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Intersections - Nguyen Dang Binh

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Patrick Lichty<br />

Pixelboxes<br />

12 inches x 38 inches x 38 inches<br />

laser-cut wood, lEDs, microcontrollers<br />

ARTIST STATEMENT<br />

Pixelboxes is deceptively simple in appearance, but is an experiment<br />

in emergent behavior. The piece consists of a grid of 36 color-changing<br />

lEDs that contain very small microprocessors. When powered<br />

up simultaneously, the lEDs begin as all red. But because of miniscule<br />

differences in the manufacturing process, timing changes occur,<br />

and the grid of lEDs create patterns of red, green, and blue. The<br />

result is a study in complex interactions shown as a visual display.<br />

Conceptually, Pixelboxes creates “characters” or “calligrams” (to<br />

quote Foucault) that hint at the legible symbol, but never quite get<br />

there. Pixelboxes also is informed by John Simon’s “Every Icon”<br />

work, which cycles through every possibility in a 32 x 32 pixel grid,<br />

creating every icon imaginable.<br />

CONTACT<br />

Patrick Lichty<br />

Bowling Green State University<br />

1556 Clough Street, #28<br />

Bowling Green, Ohio 43403 USA<br />

voyd@voyd.com<br />

www.voyd.com<br />

TECHNICAl STATEMENT<br />

Pixelboxes consists of a laser-cut sculpture and lattice that holds 36<br />

color-changing lEDs, each section representing a “pixel” in the 6<br />

x 6 icon. While each of the lEDs has a preset pattern of sequential<br />

flashes, differences in the processors inside the RGB lED create<br />

slight differences in timing. In addition, the different power requirements<br />

of the red, green, and blue lEDs cause further instability in<br />

the timing of the circuit.<br />

Artworks Art Gallery Electronic Art and Animation Catalog<br />

5

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