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CONSCIOUSNESS

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6. Culture and the Humanities 207<br />

This paper explores the role of Buddhist mindfulness in developing a feminist conception<br />

of self-consciousness. I will open with a discussion of the role and function of selfconsciousness<br />

within feminist consciousness. Although largely unrecognized in the literature,<br />

feminist self-consciousness is an essential component of feminist consciousness and, as such,<br />

the political activity of feminist consciousness-raising is dependent on the development of a<br />

distinctively feminist self-consciousness. Mindfulness is understood in terms of certain meditative<br />

practices to attain an altered consciousness that provides a better awareness of one’s<br />

bare subjectivity. In Buddhism successful mindfulness results in a cessation of suffering and<br />

pain and finally of the self itself as ordinarily understood (anatman). I will argue that similar<br />

meditative practices can play a role in articulating feminist self-consciousness. Techniques<br />

used to cultivate mindfulness can help us articulate and attain a feminist self-consciousness<br />

that takes into account the particular situations, contexts, and positions of individual women<br />

and does not homogenize them in one group in an essentialist fashion. What makes the comparative<br />

relevance of Buddhist thinking on self-consciousness to feminism interesting is their<br />

shared suspicion of essentialism and shared interest in finding ways to liberation. One of the<br />

central points of this paper is that meditative practices associated with attaining mindfulness<br />

could provide a perspective to attain self-consciousness in many feminist contexts. At first<br />

glance, this comparative engagement may seem far-fetched and at best forced. One might<br />

argue that while the Buddhist engagement with liberation is motivated by an other-worldly<br />

concern, feminist conception of liberation is fundamentally this-worldly. Even with this difference,<br />

however, it seems worthwhile to explore how understanding mindfulness and its associated<br />

meditative practices can illuminate our understanding of feminist self-consciousness.<br />

Especially if meditative practices are understood not as a means to withdraw from the world<br />

but to engage with it with a better understanding of reality, then that kind of self-knowledge<br />

can certainly be useful to understanding and raising feminist consciousness. C14<br />

315 The Consciousness of Movement Karen Studd (George Mason<br />

University Center for Consciousness and Transformation, Fairfax)<br />

In learning mode we are somewhat conscious of our movement but once actions are<br />

learned they fall out of our conscious awareness .... P5<br />

6. Culture and Humanities<br />

316 Twelve Beds for the Dreamer: A Poetry Performance Máighréad Medbh<br />

(Swords, CO. DUBLIN Ireland)<br />

Many poets are, and have been, interested in astrology. Louis MacNeice wrote a book<br />

on the subject; W. B. Yeats was chairman of the Irish Astrological Association during the<br />

1920s. Having studied it for a few years and dabbled for several more, I find the natal chart<br />

remarkably accurate, even in the hands of this amateur, on personality traits, innate skills<br />

and propensities. As the moon is said to affect the subconscious, I decided to take note of my<br />

dreams for a month and check whether there might be any discernible connection between<br />

them and the passage of the moon through the zodiacal constellations. This was not a scientific<br />

experiment and couldn’t lead to conclusions, though sometimes themes and moods seemed<br />

to coincide. What I did achieve, I think, was a sort of brief history of a subconscious. I wrote<br />

the dreams as poems, added other recurring or striking dreams, and found that they could<br />

be allocated thematic places within the twelve astrological divisions. I also noticed that the<br />

dreams could be read as reflections of the times, influenced as they were by the prevailing<br />

social environment. The performance presents twenty dream-poems in recitation, using the<br />

signs of the zodiac as a loose narrative structure. The journey is from Cancer (home, children,<br />

tradition) to Gemini (information, communication, restlessness), a road that has been walked<br />

by my generation. Dreams and poetry share metaphor and the tendency to resonate with a<br />

multiplicity of sense impressions and experiences. So the poems spread out in different directions,<br />

propelled by the dreams, their own impetus, and their birth in the night’s melting pot. I<br />

hope that the presentation of these very immediate emissaries of subconscious thought might

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