Network Atlas by Geza Perneczky - Ruud Janssen

472Strategic for Wracking Hylic. (16 b+w & 10 colour xerox leaves), Madison, 1989 Artistamps: ^Society for the Preservation of Envelope Art Transactions (Sheet of 12 id. stamps, b/w phc.) Madison, n.d.^Festival of Plagiarism (Sheet of stamps, one image in div. sizes, the perforation doesn't follow the position of images, phc.) 1988^Festival of the Swamps. Cat.: in the programmbooklet for the festival of 1990! Digest, offset, 16 p. (1989)^Dreamtime / Talkingmail (All round magazine for the underground, many texts, some images. Letter, phc., 20 p. 1990- y., ~10#) Dreamtime Village,Viola, 1990^# 2, 3, 4, 5, 6, 7~Source: ^Xerox Sutra Editions '84-5. New Media. Horz. size, 10.5x18 cm., phc., 16.Authors supported: Miekal And, KS Ernst, Loris Essary, Peter Ganick, DanGoldstein, Michael Helsem, Crag Hill, Edward Kaplan, Karl Kempton, Joel Lipman,Malok, Dan Raphael, Martin Rosenblum, Drake Scott, Charles Stein, Show Allen,David Vajda, Elisabeth Was. Announced cicle of works: publs by „Twa Dogs inParis“ ( M. And & E. Was), the XSE collaborations and the Spek Magazine.~Literature:^Xexoxial Endarchy 1991-92. (A horz. size 16 p. catalogue with a number ofpubls. as well as sound- and hypermedia anths., graphic supplies, etc. Featuringof the magazines and festival events of the Xexoxial Endarchy. An appeal tosponsoring material for a contemporary art archive as «avant garde museum oftemporary art».) Authors supported: Allen (Vandenburg), Miekal And, BruceAndrews, Lee Ballentien, Charles Bernstein, Jake Berry & John Eberly, JoshClearfield, David Cole, JW Curry / Mark Laba, Bill Dimichele, Lloyd Dunn,KS Ernst, Loris Essery, Floating Concrete Octopus, Peter Ganick, Gazaliel,Dan Goldstein, Michaell Helsem, Crag Hill, Edward Kaplan, Karl Kempton,Joel Lipman, Malok, Musicmaster, George Myers Jr., Harry Polkinhorn, BernPorter, Keith Rahmmings, Dan Raphael, Martin Rosenblum, Laurie Schneider,Joe Schwind, Lon Spiegelman, Charles Stein, Elisabeth Was, Hannah WeinerXerox Sutra Editions. (Interview with a reach text- and image-illustrations) In:Unsound. (Multimedia magazine with booklets & tape supplements, →Davenport.Vol 2, N° 2, 1985. 27-33 p.«...Reactions to XEROX SUTRA EDITIONS range from delight to disdain, withcuriosity, puzzlement & discomfort in the midrange: much depends on the reader'sfamiliarity with various movements in contemporary art & literature. While theeditors are interested in re-definition & combination of existing genres, it shouldbe understood that they are consciously working within a tradition of suchexperimentation. The frequent assotiation with Dada is a limited if not mistakenreponse to our works: Dada was anti-art, a reaction against a satatus quo. XEROXSUTRA EDITIONS is working for something, propelled by a positive commitment& excitement about exploration & discovery in literature. Dada simply opened apart for the various movements which influence contemporary work: surrealism,concrete & soundpoetry, minimalism, language-oriented writing, etc. The bestapproach to the new arts is an openness towards new ways of preceiving & processinginformation & ideas. One cannot expect to read new literature in oldfamiliar ways; what is called for is rather a new way to hold, open, & live witha book. This experience can prove to be inspiring, eye-opening, & otherwisequite fulfilling. Try it.» (Statement in Anti Isolation, #2, 1986. 2 p.)(Xerolage, #1; DiMichele): «This is a great idea for a magazine, and I congratulateXerox Sutra for putting it out. Good quality paper & I've never seen suchgood reproductions on an 11x17“ sheet. If you've seen DiMichele's work in