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Network Atlas by Geza Perneczky - Ruud Janssen

Network Atlas by Geza Perneczky - Ruud Janssen

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440voor mij onmiddelijk een van de interessantste van de groep... Brieven... doorhandgeschreven of getypte nulletjes...»Harry → Ruhé: De „Gladnesses“ van Endre Tót (Exhibition in Galery «A»,Amsterdam). In: Artzien (→ Gibbs), Vol. 1, N°10, October 1979. n.p.^Endre Tót. Nothing ain't nothing. Retrospective 1965-1995. Kunsthalle, Budapest.With essais <strong>by</strong> Judit Szabadi (Early pictures), Ulrike Lehman (Ästhetik derAbsenz), T. Strauss (Der Aktionskünstler), G. <strong>Perneczky</strong> (Mental Monochromy).Early works, wall drawings, actions, joys, Mail Art works, rainproof ideas, zerotexts,absent pictures, catalogue paintings, artists' books & bio/bibliography(Hungarian and English) A/4, offset, 200 p. Budapest, 1995^John → Held, Jr.: L'Arte del Timbro / Rubber Stamp Art. A/5, offset, 176 p.Editor: V. Baroni. AAA Edizioni, Bertiolo I, 1999. 90-91 p.Tóth, Dezider Moskevska 1. Bratislava Czechoslovakia 1975^Omalovánky, grafiky, partitury. (Concrete & vis. poetry) Cat.: ~A/5, offset, 12 p. Text (Czech): → Valoch Exh.: Gal. Mladych Mestské , Brno, 1978Tóth, Gábor Kórház u. 7. III. / 13. Budapest, H-1033 Hungary 1992^Dimenzionista Album '72. (Visual poems) 18x25 cm. horz., silkscreen prints, 20 sheets, + dimensionalist statement on a card of 16x23.5 cm.S. P. Budapest. 1972^(Without title, booklet with visual poems) 20x14 cm., offset, 10 sheets, numbered copies (edition of 100?) S. P. Budapest. 1972^Information. (Vis. poetry matter, 16.5x16.5 cm., offset, 12 p.) Ed. Modullo / Milanino sul Garda. 1973^The Visual Aspects of Grammatical Relations. Visual literature, in a brochure edited with → Szombathy & → Zagoricnik, A/5, offset, 12 p. ExperimentalArt Publisher. Bohinj YU, 1973^Visual Topology (10 offset cards, A/7, in plastic cover) Exp/Press, Utrecht, 1974 ^Genital Art Publications (7 text-cards, ~A/6, horz. in envelope, silk-screen) S. P. n.d. (~1975)^Analytical Poetry. (11 cards, ~A/7, in envelope). {50}, Budapest, 1975^Poetical Objects of the Urbanical Environment (A/5, offset, 16 p. in cover with visual poetry, images & photos <strong>by</strong> B. Szombathy, K. Ladik, F. Zagoricnik,G. Tóth) Experiment Art Publicher – Gábot Tóth, Budapest, '76^Stamp / I'm my first..... (10 cards, ~A/6, horz. with orig. blue rubber stamps + hand- ® writing text in an offset printed cover,{50}), Budapest, 1977^(self-) adhesive ideas. (Sticker-anth., silk-screen prints {50}, small horz. size of 8x23 cm., 30 leaves) An Onga Press Ed. Budapest, 1983^I would like to be. (10x13 cm., offset broch. 8 p.) Onga Press, Budapest, 1983 ^I am still a long way off from being able to keep silent. (A/6 offset booklet, 104 p.)Ed. Buddhista Misszió, Budapest, 1985^Laza Lapok (Magazine in A/4 portfolio, partly assembling matter, with a exp. lite- rary character. Also xerox, collage and rubber stamp, etc. appls. SometimesA/5 offset booklets or experimental music CD as supplements.{~100} 1992-, ~y.)^#1, 2, 3~Literature:«I have meet with the first Mail Art documents fairly late (1972), because I havebeen working in this time in Hungary on the field of visual and concrete poetrytotally isolated and alone, and so not any information could have reached me.No too long after that, I have been invited to take part on a rubber stampshow in Holland (...) this inducing was enough to give a new medium into myhand... Since then the mailing, the card, the rubber stamp, the stamp has become asignificant part of my activity... My Mail Art philosophy results from the things

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