CONSCIOUSNESS
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6. Culture and the Humanities 207<br />
This paper explores the role of Buddhist mindfulness in developing a feminist conception<br />
of self-consciousness. I will open with a discussion of the role and function of selfconsciousness<br />
within feminist consciousness. Although largely unrecognized in the literature,<br />
feminist self-consciousness is an essential component of feminist consciousness and, as such,<br />
the political activity of feminist consciousness-raising is dependent on the development of a<br />
distinctively feminist self-consciousness. Mindfulness is understood in terms of certain meditative<br />
practices to attain an altered consciousness that provides a better awareness of one’s<br />
bare subjectivity. In Buddhism successful mindfulness results in a cessation of suffering and<br />
pain and finally of the self itself as ordinarily understood (anatman). I will argue that similar<br />
meditative practices can play a role in articulating feminist self-consciousness. Techniques<br />
used to cultivate mindfulness can help us articulate and attain a feminist self-consciousness<br />
that takes into account the particular situations, contexts, and positions of individual women<br />
and does not homogenize them in one group in an essentialist fashion. What makes the comparative<br />
relevance of Buddhist thinking on self-consciousness to feminism interesting is their<br />
shared suspicion of essentialism and shared interest in finding ways to liberation. One of the<br />
central points of this paper is that meditative practices associated with attaining mindfulness<br />
could provide a perspective to attain self-consciousness in many feminist contexts. At first<br />
glance, this comparative engagement may seem far-fetched and at best forced. One might<br />
argue that while the Buddhist engagement with liberation is motivated by an other-worldly<br />
concern, feminist conception of liberation is fundamentally this-worldly. Even with this difference,<br />
however, it seems worthwhile to explore how understanding mindfulness and its associated<br />
meditative practices can illuminate our understanding of feminist self-consciousness.<br />
Especially if meditative practices are understood not as a means to withdraw from the world<br />
but to engage with it with a better understanding of reality, then that kind of self-knowledge<br />
can certainly be useful to understanding and raising feminist consciousness. C14<br />
315 The Consciousness of Movement Karen Studd (George Mason<br />
University Center for Consciousness and Transformation, Fairfax)<br />
In learning mode we are somewhat conscious of our movement but once actions are<br />
learned they fall out of our conscious awareness .... P5<br />
6. Culture and Humanities<br />
316 Twelve Beds for the Dreamer: A Poetry Performance Máighréad Medbh<br />
(Swords, CO. DUBLIN Ireland)<br />
Many poets are, and have been, interested in astrology. Louis MacNeice wrote a book<br />
on the subject; W. B. Yeats was chairman of the Irish Astrological Association during the<br />
1920s. Having studied it for a few years and dabbled for several more, I find the natal chart<br />
remarkably accurate, even in the hands of this amateur, on personality traits, innate skills<br />
and propensities. As the moon is said to affect the subconscious, I decided to take note of my<br />
dreams for a month and check whether there might be any discernible connection between<br />
them and the passage of the moon through the zodiacal constellations. This was not a scientific<br />
experiment and couldn’t lead to conclusions, though sometimes themes and moods seemed<br />
to coincide. What I did achieve, I think, was a sort of brief history of a subconscious. I wrote<br />
the dreams as poems, added other recurring or striking dreams, and found that they could<br />
be allocated thematic places within the twelve astrological divisions. I also noticed that the<br />
dreams could be read as reflections of the times, influenced as they were by the prevailing<br />
social environment. The performance presents twenty dream-poems in recitation, using the<br />
signs of the zodiac as a loose narrative structure. The journey is from Cancer (home, children,<br />
tradition) to Gemini (information, communication, restlessness), a road that has been walked<br />
by my generation. Dreams and poetry share metaphor and the tendency to resonate with a<br />
multiplicity of sense impressions and experiences. So the poems spread out in different directions,<br />
propelled by the dreams, their own impetus, and their birth in the night’s melting pot. I<br />
hope that the presentation of these very immediate emissaries of subconscious thought might