TUZLU SU SALTWATER
14B_Catalogue
14B_Catalogue
- No tags were found...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
108 Chus Martínez<br />
Denemeler / Essays<br />
109<br />
understanding the cultural, aesthetic and logical connotations of such a simple gesture<br />
that is fundamental to the hand and, therefore, to the mind.<br />
When I discovered the egg titled We, the Outsiders (1965), the last formal work by<br />
Argentinian artist Federico Manuel Peralta Ramos, I thought it was the greatest attempt<br />
by an artist to put an end to the straight line. Think of it: an egg is like a safe,<br />
an enclosure inhabited by limitless elliptical lines moving around the inner and outer<br />
surfaces. But why is this relevant? Was Ramos alone in contesting the line? No, he<br />
was not alone. Around the same time, a large group of scientists led by Douglas<br />
Engelbart developed what we now know as the ‘hyperlink’. It is interesting that both<br />
Ramas and Engelbart, in the middle of the 1960s, were making these very serious<br />
attempts to connect knowledge, reality – time, even – in a completely different manner.<br />
In this context, the egg not only expresses a Humpty Dumpty attempt to reinvent<br />
language, but a very particular language that is the internet. The hyperlink, too, is a<br />
major attempt to break the line and open up to a different navigation system that<br />
transforms, not just the sentence, but the very nature of reading, connecting ideas<br />
and times in dimensions that have still not been fully explored.<br />
A study of non-sense, of how to reverse meaning and how to un-order the logic of a<br />
sentence, can also be seen as an attempt to address the straight line. However, it is<br />
one that still respects and acknowledges the idea of direction, even if altered by the<br />
Humpty Dumpty language game.<br />
And so I have come to think that the egg is the expression of a new era, one where the<br />
straight line is surpassed, and that has already been called the Metabolic Era. A time<br />
that comes after the modernist time of thinking in terms of a linear progress from past<br />
to future, about continuity and coherence, the Metabolic Era is marked by the invisible<br />
signs of life in transformation, by living and non-living organisms silently changing,<br />
metabolising, absorbing and giving, producing a new environment. The Metabolic Era<br />
will demand a different thinking, as well as a different understanding of will, of volition,<br />
not only versus other organisms but also versus technology and the inanimate world.<br />
Remember that to Live is to Metabolise<br />
It was in the 1920s and 1930s that researchers started focusing on the human metabolism.<br />
The isolation of vitamins had begun in the second half of the nineteenth century,<br />
and during the 1920s multiple experiments proved the role of vitamins A and D, and<br />
further studies isolated vitamins C and K (a powerful blood coagulant). And so the<br />
interest in diet took a new form, with food not only being seen as a question of access,<br />
class or tradition, but as a question of health and a new form of self-control. Especially<br />
relevant for our context is the work and research of Catherine Kousmine (1904–1992),<br />
a Russian emigré who studied in Lausanne and developed a theory and a praxis for<br />
the cure of cancer predicated on diet. Her first diet protocol was based on a case<br />
study of 1949 that described the cure of a patient with intestinal cancer and was highly<br />
influenced by the research of another woman, Johanna Budwig. Budwig, a German<br />
biochemist, had developed throughout the 1940s a study of fatty acids and their influence<br />
on cancer cure. She published her first diet protocol in 1952, mostly presenting<br />
the virtues of flaxseed oil mixed with low-fat cheese, and meals high in fruits, vegetables<br />
and fibre, as well as the avoidance of sugar, animal fat, salad dressing, meats,<br />
butter and especially margarine. Even if Kosmine followed the discoveries and the<br />
precepts of Budwig’s diet, she was a pioneer in a new understanding of the benefits of<br />
raw food for our health, putting a special emphasis on cold-pressed oils. During World<br />
War II, oils were pressed under heat, from 160 to 200 degrees Celsius. The reason was<br />
simple: this technique allowed the extraction of up to 70% of the fat from the grain.<br />
The resulting liquid is a dark, strong-smelling oil that needs, therefore, to be refined,<br />
a process that requires first mixing the oil with hexane (a dissolvent), then separating<br />
the two later. This oil lasts forever, since, as Kousmine described it, it is ‘dead’. Coldpressed<br />
oils, on the contrary, obtained by simple physical processes like decanting<br />
and filtering, are alive, but they react to light, becoming rancid, and need refrigeration<br />
once exposed to the air. Kousmine’s texts are intensely eloquent in explaining how<br />
simple food is transformed by industrial processes and how they destroy fatty acids,<br />
also called vitamin F, that play a fundamental role in how the membranes of our cells<br />
are protected from external attacks, as in immuno-deficient conditions, for example.<br />
There is, of course, no proof that following diets as rigorous as the Kousmine method<br />
cure cancer. It is also not my point here to describe these methods. The interesting<br />
aspect in this context is the parallel growth from the beginning of the twentieth century<br />
in the use of dieting and the understanding of drugs. To compare the rise of interest in<br />
vitamins and raw food with drugs seems nonsensical at first. Food may have an effect<br />
on our organism, but isn’t it too slow, too long term, to provide us with the basis for a<br />
proper comparison? But the common denominator of both is clear: the way they affect<br />
our metabolic system. Both the interest in drugs and in diets have to do with exploring<br />
the possibilities of enhancing our capabilities. The world of drugs is all about the brain,<br />
about the possible chemical transformations that will enable us to explore the way we<br />
sense the world. The importance of food – not gourmet cooking, but food as a source<br />
and method to structure life – bears a strange and powerful relation to all sorts of experiments<br />
in freeing the mind. It has to do with the psychiatric and anti-psychiatric<br />
movements of the last century, and, most of all, with the avant-garde, with the idea<br />
of controlling the body, of fuelling it not too little and not too much to become productive.<br />
But the science of nourishment is not only aimed at avoiding illness, to make<br />
us live longer, to stretch the productive years of the human, or to achieve a strong,<br />
machine-like body. It is also aimed at generating a paradoxical state, one where we<br />
are healthy enough to work more, but not so healthy that our body is in a state of repose<br />
beyond labour. If drugs are all about the mind a as skyrocket able to take off and<br />
escape, leaving behind a damaged body, the metabolic cult expressed by super food<br />
represents a body capable of making the mind stay put.<br />
And … why all this?<br />
Why would I make this connection between diets and eggs and hyperlinks? Because<br />
we are in the middle of a very important transformation that radically affects our culturally<br />
inherited ways of understanding the relationship between mind and body, our<br />
ability – or inability – to see coherence, to read and synchronise with the time we are<br />
in. The curved line, the hyperlink, even the slow assimilation of nutrients, all contribute<br />
to change and challenge the accepted body construction: eyes that are fingers touch<br />
screens that follow no one sentence. It all adds up to a slow transformation of the body<br />
through absorption – a transformation that happens over years, decades, but that was<br />
consciously started and hopes for reciprocity in nature and also in the technological<br />
world. The end of the straight line is the beginning of the future.