Network Atlas by Geza Perneczky - Ruud Janssen

513→^Ruch, Günther: CLINCH, #5. Mail Art History. Genève, 1984. With the following essays:G. Ruch: From Mail-Art to Other Co-Works Statements by G. Bleus, R. Johnson,G. A. Cavellini, M. Bloch, U. Kattenstroth, V. Baroni, L. Spiegelman, D.Kamperelic, C. PittoreV. Baroni: Real Correspondence - SixG. Perneczky: Mail-Art as an alternative?H. R. Fricker: Letter to G. Ruch (Tourism)G. Ruch: Mail Art Messages... ChronologyL. Spiegelman: Mail Art Shows (Rules and statement)→^Anelli, Salvatore: Mail-World's-Artists-Family. (Thinking of Mail Art, towards aninformation-art – progetto su pace, guerra, e altro...) Congress / exhibition at theCentro Studi Mancini, Cosenza, 1984. Curated by S. Anelli, R. Granafei, S. Iagulli.Doc.: 21.5x16 cm., phc., 12 p. + offset cover.→ ^Nielsen, Mogens Otto: Conceptual Laboratory Future-Enginneering. Published on small,golden signed cards in the years ~1985 with the saying of Adorno: “Society withother qualities” and the text of the 10 Commandments of the mail artists:1. Mail Artists do not care who did it first2. Mail Artists do not care who did it best3. Mail Artists do it for each other now4. Mail Artists go beyond limitations5. Mail Artists do not compete in public who does it best6. Mail Artists do not accept awards for doing it7. Mail Artists do not reject anybody8. Mail Artists do it internationally9. Mail Artists build the world network of confidence10. Mail Artists are coming by mail→^Rypson, Piotr: Mail Art / Czyli Sztuka Poczty. (Offset book with some orig. collages. Cut A/4,106 p.) Texts (Polish): P. Rypson, Ulises → Carrión, Guy → Blues, V. → Baroni,J. P. → Jacob, C. Nesh, G. → Schraenen. Ed. Akademia Ruchu, Warszawa. 1985^C. Carr: Wait a Minute, Mr. Postman. (About problems and historical events of Mail Art /on the basis of recent book publications by M → Crane, A. → Banana and the →Franklin Furnace) In: Voice Literary Supplement. 17 p. February 1985.→^Marx, G. G.: We must have a Folk Art without Artists! (Leaflet «...for the unity, in creationand as an homage to the marginated peoples of Central and South America...»)Legal size sheet, recto/verso,, phc. n.d. (Middle 1980s)→^Morandi, Emilio: Verso il 2000 – Nuove realta' nell' arte –Spazi alternativi e indipendenti.(with an additive diagram: «artestudio» and he development of Mail Art communicationin 3 phases) Artestudio. Ponte Nossa, n.d. (1980s)→^Bleus, Guy: Mail-Art Sociology. Leaflet, A/4, phc. 1 sheet. Also published in CLINCH, #8,→ Ruch, Genève, 1986.→^Welch, Chuck: Networking Currents. Contemporary Mail Art. Subjects and Issues. (Anthologyof essays) Digest, xerox, 146 p.) Sandbar Willow Press, Boston, 1986→^Anelli, Salvatore: Labhirint. Nuovi Spazi per Nuove Idee. (Statements by SAnelli, F. Flaccavento,G. G. Marx, G. Deisler, and C. Padín.) Texts Italian, Spain and English.A/4, phc., 13 leaves. 1987-88.→^Billé, Ph.: About Todays Mail Art / Au Sujet de L'Art Postal Aujourd'hui. A/4 leaflet foldedto A/5., phc. English / French. Bordeaux, February 1987