Network Atlas by Geza Perneczky - Ruud Janssen

436this new series has been numbered from #10.)#10=1995, #11-12, #13-14=1996, #15-16-17=1997, 18=1998,19-20=1999,^#10 -20,^U Cara Trojana Kozje Usi (Tzar Trojan's Goat Ears. Serbian. Gestual poetry – byphoto sequences) 19.9x14 cm., offset, 96 p. Ed. Velvet. Beograd, 1995Bibliography / Signalism 1965-1997 (1282 items!) in: Signal #13-14, 1996 and#15-16-17, 1997 ~Literature:(Signalism:)a) The term signalism derives from the Latin signum (sign). Signalism is anavant-garde creative movement whose aim it is to affect and revolutionise all thearts, introducting the kind of thinking that is common to exact science and initiatingnew processes in the field of culture by means of radical experiments andmethods within a permanent creative revolution influenced particularly by thetechnological civilisation, the sign civilisation, the increasing use of science andscientific methods, and the emergence of the computer. These factors are consideredas new creative instruments, inspirers of creative ideas and aids in theirimplementation.b) Signalism stands for absolute experimentation in all the arts.c) Signalism requires the expeprimenting artist to base his thinking and activityon postulates and methods of the exact sciences. It is only in so doing thatwe can reinvest the art with its oiginal concreteness and truthfulness, while at thesame time destroying all the sediments of mystique and mystification that havebeen gathering on it for centuries, finally to render it completely unable to followthe increasingly rapid development of human society.d) The fact that the avant-garde of our times is based on a scientific and notartistic approach (contrary to certain previous epochs) must by no means discouragethe artist; it make him resist or fight science and the new technologicalcivilisation. Any struggle against science is doomed in advance, for it is struggleagainst man himself.(Signalist poetry):a) In the general inflation of the spoken and written word, of writing andthinking in the form of linguistic mythomania and mystifically, signalism will –in literature, and, more specifically, in poetry – aim at an utter linguistic reductionof the word to the bare sign (This refers to signalist poetry in the narrow sense ofthe word)...(M. Todorovic: Signalism. In: Signal N° 1 Serbian / English. Beograd, 1970)Yugoslav Signalist Artists:^Signal, N°1. 1970. As «Yugoslav Signalist Poetry» in this issue works by MarinaAbramovic, Branko Andric, Mile Dordevic, Tamara Jankovic, Zoltan Magyar,Slavko Matkovic, Simon Milcic, Nesa Paripovic, Zoran Popovic, BogdankaPoznanovic, Vlada Stojiljkovic, Miroslav Todorovic, Biljana Tomic and SlobodanVukanovic.^Signalisticka Poezija / Signalist Poetry / Szignalista Költészet – izbor / selection /válogatás. (With a Signalism Manifesto in Serbian/English/Hungarian byM. Todorovic. Published as Signal N° 4-5, Új Symposium, Forum Ed., NoviSad, 1971) Additive to the artists of the Signal N° 1 as further Yugoslav signalists:Obrad Jovanovic, Dobrivoje Jevtic, Zvonimir Kostic Palanski, ZarkoRosulj, László Szalma, Bálint Szombathy and Vujca Resin Tucic.^Milivoje Pavlovich: Svet u Signalisma (The World in Signals). (Offset book witha reach illustration part, Serbian, 20x14 cm., 196 p. Ed. Prometej, Novi Sad,