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Literary History of Sanskrit Buddhism

A study by J. K. Nariman of Sanskrit Buddhism from the Early Buddhist Tradition up to the Mahayana texts proper.

A study by J. K. Nariman of Sanskrit Buddhism from the Early Buddhist Tradition up to the Mahayana texts proper.

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Avadāna – 74<br />

compiler <strong>of</strong> the [58] Divyāvadāna has extracted in its literal entirety<br />

this magnificent section from the Sūtrālaṁkāra <strong>of</strong> Aśvaghoṣa.<br />

Divyāvadāna pp. 356-364, translated by Wintlisch, Māra und<br />

Buddha, p. 161 ff, Huber Ashvagosha: Sūtrālaṁkāra translated into<br />

French, p. 263 ff, and Bulletin de l’Ecole Francaise d’Extreme Orient<br />

4, 1904, p. 709 ff.<br />

A Pāḷi version <strong>of</strong> this legend quite artless and undramatic has been<br />

discovered from the Burmese book <strong>of</strong> Lokapaññatti by Duroiselle<br />

(Bulletin de l’Ecole Francaise d’Extreme Orient, 4 1904, p. 414 ff.). It<br />

is remarkable that the monastery in which Upagupta (who<br />

subsequently became the preceptor <strong>of</strong> Aśoka) lived, was founded by<br />

the brothers Nāṭa (actor) and Bhaṭa (soldier) and was accordingly<br />

called Nāṭabhaṭika. Not inappropriately Levi calls the Aśokāvadāna<br />

a kind Māhātmya <strong>of</strong> the Nāṭabhaṭika Monastery at Mathura.<br />

Kuṇāla : Queen Mother and Step-Son<br />

The source <strong>of</strong> one <strong>of</strong> the most charming legends in the Aśoka cycle<br />

<strong>of</strong> tales in the Divyāvadāna remains unknown. It is the pathetic<br />

episode <strong>of</strong> Kuṇāla. He was the son <strong>of</strong> King Aśoka, and at the<br />

instigation <strong>of</strong> his wicked step-mother was blinded <strong>of</strong> his eyes <strong>of</strong><br />

wonderful beauty. Not for a moment did he feel indignation or<br />

hatred against her who was the cause <strong>of</strong> so much misery to himself.<br />

Pāḷi Parallels<br />

The Divyāvadāna has many legends in common with the Pāḷi canon.<br />

The seventh chapter is an extract from the Mahaparinirvāṇasūtra.<br />

To a well-known Pāḷi sūtra or dialogue corresponds the history <strong>of</strong>

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