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Literary History of Sanskrit Buddhism

A study by J. K. Nariman of Sanskrit Buddhism from the Early Buddhist Tradition up to the Mahayana texts proper.

A study by J. K. Nariman of Sanskrit Buddhism from the Early Buddhist Tradition up to the Mahayana texts proper.

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Aśvaghoṣa and his School – 45<br />

The foe <strong>of</strong> intelligence and the disappearance <strong>of</strong> memory.<br />

He too sucked at his mother’s breast,<br />

As a child learnt to walk in course <strong>of</strong> time.<br />

Slowly he grew big and strong – a youth,<br />

By degrees has old age crept on him.”<br />

After the prince had on his three walks out <strong>of</strong> his palace learnt <strong>of</strong> old<br />

age, disease and death, no more could he find any joy in life. It is in<br />

vain that the family priest by order <strong>of</strong> the king calls upon the women<br />

and maidens <strong>of</strong> the palace to bend their energies on their seductive<br />

art to soothe the prince and turn him from his distressing thoughts.<br />

The prince remains untouched by the s<strong>of</strong>t distractions. He only<br />

thinks <strong>of</strong> the unthinking ways <strong>of</strong> these women and cries out (iv 60<br />

f.):<br />

“How senseless the man appears to me whose neighbour ill and old<br />

and dead he<br />

Sees and yet holds fast to the good things <strong>of</strong> this life and is not<br />

thrilled with anxiety.<br />

It is as if a tree divested <strong>of</strong> all flower and fruit must fall or be pulled<br />

down –<br />

Unaffected remaining the neighbouring trees.”<br />

Statecraft, Erotic Art and Warfare<br />

The presentment <strong>of</strong> the love scenes belongs to the indispensable<br />

element in the poetic are as an appanage to the court. And the poet<br />

satisfies this demand in depicting the sports <strong>of</strong> the lovely maidens<br />

who endeavour to draw the prince towards themselves (iv, 24/53) just<br />

as well as in the vivid portrayal <strong>of</strong> the [34] night scene in the ladies’

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