Network Atlas by Geza Perneczky - Ruud Janssen

380Rydl, Roswitha Alter Weg 1. St. Wendel-14. D-6690 Germany 1986Medium Mangels Masse (A/4 assembling about xerography {30} by div. editors from Germany: Bernd Philippi / D. Bubel & G. Feld / Peter Beicken,1983-85, #1-4) #2 = Warte nur, balde... by Rosvitha Rydl, 1983Rypson, Piotr P. O. Box 796 Warszawa, PL 00-950 Poland 1990c/o Centre for Cont. Art. Ujazdowski Castle. Ul. Ujazdowskie 6. Warszawa PL 00-461 1981↑ Ul. Kaliska 8 / 10 m.. 47. Warszawa, PL 02-316 1981.............................................................................................................................................................The human attitudes and functioning of art. (with → H. Gajewski) 1979-80. °WtHere? A/5, author's right hand printing by red ink, 10 p. Sator Ed., 1980 ^Sator Comix. «...please send works sized 5x6 cm...» (Fragments of images, writings, photos and drawings arranged like comics squares, all in all a symbolof the whole network and a beautiful xerographical publ. at the sametime {30-100}. A/4, phc., 3-6 leaves. 1981-83, #1-6)^#1, 3, 4, 6Truth. Invitation. 1981^AEIOU – a score for a quintet of voices. A/5, phc., 20 p. Visual-acustic performance work, recorded in the Music High School, Warsaw. Ed. Sator, 1981Iron Curtain. Doc. 1982^Mail Art / Czyli Sztuka Poczty. (Offset book with some orig. collages. Cut A/4, 106 p.) Texts (Pol.): P. Rypson, Ulises → Carrión, Guy → Blues,V. → Baroni, J. P. → Jacob, C. Nesh, G. → Schraenen. Ed. AkademiaRuchu, Warszawa. 1985^Obraz slowa historia poezji wizualnej (Theoratical work with over 200 illustrations, offset, Polish, 374 p.) Akademia Ruchu, Warszawa, 1989^How to organize the world? Czyli Sztuka Poczty. (with Dorota Folga-Januszenska) Cat.: 23x23 cm., offset, 112 p. / National Museum in Warsaw.Texts by D. Folga-Januszewska, P. Rypson, El Djarida N° 5 Manifest,V. Baroni, H: R: Fricker, G. Bleus, A. Tisma (Art Strike), G. Perneczky(Art Strike), P. Petasz (Commonpress), P. Rypson (Collection)^Der Raum Der Worte. Polnische Avantgarde und Malerbücher 1919-1990. ~Literature:Cat.: 26x21 cm., offset, 112 p. Exh.: Centrum Sztuki Wspótczesnej,Warszawa / Herzog August Bibliothek, Wolfbüttel. Aug.-Nov. 1991«Piotr Rypson showed all his mail art documentation from 1978 - 1984 with worksfrom over 350 artists, different prints of the Sator editions on Xerox, and a wholesmall archive of smallpress, artists books, prints, etc. After the exhibition at PracowniaDziekanka in Warsaw, the whole archive went to the archive of the Instituteof Art of the Polish Academy of Sciences. So for the first time, perhaps, in Europe– and surely for the first time in Poland – an official institution has received andgladly accepted a collection of mail art, documentation of communication activityof one mail artist. This, according to Piotr, terminates his activity in mail art sensustricto...» (In: Umbrella [→ Hoffberg]. Vol.7, #2-5. 55 p. 1984)Géza Perneczky: The Magazine Network. The trends of alternative art in the lightof their periodicals 1968-1988. Edition Soft Geometry, Köln, 1993. 90 p.Rywelski, Helmut c/o Galerie art intermedia, Brüsselerstr. 44, Köln-1, D-5000 Germany 1972c/o Galerie art intermedia, Domstrasse 81, Köln-1, D-5000 - “ - 1967.............................................................................................................................................................Künstlerpost («Artists' Post» – A collection of 8 multiples in form of postal works by Alvermann, Beuys, Brecht, Filliou, Roth, Spoerri, Vostell & Wierhoff)Edition art intermedia. Köln, 1969^Marktsgrafik («Sale Graphics» – Assembling, 10 signed litographies in an A/4 envelope {1000}, available for everymanan – an effort for more«democratic» concept in the art trade. 1972, #1 only)