Network Atlas by Geza Perneczky - Ruud Janssen

465International Image Exchange Directory. An artists' address list presenting the„decentralized files and corres-sponge-dance network compiled byImage Bank from January 1970 through November, 1972“. Talonbooks.Vancouver, Dec. 1972Hollywood Deccadance Art's Birthday. (A celebration of Robert → Filliou's EternalNetwork) An art event by Willoughby Sharp, Lowell Darling and membersof the Western Front as Eric Metcalfe and Michael Morris. It tookplace in Hollywood in February, 1974, with the collaboration betweenartists from Toronto, Vancouver, New York, San Francisco, and LosAngeles. One of the first Mail Art like festival at all.^Art & Correspondence from Western Front. / Dedicated to Ray Johnson (Book/Cat.:Half-legal, offset, 72 p.) With bio-bibliography (also Image Bankchronology) National Museums of Canada / Western Front Publ. 1979→ Image Bank~Literature: ^Art-Rite's «Image Bank» issue, #17, 1978 (→ Canepa) «Michael Morris, a.k.a. Marcel Dot or Marcel Idea, Vincent Tarsov, a.k.a. Mr.Peanut, and Lee-Nova made contact with Ray → Johnson in 1967 or 1968, and in1969 were instrumental in having him come to Vancouver for the opening of acollage exhibition at UBC (University of British Columbia) in which Johnson hadwork. Michael Morris got the names and addresses of artists to whom Johnson wassending his New York Correspondance School mailings, adding them to his alreadyfrowing list of artists, and by 1970 was issuing Image Request lists of the sorts ofimages they wished to receive. For example: Peter Daglish wants palm trees anddrag queens, Gary Lee-Nova wants telephones and sunglasses, Vincent Trasovwants pictures of fire, Glenn Lewis, a.k.a. Flakey Rose Hips, wants recips. (...)Lee-Nova, Morris, and Trasov decided to collaborate on a messive postcardexhibition, and pooled their resources; lists of their own personal and professionalcontacts, Ray Johnson's list, and the list of participants in → Atchley'sNotebook. This was known as the first Image Bank Postcard Show, curated byAlvin Balkind. It was exhibited at the Fine Arts Gallery at UBC. The exhibitionthen traveled across Canada, showing in another eight or nine galleries, and hadits final public appearance in Paris in 1973, as part of the Trajectoire 73 exhibition.An edited set of postcards from the exhibition was printed by Coach House Pressin Toronto in 1972.(Anna → Banana: Mail Art Canada. In: M. Crane / M. Stofflet [eds.]:Correspondence Art. Contemporary Art Press [→ Loeffler]. San Francisco, 1984.233-134 / 239-241p.)Michael Crane: The Spread of Correspondence Art / 1968-73: Canada...In: M. Crane / M. Stofflet (eds.) Correspondence Art. Contemporary Art Press(→ Loeffler). San Francisco, 1984. 146-149 p.Géza Perneczky: The Magazine Network. The trends of alternative art in thelight of their periodicals 1968-1988. Edition Soft Geometry. Köln, 1993. 51-52,62-63 p.Widhalm, Fritz & Kilic, Ilse. Das Fröhliche Wohnzimmer.Fuhrmannsgasse 1a / 17. Wien, A-1080, Austria 1989^Drucksache – Zeitschrift, Prosa, Lyrik, Grafik, Fotografie. (Photocopied mag with offset cover, 17x12 cm. or A/5 size, ~32-48 p. 1984-, qu. Also pornographicalMail Art issues in A/6 and A/7 size with 12-16 p. in 1985.)^# 1984: Drucksache, #1985: 1, 2-3, 4, Mail Art eins, Mail Art zwei.^DADA. Cat.: A/5, phc., 24 p. 1989^Sieben mal Sieben. (with Christian Huber and Ilse Kilic) (49 + 2 xeroxed leaves in a A/4 box, vis. poetry by 7 artists) Edition CH (Albertgasse 34/13.