Intersections - Nguyen Dang Binh

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Art Panels Generative and Genetic Art Chair William Latham leeds Metropolitan University United Kingdom Panelists Karl Sims GenArts, Inc, USA Yoichiro Kawaguchi The University of Tokyo Japan Andy Lomas Framestore CFC United Kingdom This panel brings together leading experts of generative and genetic art from the past 25 years, all of whose work has been featured at the annual SIGGRAPH conferences during this period. The panelists examine a range of topics including: “chance and creativity,” “can art be an equation?” “the procedural and generative software toolbox,” “artist as god,” “the creative peaks and troughs of traveling through multidimensional parameter space,” and “genetic art into genetic engineering?” With the growth in multicore computer systems (including games consoles) that are well suited for procedural and generative processes, the panel explores avenues for these genres in 2006 and beyond. Electronic Art and Animation Catalog Art Gallery Art Panels New Interactions: Communities and Information Chair Ian Gwilt School of Design, University of Technology, Sydney Australia Panelists Melinda Rackham Australian Network for Art and Technology (ANAT) Australia Paul Vanouse University at Buffalo, Carnegie Mellon University USA Ernest Edmonds University of Technology, Sydney Australia Ted Selker MIT Media and Arts Technology laboratory USA In coining the phrase “relational aesthetics,” the contemporary French art theorist and curator Nicolas Bourriaud attempted to define a trend in creative works that configures interactive scenarios in which everyday experiences are the catalyst for audience-driven participation. This panel explores how the tacit activities of urban living are being used to form the foundations for new types of interaction that exploit community life and information-rich environments. Topics include how “relational interaction” can be facilitated by the potential of new-media technologies to simultaneously create multi-layered datascapes and intimate, culturally specific participatory situations.
Theoretical Art Papers The SIGGRAPH 2006 Theoretical Art Papers address contemporary and historical issues that force us to stop and rethink our approach to digital art and exhibition. Internationally renowned researchers, artists, authors and curators explore ideas such as interactive art exhibition, new forms of animation, the craft of digital art, digital painting and spatial representation. ART PAPERS CHAIR Paul Brown Australia Theoretical Papers Art Gallery Electronic Art and Animation Catalog 9
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Electronic Art and Animation Catalo
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Art Gallery CHAIR Bonnie Mitchell B
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61 Sergi Jordà the reacTable* 62 T
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SIGGRAPH 2006 Art Gallery Chair Bon
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SIGGRAPH 2006 Art Gallery: Intersec
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Art Jury Member Anne Behrnes Contem
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Art Jury Member Shawn Decker Green
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Art Jury Member Paul Hertz Ignotus
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Art Jury Member Andrea Polli Queens
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Art Jury Member LiQin Tan LavaBody
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Artworks The works in the gallery e
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Christopher Bauder electric moOns 1
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Alain Bittler Brush Traces I 52 inc
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oredomresearch randomSeed 001 22 in
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Adam Brown and Andrew Fagg Bion 12
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Gil Bruvel ARTIST STATEMENT My mask
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Sheriann Ki Sun Burnham Tortuosity
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Alessandro Capozzo and Katja Noppes
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Sandra Crisp Global Happenings Exce
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Juliet Davis Altar-ations Interacti
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Leah Dixon TEMPLE: Time Tapestry 44
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Ed Eaton Wall Sculpture with Postit
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Lisa Erdman Annual Checkup: Pharmac
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Miguel Fiadante ARTIST STATEMENT Dr
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Martha Carrer Cruz Gabriel Voice Mo
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Phillip George mnemonicon 23 C-type
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Madge Gleeson Rocking Circle C 32 i
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Jefferson Y. Han Media Mirror 10 fe
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David Hart Blot 2005/01/02/10 30 in
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Yeoh Guan Hong Shifting Nature 10 f
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Sergi Jordà ARTIST STATEMENT The r
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Yoichiro Kawaguchi Gemotional Bumpy
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Hye Kyung Kim Meditation 25 inches
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Viktor Koen Dark Peculiar Toy No.03
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Mark Koven ARTIST STATEMENT Employi
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Kumiko Kushiyama Thermoesthesia 27
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Barbara Layne ARTIST STATEMENT Hand
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Patrick Lichty Pixelboxes 12 inches
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Andy Lomas Aggregation 22 38 inches
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Dan Lu Transition I 14 inches x 14
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Jessica Maloney Exponential Growth
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Mark Millstein Kite Form: Laminate
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Masashi Nishimura THORN 23.386 inch
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Fernando Orellana 8520 S.W. 27th pl
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Cynthia Beth Rubin Sand and Grasses
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Ansen Seale Unfolding no. 14 25 inc
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Carlo Séquin Hilbert Cube 5 inches
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Vladimir Sierra Still Life #2 28 in
Page 97 and 98: John Slepian little_one 3 feet x 4
Page 99 and 100: Mark Stock Open House 24 inches x 2
Page 101 and 102: Masakazu Takano e-scape 26 inches x
Page 103 and 104: Chao-Ming James Teng ARTIST STATEME
Page 105 and 106: Roman Verostko The Rocktown Scrolls
Page 107 and 108: Jody Zellen Talking Walls Web-based
Page 109 and 110: Electronically Mediated Performance
Page 111 and 112: Julie Andreyev VJ Fleet [redux] Mob
Page 113 and 114: Yoichiro Kawaguchi Gemon Dance Inte
Page 115 and 116: Benoit Maubrey AUDIO BALLERINAS Per
Page 117 and 118: Palindrome Perceivable Bodies Inter
Page 119 and 120: Daniel Sauter Light Attack Hybrid p
Page 121 and 122: Paul Sermon, Steve Dixon, Mathias F
Page 123 and 124: Benjamin Vigoda MANDALA Musical imp
Page 125 and 126: Gil Weinberg ARTIST STATEMENT Compu
Page 127 and 128: Bret Battey Autarkeia Aggregatum Ar
Page 129 and 130: Lucy Blackwell Alive Art animation,
Page 131 and 132: Jean Detheux Rupture Art animation,
Page 133 and 134: Chris Hinton cNOTE Art animation, 6
Page 135 and 136: Luis Nieto Oreille remplie de plume
Page 137 and 138: David Schwan Time Away Art animatio
Page 139 and 140: Florian Witzel, Magid Hoff, Stephan
Page 141 and 142: Charles A. Csuri: Beyond Boundaries
Page 143 and 144: Endless Possibilities I work with m
Page 145 and 146: Raphael Voglass Color ink on paper
Page 147: Art Panels Locative Media: Urban La
Page 151 and 152: Kricfalusi saw the web as his salva
Page 153 and 154: References AliasMoze. 2001. Interes
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Page 157 and 158: toons, animations and arts that uti
Page 159 and 160: ties must share the knowlege that t
Page 161 and 162: For researchers seeking to better u
Page 163 and 164: REFERENCES [1] Century, M. 1999. Pa
Page 165 and 166: the Arts and Crafts Movement sought
Page 167 and 168: Marking Space: on Spatial Represent
Page 169 and 170: access to immediate and accurate lo
Page 171 and 172: Painting in a Digital World: I Told
Page 173: James Faure Walker Found, Drawn, Pa
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Intersections - Nguyen Dang Binh

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