Intersections - Nguyen Dang Binh

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Electronic Art and Animation Catalog Art Gallery Art Panels Art Panels Seeking to challenge the SIGGRAPH audience intellectually and creatively, the SIGGRAPH 2006 Art Panels explore contemporary, historical, cultural and social issues in the field of digital art. Pioneers and researchers in computer graphics, genetic algorithms and interactive art discuss and debate the development of art in the digital realm while contemporary theorists and artists look at how computer art has and will transform our existence.
Art Panels Locative Media: Urban Landscapes and Pervasive Technology Within Art Chair Michael Salmond School of Art, Northern Illinois University USA Panelists Hasan Elahi School of the Arts, Rutgers University USA Mike Phillips Institute of Digital Art and Technology, Plymouth University United Kingdom Carlos Rosas School of Visual Arts, Pennsylvania State University USA locative media: the utilization of pervasive, portable, networked, location-aware computing devices that allow for user-defined mapping and artistic intervention within urban geographies, transmuting them into an experimental canvas. This panel examines the current or future state of locative media practice, establishing an artistic and theoretical discourse on pervasive computing. The advent of an always-on, always-accessible information sphere creates an enhanced reality space that enables connected artists to work within different spaces and geographies, creating work that is simultaneously global and local. Can we shift the balance of power, redistributing media control so as to create an open space where public art, social projects, and free expression can flourish? Beyond Brush and Easel: The Computer Art of Charles A. Csuri from 1963 to present Opening comments by John Finnegan, SIGGRAPH 2006 Chair Chair Janice M. Glowski Curator, Charles A. Csuri: Beyond Boundaries, 1963 to present The Ohio State University USA Panelists Margit Rosen Kunsthochschule für Medien Köln Germany Bruce Wands School of Visual Arts New York, USA Charles A. Csuri The Ohio State University USA This panel explores the computer art of Charles A. Csuri, an artist, recognized by Smithsonian Magazine as “the father of digital art and animation,” and includes discussion of his works from 1963 to the present. In this rare opportunity, we will also hear reflections from the pioneering artist himself, now Professor Emeritus and Artist in Residence at The Ohio State University. This art panel is presented in conjunction with the retrospective exhibition, Charles A. Csuri: Beyond Boundaries, 1963-present, which is shown for the first time at SIGGRAPH 2006. Art Panels Art Gallery Electronic Art and Animation Catalog
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Electronic Art and Animation Catalo
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Art Gallery CHAIR Bonnie Mitchell B
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61 Sergi Jordà the reacTable* 62 T
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SIGGRAPH 2006 Art Gallery Chair Bon
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SIGGRAPH 2006 Art Gallery: Intersec
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Art Jury Member Anne Behrnes Contem
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Art Jury Member Shawn Decker Green
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Art Jury Member Paul Hertz Ignotus
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Art Jury Member Andrea Polli Queens
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Art Jury Member LiQin Tan LavaBody
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Artworks The works in the gallery e
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Christopher Bauder electric moOns 1
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Alain Bittler Brush Traces I 52 inc
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oredomresearch randomSeed 001 22 in
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Adam Brown and Andrew Fagg Bion 12
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Gil Bruvel ARTIST STATEMENT My mask
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Sheriann Ki Sun Burnham Tortuosity
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Alessandro Capozzo and Katja Noppes
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Sandra Crisp Global Happenings Exce
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Juliet Davis Altar-ations Interacti
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Leah Dixon TEMPLE: Time Tapestry 44
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Ed Eaton Wall Sculpture with Postit
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Lisa Erdman Annual Checkup: Pharmac
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Miguel Fiadante ARTIST STATEMENT Dr
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Martha Carrer Cruz Gabriel Voice Mo
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Phillip George mnemonicon 23 C-type
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Madge Gleeson Rocking Circle C 32 i
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Jefferson Y. Han Media Mirror 10 fe
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David Hart Blot 2005/01/02/10 30 in
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Yeoh Guan Hong Shifting Nature 10 f
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Sergi Jordà ARTIST STATEMENT The r
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Yoichiro Kawaguchi Gemotional Bumpy
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Hye Kyung Kim Meditation 25 inches
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Viktor Koen Dark Peculiar Toy No.03
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Mark Koven ARTIST STATEMENT Employi
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Kumiko Kushiyama Thermoesthesia 27
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Barbara Layne ARTIST STATEMENT Hand
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Patrick Lichty Pixelboxes 12 inches
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Andy Lomas Aggregation 22 38 inches
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Dan Lu Transition I 14 inches x 14
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Jessica Maloney Exponential Growth
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Mark Millstein Kite Form: Laminate
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Masashi Nishimura THORN 23.386 inch
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Fernando Orellana 8520 S.W. 27th pl
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Cynthia Beth Rubin Sand and Grasses
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Ansen Seale Unfolding no. 14 25 inc
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Carlo Séquin Hilbert Cube 5 inches
Page 95 and 96: Vladimir Sierra Still Life #2 28 in
Page 97 and 98: John Slepian little_one 3 feet x 4
Page 99 and 100: Mark Stock Open House 24 inches x 2
Page 101 and 102: Masakazu Takano e-scape 26 inches x
Page 103 and 104: Chao-Ming James Teng ARTIST STATEME
Page 105 and 106: Roman Verostko The Rocktown Scrolls
Page 107 and 108: Jody Zellen Talking Walls Web-based
Page 109 and 110: Electronically Mediated Performance
Page 111 and 112: Julie Andreyev VJ Fleet [redux] Mob
Page 113 and 114: Yoichiro Kawaguchi Gemon Dance Inte
Page 115 and 116: Benoit Maubrey AUDIO BALLERINAS Per
Page 117 and 118: Palindrome Perceivable Bodies Inter
Page 119 and 120: Daniel Sauter Light Attack Hybrid p
Page 121 and 122: Paul Sermon, Steve Dixon, Mathias F
Page 123 and 124: Benjamin Vigoda MANDALA Musical imp
Page 125 and 126: Gil Weinberg ARTIST STATEMENT Compu
Page 127 and 128: Bret Battey Autarkeia Aggregatum Ar
Page 129 and 130: Lucy Blackwell Alive Art animation,
Page 131 and 132: Jean Detheux Rupture Art animation,
Page 133 and 134: Chris Hinton cNOTE Art animation, 6
Page 135 and 136: Luis Nieto Oreille remplie de plume
Page 137 and 138: David Schwan Time Away Art animatio
Page 139 and 140: Florian Witzel, Magid Hoff, Stephan
Page 141 and 142: Charles A. Csuri: Beyond Boundaries
Page 143 and 144: Endless Possibilities I work with m
Page 145: Raphael Voglass Color ink on paper
Page 149 and 150: Theoretical Art Papers The SIGGRAPH
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Page 153 and 154: References AliasMoze. 2001. Interes
Page 155 and 156: signed for person-to-person communi
Page 157 and 158: toons, animations and arts that uti
Page 159 and 160: ties must share the knowlege that t
Page 161 and 162: For researchers seeking to better u
Page 163 and 164: REFERENCES [1] Century, M. 1999. Pa
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Page 167 and 168: Marking Space: on Spatial Represent
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Page 171 and 172: Painting in a Digital World: I Told
Page 173: James Faure Walker Found, Drawn, Pa
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Intersections - Nguyen Dang Binh

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