the Postal Workers (Co
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582Int. Mail Art Exh. (at the Postk
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Laughing Bear - Newsletter (Magazin
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594(Moon Faces:) The Springfullmoon
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596Neoist Para-Festival - APT '80 (
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602Photography thematical postcards
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606Prison, Today Art is a... (Mail
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616Stamp Art (offset cat. for the c
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618Synapse, Visual Art Press for Ar
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622Un Regard Moderne (tabloid size
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624Visual Poetry 1985-1995 (exh. at
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626WO. Visuella Poesie in Berlin (l
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628Zeitschrift für alles - Review
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ABBREVIATIONSMagazines: m. = monthl