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Network Atlas by Geza Perneczky - Ruud Janssen

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336School of Cultural Workers, London. 1993^Small Plastic Babies. Cat.: A/4, phc. (black / red), 10 p. (Publ. as a #Smile) 1987 ^Smile history (The «last» Smile issue with the chronology of the div. Smile publs. made on the basic of → Home's archive. A/5, phc., 4 p.) 1989^Mark's Little Book about Kinder Eggs (Xerox publs. mini size, 24 p.) 1989 ^(«Mark, the Russian», A/5, col. xerox. 24 p. {300}. + text 1 p.) 1990 ^Life has meaning (Colour mimeogr. bookwork {500} <strong>by</strong> → Knust, A/4, horz., 26 p.) Nijmegen NL. 1992^Eco-frenzy (Mini size graph. pages <strong>by</strong> recycling & ecology symbols, xerox, 32 p.) London, 1992^Community Copyart Book (Assembled sheets after the close of an exhibition in the Community Copyart Resource Centre, 41 Battlebridge Rd. London,NW1. A/3, phc. + collage, 20 leaves. {~30?}) 1992~Literature:Vittore → Baroni: Mark Pawson. In: Arte Postale. Guida al network dellacorrispondenza creativa. (Text: Italian) AAA Ed. Bertiolo, 1997. 104-105 p.«P. C. D.»→ Postal Collective DepotPeacock, Steven / Dubs, Christopher, 270 Park Ave. South Suite #4A, New York, NY-10010 USA 1984^Art Works (Unbound, letter size assembling published in spring folders in an edition of 75 copies. Ca. 15-40 sheets per issue, 1984-87, bimonthly.Parallel and successor issues with the same title and character werepublished <strong>by</strong> „The → Artworks Comittee“ in Tokyo, Japan, from 1985)^# Vol. 4 / 5Peixoto, Tanya / Bently, John / Brown, Stephaniec/o Magpie Press, 1 Hermitage Cottage, Clamp Hill Stanmore, Middx, HA7 3JW, UK. 1994^Artist's Book Yearbook (Voluminous offset almanach with featurings, theories,address and title lists on artists' books. Letter, ~130 p. 1994-, in every2 year)^#1, 2, 3 Peli, Romano / Versari, Michaela. Ed. & Archive C. D. O. (Center Documentation Organisation)Via Republica 19. Parma, I-43100. Italy 1988↑ Via dei Farnese 9 Parma, I-43100 - “ - 1974↑ ? Trento - “ - 1972.............................................................................................................................................................°Mantua Mail 78. / 13 Postal Communication for an International Exhibition. Cat.: A/5, phc., 200 p. 154 parts. / Casa dei Mantegna, Mantova, '78°C. D .O. Parma «Mail Art». Cat.: A/5, phc., 40 p. / Gal. del Teatro, Parma, 1978 °Int. Mail Art Exh. Doc. 70x70 cm. poster, offset. ~200 parts. / Italian Spring Fes- tival, Perth, Australia, 1980^Mailartspace International (A/5 assembling in portfolio of 25.5x18.5 cm., also textpart. {150-200}. ~50 leaves per issue. 1981-82, #0-1 only) C. D. O.^# 0, 1~Literature:«...Peli came from the visual arts, and Versari from theater and philosophy.Together they wanted to do research, document and distribute the results of theirresearch into art in Italy... At the outset, they issued a journal called Il Coprannaturein 250 copies (1974). (...) Mail Art Space was born in 1977, a space to beavailable to artists, (...) As Romano Peli says, „I cannot change the world so I tryto create a new world with the work of others.“...»(Profile: C. D. O., Parma. In: Umbrella [→ Hoffberg], Vol. 4, #2, 25-26 p.)First International Mail Art Manifesto. Signed in June 1982 in Parma <strong>by</strong>: GracielaMarx (Argentina), G. Deisler (Bulgaria), Anna Banana (Canada), Daniel Daligand

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